A twist on Hitchcock’s iconic classic Psycho—where the leading lady doesn't die, but instead turns the knife on Norm, kicking off a crime spree that turns the silver screen victim into a heroine for our times. NORMAN WAS HER FIRST. Marion is in deep. She's stolen money from the Manhattan ad agency where she works in a desperate bid to help her sister escape an abusive marriage, but the bus breaks down before she can make it to Saratoga Springs. It's late at night, and the only place with vacancies is an old set of cabins on the outskirts of town. She pays for a room in cash, and ends up chatting with Norm, the young innkeeper who's handsome, charming and a touch hung-up on his elderly mother. Back in her room, she steps into the shower, scrubbing off the late-summer heat, when the curtain is pulled back... Norm Billings is there with a knife. He raises his arm to strike, but before he does, Marion knees him in the balls, grabs the knife, and stabs the life out of him. Now, she's covered in blood, and she's a woman on the run—not just a thief, but a killer, too. Where will she go? How will she save both herself and her sister? And what mysteries will she uncover as she does? In Psycho, Hitchcock shocked audiences when he killed off his protagonist. But what if the leading lady had fought back? Marion offers an alternate history of the most famous dead blonde to ever grace the silver screen. Only this time, the knife is in her hands—and she's no victim.

A young woman undertakes a terrifying journey—and a terrifying transformation—in this genre-blending speculative suspense novel set in South Korea and the US which mixes fantasy, gothic vibes and queer longing, with a shot of feminist body horror.Fairytales are for children. Until the day we awaken in a place full of monsters, being softly enveloped by the dark.Nineteen-year-old undocumented immigrant Hee-Jin lies on the floor of her cramped Seoul apartment, listening for footsteps.But the knock on the door isn’t the police finally coming to deport her to North Korea. Instead, sprawled on the doorstep is a disfigured, bird-like corpse—and it has her eyes. Her younger sister, artist Hee-Young, is meant to be on an art program in America, not dead of a strange overdose.But in Hee-Young’s pocket is a plane ticket and US passport. Seeing her chance for freedom, Hee-Jin steals her sister’s identity and takes her place, determined to uncover what really happened to her.But the deeper she dives into the program’s strange workings, the closer she gets to the monstrous secret at its heart.A page-turner of a mystery filled with gorgeous, creepy Korean folklore and imagery, Aviary, written by critically acclaimed Korean American author Maria Dong, is also a story about power, violence, exploitation—and transformation. And, above all, it's about the choices women make from within a system where all the available options are bad ones.

Dive into the chilling depths of Latiné horror with Something Followed Us Home, edited by Bram Stoker Award–winner Cynthia Pelayo, a groundbreaking anthology where each story reimagines immigration, colonization, faith, and folklore as the fears we inherit and carry across borders and generations. Something followed us home. It crawled in with our prayers, slipped into our beds, watched from mirrors, waited in water, and learned our names. In these stories, horror does not announce itself. It possesses, feeds, whispers, and waits. Gathering chilling work from some of today’s most acclaimed Latiné voices, this anthology moves through haunted households, brutal landscapes, sacred spaces turned dangerous, and bodies claimed by forces both ancient and intimate. The dead murmur behind locked doors. Bones rebuild themselves under merciless suns. Love becomes a doorway for demonic hunger. Prayers summon answers that arrive too late…or too fully. Blood, devotion, and memory intertwine as the past presses back with teeth. Something Followed Us Home is a landmark anthology of Latiné horror. These stories remind us that the past is never gone, the dead are never silent, and the places we come from will always find their way back to us. Featuring stories Agustina Bazterrica, Ann Dávila Cardinal, Cynthia Pelayo, Isabel Cañas, Gerardo Sámano Córdova, Zoraida Córdova, Mariana Enriquez, Carolina Flórez-Cerchiaro, Ananda Lima, Xochitl Gonzalez, Leopoldo Goût, Juan Martinez, Mónica Ojeda, Daniel Jóse Older, Lilliam Rivera, Alex Segura, Diana Rodriguez Wallach

Annihilation meets Day of the Triffids in this full-on body horror/alien invasion apocalypse. This is just a story. It can't hurt you anymore. Since she was three years old, Anastasia Miller has been telling anyone who would listen that she's an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has been willing to listen. Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it's already been warned, and it may be too late. The invasion is coming, Stasia's biological family is on the way to bring her home, and very few family reunions are willing to cross the gulf of space for just one misplaced child. What happens when you know what’s coming, and just refuse to listen?

