
thewordyhero started reading...
6h

My Darling Dreadful Thing
Johanna van Veen
In a world where the dead can wake and walk among us, what is truly real? Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the only good thing in Roos’ life, which is filled with sordid backroom séances organized by her mother. That is, until wealthy young widow Agnes Knoop attends one of these séances and asks Roos to come live with her at the crumbling estate she inherited upon the death of her husband. The manor is unsettling, but the attraction between Roos and Agnes is palpable. So how does someone end up dead? Roos is caught red-handed, but she claims a spirit is the culprit. Doctor Montague, a psychologist tasked with finding out whether Roos can be considered mentally fit to stand trial, suspects she’s created an elaborate fantasy to protect her from what really happened. But Roos knows spirits are real; she's loved one of them. She'll have to prove her innocence and her sanity, or lose everything.

thewordyhero finished a book
6h

The God of the Woods
Liz Moore
When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

thewordyhero started reading...
5d

The God of the Woods
Liz Moore
When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.


thewordyhero finished a book
5d

Bright Young Women
Jessica Knoll
An extraordinary novel inspired by the real-life sorority targeted by America's first celebrity serial killer in his final murderous spree. January 1978. A serial killer has terrorized women across the Pacific Northwest, but his existence couldn’t be further from the minds of the vibrant young women at the top sorority on Florida State University’s campus in Tallahassee. Tonight is a night of promise, excitement, and desire, but Pamela Schumacher, president of the sorority, makes the unpopular decision to stay home—a decision that unwittingly saves her life. Startled awake at 3 a.m. by a strange sound, she makes the fateful decision to investigate. What she finds behind the door is a scene of implausible violence—two of her sisters dead; two others, maimed. Over the next few days, Pamela is thrust into a terrifying mystery inspired by the crime that’s captivated public interest for more than four decades. On the other side of the country, Tina Cannon has found peace in Seattle after years of hardship. A chance encounter brings twenty-five-year-old Ruth Wachowsky into her life, a young woman with painful secrets of her own, and the two form an instant connection. When Ruth goes missing from Lake Sammamish State Park in broad daylight, surrounded by thousands of beachgoers on a beautiful summer day, Tina devotes herself to finding out what happened to her. When she hears about the tragedy in Tallahassee, she knows it’s the man the papers refer to as the All-American Sex Killer. Determined to make him answer for what he did to Ruth, she travels to Florida on a collision course with Pamela—and one last impending tragedy. Bright Young Women is the story about two women from opposite sides of the country who become sisters in their fervent pursuit of the truth. It proposes a new narrative inspired by evidence that’s been glossed over for decades in favor of more salable headlines—that the so-called brilliant and charismatic serial killer from Seattle was far more average than the countless books, movies, and primetime specials have led us to believe, and that it was the women whose lives he cut short who were the exceptional ones.

thewordyhero started reading...
1w

Bright Young Women
Jessica Knoll
An extraordinary novel inspired by the real-life sorority targeted by America's first celebrity serial killer in his final murderous spree. January 1978. A serial killer has terrorized women across the Pacific Northwest, but his existence couldn’t be further from the minds of the vibrant young women at the top sorority on Florida State University’s campus in Tallahassee. Tonight is a night of promise, excitement, and desire, but Pamela Schumacher, president of the sorority, makes the unpopular decision to stay home—a decision that unwittingly saves her life. Startled awake at 3 a.m. by a strange sound, she makes the fateful decision to investigate. What she finds behind the door is a scene of implausible violence—two of her sisters dead; two others, maimed. Over the next few days, Pamela is thrust into a terrifying mystery inspired by the crime that’s captivated public interest for more than four decades. On the other side of the country, Tina Cannon has found peace in Seattle after years of hardship. A chance encounter brings twenty-five-year-old Ruth Wachowsky into her life, a young woman with painful secrets of her own, and the two form an instant connection. When Ruth goes missing from Lake Sammamish State Park in broad daylight, surrounded by thousands of beachgoers on a beautiful summer day, Tina devotes herself to finding out what happened to her. When she hears about the tragedy in Tallahassee, she knows it’s the man the papers refer to as the All-American Sex Killer. Determined to make him answer for what he did to Ruth, she travels to Florida on a collision course with Pamela—and one last impending tragedy. Bright Young Women is the story about two women from opposite sides of the country who become sisters in their fervent pursuit of the truth. It proposes a new narrative inspired by evidence that’s been glossed over for decades in favor of more salable headlines—that the so-called brilliant and charismatic serial killer from Seattle was far more average than the countless books, movies, and primetime specials have led us to believe, and that it was the women whose lives he cut short who were the exceptional ones.

