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thewordyhero

disposable. angsty. idealistic. weird.

659 points

0% overlap
From Bookshelf to TV
Made for the Movies
Gothic Literature
My Taste
Annihilation
The Bell Jar
I Who Have Never Known Men
Frankenstein
Breakfast of Champions
Reading...
My Darling Dreadful Thing
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Gilead (Gilead, #1)
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  • The God of the Woods
    Sep 12, 2026
    The God of the WoodsLiz Moore
    4.0
    Enjoyment: Quality: Characters: Plot:
    0
  • Bright Young Women
    Sep 07, 2026
    Bright Young WomenJessica Knoll
    3.0
    Enjoyment: Quality: Characters: Plot:
    0
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    thewordyhero finished a book

    5d

    Bright Young Women

    Bright Young Women

    Jessica Knoll

    An extraordinary novel inspired by the real-life sorority targeted by America's first celebrity serial killer in his final murderous spree. January 1978. A serial killer has terrorized women across the Pacific Northwest, but his existence couldn’t be further from the minds of the vibrant young women at the top sorority on Florida State University’s campus in Tallahassee. Tonight is a night of promise, excitement, and desire, but Pamela Schumacher, president of the sorority, makes the unpopular decision to stay home—a decision that unwittingly saves her life. Startled awake at 3 a.m. by a strange sound, she makes the fateful decision to investigate. What she finds behind the door is a scene of implausible violence—two of her sisters dead; two others, maimed. Over the next few days, Pamela is thrust into a terrifying mystery inspired by the crime that’s captivated public interest for more than four decades. On the other side of the country, Tina Cannon has found peace in Seattle after years of hardship. A chance encounter brings twenty-five-year-old Ruth Wachowsky into her life, a young woman with painful secrets of her own, and the two form an instant connection. When Ruth goes missing from Lake Sammamish State Park in broad daylight, surrounded by thousands of beachgoers on a beautiful summer day, Tina devotes herself to finding out what happened to her. When she hears about the tragedy in Tallahassee, she knows it’s the man the papers refer to as the All-American Sex Killer. Determined to make him answer for what he did to Ruth, she travels to Florida on a collision course with Pamela—and one last impending tragedy. Bright Young Women is the story about two women from opposite sides of the country who become sisters in their fervent pursuit of the truth. It proposes a new narrative inspired by evidence that’s been glossed over for decades in favor of more salable headlines—that the so-called brilliant and charismatic serial killer from Seattle was far more average than the countless books, movies, and primetime specials have led us to believe, and that it was the women whose lives he cut short who were the exceptional ones.

    0
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    thewordyhero started reading...

    1w

    Bright Young Women

    Bright Young Women

    Jessica Knoll

    An extraordinary novel inspired by the real-life sorority targeted by America's first celebrity serial killer in his final murderous spree. January 1978. A serial killer has terrorized women across the Pacific Northwest, but his existence couldn’t be further from the minds of the vibrant young women at the top sorority on Florida State University’s campus in Tallahassee. Tonight is a night of promise, excitement, and desire, but Pamela Schumacher, president of the sorority, makes the unpopular decision to stay home—a decision that unwittingly saves her life. Startled awake at 3 a.m. by a strange sound, she makes the fateful decision to investigate. What she finds behind the door is a scene of implausible violence—two of her sisters dead; two others, maimed. Over the next few days, Pamela is thrust into a terrifying mystery inspired by the crime that’s captivated public interest for more than four decades. On the other side of the country, Tina Cannon has found peace in Seattle after years of hardship. A chance encounter brings twenty-five-year-old Ruth Wachowsky into her life, a young woman with painful secrets of her own, and the two form an instant connection. When Ruth goes missing from Lake Sammamish State Park in broad daylight, surrounded by thousands of beachgoers on a beautiful summer day, Tina devotes herself to finding out what happened to her. When she hears about the tragedy in Tallahassee, she knows it’s the man the papers refer to as the All-American Sex Killer. Determined to make him answer for what he did to Ruth, she travels to Florida on a collision course with Pamela—and one last impending tragedy. Bright Young Women is the story about two women from opposite sides of the country who become sisters in their fervent pursuit of the truth. It proposes a new narrative inspired by evidence that’s been glossed over for decades in favor of more salable headlines—that the so-called brilliant and charismatic serial killer from Seattle was far more average than the countless books, movies, and primetime specials have led us to believe, and that it was the women whose lives he cut short who were the exceptional ones.

    0
  • The Aosawa Murders
    Sep 05, 2026
    The Aosawa MurdersRiku Onda
    2.5
    Enjoyment: 2.0Quality: 3.0Characters: 4.0Plot: 1.0

    This was intriguing & written in a unique way that I enjoyed, and I thought I was following along quite well, until the last two pages. I’ve no idea what that ending means, and what it is that’s implied to have happened between Hisako and her mother in the blue room.

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    thewordyhero commented...

    1w

    This reads as kind of cunty and I didn’t really mean for it to be (except for the last line which I stand by 💅🏼). I was just disappointed based on what I thought this book was going to be tackling and the good reviews I had seen of it.