The Guncle meets Every Time I Go On Vacation Someone Dies in this fun, twisty mystery following a spoiled nepo baby forced to work at a struggling summer camp who stumbles into a real-life murder mystery he has no choice but to solve. Rustic cabins. Lakefront bonfires. A painfully hot lifeguard. And a murder? Summer has never been this camp. Mikey Hartford IV has coasted through his twenties in a distracted blur of yachts and sex and partying. But when his father discovers his latest million-dollar impulse buy and changes the terms of his trust, the party's finally over. Now, unless Mikey can make a positive contribution to the world before his thirtieth birthday—one that doesn't involve throwing cash at his problems—he'll never see another yacht again. (Or even so much as a canoe.) Camp Lore, a struggling summer camp in upstate New York where Mikey has to work as the oldest, least-qualified staffer to prove that he can "do good" alongside his twelve-year-old aunt. (Yes, aunt.) But Mikey isn't sure he'll be able to survive the camp's ramshackle living conditions, let alone the gaggle of preteens who won't leave his side. And when his campers become obsessed with a local legend set at an abandoned cabin on the grounds, Mikey's chances of not making it through the summer become dangerously real—because it turns out there's a murder hidden beneath Camp Lore. And someone there will stop at nothing to keep it that way. Solving a decade-old cold case will surely be enough "good" for Mikey to earn his inheritance. He just has to stay alive long enough to do it…

What my eyes are showing me can’t be possible. Can’t be real. Because if they are, then I have to accept that Julian Conrad has been alive for a very long time. Too long to be human. A stay-up-all-night, smart, spicy romance following a doctor who finds herself falling for an alluring, much-younger man with a deadly secret Sean’s not in the market for love. The only female, let alone Black, interventional cardiologist at her hospital, she’s watched too many of her male colleagues divorce their first wives to marry younger models—and then there’s the abusive relationship she’s spent the better part of her early 30s healing from. Her passions are reserved for her best friend, her goddaughter, and her job. Then she meets Julian. Brooding, beautiful and eleven years her junior. In short: A bad idea. Julian pursues her in a way that sets off alarm bells in her mind, but she finds herself unable to resist their undeniable chemistry—even starts fantasizing about him in dreams that feel altogether too real. They also have a lot in common despite their age gap. So, to hell with it: If men can date younger, why can’t she? But the more Sean gets to know him, the more impossible Julian seems: He has a depth and sorrow to him that’s beyond his years, and sometimes there’s a look in his eyes that’s less than human, and leaves her feeling more like prey. Plus, Sean herself has been exhibiting odd symptoms—memory lapses, a lack of restraint that's unlike her, persistent exhaustion—that all trace back to Julian, making Sean feeling more than a little afraid. Who—or what—is she falling, irrevocably, in love with? Extraordinarily transfixing, suspenseful, and addictive, Die for Me is nothing short of a seduction.

The debut novella from the Elgin Award nominated author of Elegies of Rotting Stars. After the death of her estranged father, artist Rita struggles with grief and regret. There was so much she wanted to ask him-about his childhood, their family, and the Mi'kmaq language and culture from which Rita feels disconnected. But when Rita's girlfriend Molly forges an artist's residency application on her behalf, winning Rita a week to paint at an isolated cabin, Rita is both furious and intrigued. The residency is located where her father grew up. On the first night at the cabin, Rita wakes to strange sounds. Was that a body being dragged through the woods? When she questions the locals about the cabin's history, they are suspicious and unhelpful. Ignoring her unease, Rita gives in to dark visions that emanate from the forest's lake and the surrounding swamp. She feels its pull, channelling that energy into art like she's never painted before. But the uncanny visions become more insistent, more intrusive, and Rita discovers that in the swamp's decay the end of one life is sometimes the beginning of another.