This was intriguing & written in a unique way that I enjoyed, and I thought I was following along quite well, until the last two pages. I’ve no idea what that ending means, and what it is that’s implied to have happened between Hisako and her mother in the blue room.

thewordyhero finished a book
1w

The Aosawa Murders
Riku Onda
The novel starts in the 1960s when 17 people die of cyanide poisoning at a party given by the owners of a prominent clinic in a town on the coast of the Sea of Japan. The only surviving links to what might have happened are a cryptic verse that could be the killer's, and the physician's bewitching blind daughter, Hisako, the only person spared injury. The youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery. The police are convinced Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako’s and witness to the discovery of the killings. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbors, police investigators and of course the mesmerizing Hisako herself.

thewordyhero started reading...
1w

The Aosawa Murders
Riku Onda
The novel starts in the 1960s when 17 people die of cyanide poisoning at a party given by the owners of a prominent clinic in a town on the coast of the Sea of Japan. The only surviving links to what might have happened are a cryptic verse that could be the killer's, and the physician's bewitching blind daughter, Hisako, the only person spared injury. The youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery. The police are convinced Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako’s and witness to the discovery of the killings. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbors, police investigators and of course the mesmerizing Hisako herself.

thewordyhero commented...
1w
This reads as kind of cunty and I didn’t really mean for it to be (except for the last line which I stand by 💅🏼). I was just disappointed based on what I thought this book was going to be tackling and the good reviews I had seen of it.
And also I need to add that the bits with Mal and Ronan feel so much like the relationship in My Husband by Maud Ventura, but just not done nearly as well as that one is. So that was another disappointing story arc for me.

This has a strong few opening chapters and then a zinger for a final one, but most of the rest of them fall sort of flat. They feel like they’re building up to something that they never actually get a chance to explore.
At first, I loved the criticisms of basic women who appropriate gay culture and enjoy the exploitation of pain and trauma, but the funny moments eventually turned sour. Like “(oh God- why does he hate tin foil?)” made me laugh out loud, but is her obliviousness in that moment actually funny? Or is it only perceived that way in the context of danger and voyeurism?
I expected the satire/critique to be a little toothier, I guess. Shouldn’t we be turning our questions about the morality of enjoying reading about pain and trauma to the readers of this book as easily as the author points them at readers of A Little Life? So ultimately I think the author lets himself and the audience off the hook by side-stepping the issue and re-litigating it as something else by the end. This book is obviously also participating in the culture it’s “satirizing”, and it doesn’t necessarily do a good job on either side of the coin.
Let’s get slightly philosophical for a minute, then. Literary fiction is a genre that’s heavily built on pain and trauma. People need fictional worlds in order to work out their own issues, and this is not new or insightful or profound. It’s the reason that fiction exists. Tragedy, etymologically from ‘goat song’, references the dying cries of anguish of sacrificial goats meant to stand in for and atone the sins of a village, and since its inception has meant to offer its audience catharsis through pain. If we are going to indict fiction, and especially ‘dramatic’ or ‘dark’ or ‘necessary’ stories, for telling untruths, then why even try to continue reading it at all?
So I find it difficult to parse the theme of ‘authenticity’ in storytelling. I had hoped that this novel was going to tackle that a bit and at least present the author’s perspective on it, but I never did see his, or any, point of view about authenticity in this story.
Ultimately, I may have liked it more if it had been straightforward and not tried to be meta and ironic, because it ends up kind of saying nothing, since it commits to nothing. And that may be why the early chapters and the last one were the ones I enjoyed the most— they have the least half-hearted poking at the publishing industry and the most plot.
A book for fans of Yellowface, Ellen Hopkins, Ru Paul’s Drag Race, A Little Life 💋

This has a strong few opening chapters and then a zinger for a final one, but most of the rest of them fall sort of flat. They feel like they’re building up to something that they never actually get a chance to explore.
At first, I loved the criticisms of basic women who appropriate gay culture and enjoy the exploitation of pain and trauma, but the funny moments eventually turned sour. Like “(oh God- why does he hate tin foil?)” made me laugh out loud, but is her obliviousness in that moment actually funny? Or is it only perceived that way in the context of danger and voyeurism?
I expected the satire/critique to be a little toothier, I guess. Shouldn’t we be turning our questions about the morality of enjoying reading about pain and trauma to the readers of this book as easily as the author points them at readers of A Little Life? So ultimately I think the author lets himself and the audience off the hook by side-stepping the issue and re-litigating it as something else by the end. This book is obviously also participating in the culture it’s “satirizing”, and it doesn’t necessarily do a good job on either side of the coin.
Let’s get slightly philosophical for a minute, then. Literary fiction is a genre that’s heavily built on pain and trauma. People need fictional worlds in order to work out their own issues, and this is not new or insightful or profound. It’s the reason that fiction exists. Tragedy, etymologically from ‘goat song’, references the dying cries of anguish of sacrificial goats meant to stand in for and atone the sins of a village, and since its inception has meant to offer its audience catharsis through pain. If we are going to indict fiction, and especially ‘dramatic’ or ‘dark’ or ‘necessary’ stories, for telling untruths, then why even try to continue reading it at all?
So I find it difficult to parse the theme of ‘authenticity’ in storytelling. I had hoped that this novel was going to tackle that a bit and at least present the author’s perspective on it, but I never did see his, or any, point of view about authenticity in this story.
Ultimately, I may have liked it more if it had been straightforward and not tried to be meta and ironic, because it ends up kind of saying nothing, since it commits to nothing. And that may be why the early chapters and the last one were the ones I enjoyed the most— they have the least half-hearted poking at the publishing industry and the most plot.
A book for fans of Yellowface, Ellen Hopkins, Ru Paul’s Drag Race, A Little Life 💋

thewordyhero finished a book
1w

Fruit Fly
Josh Silver
Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

thewordyhero started reading...
1w

Fruit Fly
Josh Silver
Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

I had high expectations because of good reviews, but I was really let down by the quality of writing. Going to give another Grady Hendrix book a try soon, I’m crossing fingers that this one just didn’t resonate with me for some reason.