    And also I need to add that the bits with Mal and Ronan feel so much like the relationship in My Husband by Maud Ventura, but just not done nearly as well as that one is. So that was another disappointing story arc for me.

  • Fruit Fly
    Sep 03, 2026
    Fruit FlyJosh Silver
    2.5
    Enjoyment: 3.0Quality: 2.5Characters: 3.0Plot: 1.0

    This has a strong few opening chapters and then a zinger for a final one, but most of the rest of them fall sort of flat. They feel like they’re building up to something that they never actually get a chance to explore.

    At first, I loved the criticisms of basic women who appropriate gay culture and enjoy the exploitation of pain and trauma, but the funny moments eventually turned sour. Like “(oh God- why does he hate tin foil?)” made me laugh out loud, but is her obliviousness in that moment actually funny? Or is it only perceived that way in the context of danger and voyeurism?

    I expected the satire/critique to be a little toothier, I guess. Shouldn’t we be turning our questions about the morality of enjoying reading about pain and trauma to the readers of this book as easily as the author points them at readers of A Little Life? So ultimately I think the author lets himself and the audience off the hook by side-stepping the issue and re-litigating it as something else by the end. This book is obviously also participating in the culture it’s “satirizing”, and it doesn’t necessarily do a good job on either side of the coin.

    Let’s get slightly philosophical for a minute, then. Literary fiction is a genre that’s heavily built on pain and trauma. People need fictional worlds in order to work out their own issues, and this is not new or insightful or profound. It’s the reason that fiction exists. Tragedy, etymologically from ‘goat song’, references the dying cries of anguish of sacrificial goats meant to stand in for and atone the sins of a village, and since its inception has meant to offer its audience catharsis through pain. If we are going to indict fiction, and especially ‘dramatic’ or ‘dark’ or ‘necessary’ stories, for telling untruths, then why even try to continue reading it at all?

    So I find it difficult to parse the theme of ‘authenticity’ in storytelling. I had hoped that this novel was going to tackle that a bit and at least present the author’s perspective on it, but I never did see his, or any, point of view about authenticity in this story.

    Ultimately, I may have liked it more if it had been straightforward and not tried to be meta and ironic, because it ends up kind of saying nothing, since it commits to nothing. And that may be why the early chapters and the last one were the ones I enjoyed the most— they have the least half-hearted poking at the publishing industry and the most plot.

    A book for fans of Yellowface, Ellen Hopkins, Ru Paul’s Drag Race, A Little Life 💋

    1
  • Fruit Fly
    Sep 03, 2026
    Fruit FlyJosh Silver
    2.5
    Enjoyment: 3.0Quality: 2.5Characters: 3.0Plot: 1.0

    This has a strong few opening chapters and then a zinger for a final one, but most of the rest of them fall sort of flat. They feel like they’re building up to something that they never actually get a chance to explore.

    At first, I loved the criticisms of basic women who appropriate gay culture and enjoy the exploitation of pain and trauma, but the funny moments eventually turned sour. Like “(oh God- why does he hate tin foil?)” made me laugh out loud, but is her obliviousness in that moment actually funny? Or is it only perceived that way in the context of danger and voyeurism?

    I expected the satire/critique to be a little toothier, I guess. Shouldn’t we be turning our questions about the morality of enjoying reading about pain and trauma to the readers of this book as easily as the author points them at readers of A Little Life? So ultimately I think the author lets himself and the audience off the hook by side-stepping the issue and re-litigating it as something else by the end. This book is obviously also participating in the culture it’s “satirizing”, and it doesn’t necessarily do a good job on either side of the coin.

    Let’s get slightly philosophical for a minute, then. Literary fiction is a genre that’s heavily built on pain and trauma. People need fictional worlds in order to work out their own issues, and this is not new or insightful or profound. It’s the reason that fiction exists. Tragedy, etymologically from ‘goat song’, references the dying cries of anguish of sacrificial goats meant to stand in for and atone the sins of a village, and since its inception has meant to offer its audience catharsis through pain. If we are going to indict fiction, and especially ‘dramatic’ or ‘dark’ or ‘necessary’ stories, for telling untruths, then why even try to continue reading it at all?

    So I find it difficult to parse the theme of ‘authenticity’ in storytelling. I had hoped that this novel was going to tackle that a bit and at least present the author’s perspective on it, but I never did see his, or any, point of view about authenticity in this story.

    Ultimately, I may have liked it more if it had been straightforward and not tried to be meta and ironic, because it ends up kind of saying nothing, since it commits to nothing. And that may be why the early chapters and the last one were the ones I enjoyed the most— they have the least half-hearted poking at the publishing industry and the most plot.

    A book for fans of Yellowface, Ellen Hopkins, Ru Paul’s Drag Race, A Little Life 💋

    1
  • Horrorstör
    Sep 01, 2026
    HorrorstörGrady Hendrix
    2.0
    Enjoyment: 2.5Quality: 1.5Characters: 1.0Plot: 1.5

    I had high expectations because of good reviews, but I was really let down by the quality of writing. Going to give another Grady Hendrix book a try soon, I’m crossing fingers that this one just didn’t resonate with me for some reason.

    0