Alternate Cover edition for ISBN 9780316542753 Touraine is a soldier. Stolen as a child and raised to kill and die for the empire, her only loyalty is to her fellow conscripts. But now, her company has been sent back to her homeland to stop a rebellion, and the ties of blood may be stronger than she thought. Luca needs a turncoat. Someone desperate enough to tiptoe the bayonet's edge between treason and orders. Someone who can sway the rebels toward peace, while Luca focuses on what really matters: getting her uncle off her throne. Through assassinations and massacres, in bedrooms and war rooms, Touraine and Luca will haggle over the price of a nation. But some things aren't for sale.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

A satirical Soviet coming-of-age book about an intimate friendship. Sasha Gorky is a bitter, sexist ten-year-old Soviet boy who’s obsessed with becoming a ‘man.’ But to become a real man in the Soviet Union, you not only have to smoke, swear, shave your head, be nice to random chicks, and not kick other guys in the groin (even if it’s a classmate that really deserves it)—but you also have to... Actually, what else is there that matters? Nah, that’s pretty much it. And Sasha follows these rules religiously, just like every other Soviet boy. So how is it possible that some goddamn American sissy like Luke can just show up one day, not having done any of those things, and still seem manlier than him? He needed to find out what the big deal was. The Boy Who Lit Up the Star is a poignant, satirical coming-of-age tale where Sasha Gorky reminisces about that exact summer of 1986—now five years ago—when he formed his first and only intimate bond, only to spiral. Not because it was with an American boy, but because he realizes he’ll never be as happy as he was then.

Once upon a time... In a land far away, there were two kingdoms: the Outside, where twisted beasts roamed that could curse with a touch, and the Inside, where humans lived in safety and peace. The girl and the beast should never have met, but when they do, a quiet fairytale begins. This is a story of two people - one human, one inhuman - who linger in the hazy twilight that separates night from day.

"'There are only two reasons a non-seer would see a spirit on St. Mark's Eve,' Neeve said. 'Either you're his true love...or you killed him.'" It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them — not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can't entirely explain. He has it all — family money, good looks, devoted friends — but he's looking for much more than that. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents all the privilege around him; Ronan, the fierce soul who ranges from anger to despair; and Noah, the taciturn watcher of the four, who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore. From Maggie Stiefvater, the bestselling and acclaimed author of the Shiver trilogy and The Scorpio Races, comes a spellbinding new series where the inevitability of death and the nature of love lead us to a place we've never been before.

"Finally we have a lovely, melancholic, sensual romance between two of the Bible's greatest villains—Judas Iscariot and the Devil. Between lush, decadent prose, Morgan Dante weaves together a queer love story, a gorgeous homage to The Divine Comedy, and thoughts on finding love in the damned shadow of God. A hellish, sacrilegious must-read." — rafael nicolás, author of Angels Before ManTwo of the Bible's greatest villains...After his betrayal with a kiss, Judas Iscariot dies in despair and goes to Hell. When Christ saves other souls during the Harrowing of Hell, he leaves Judas behind—but not alone in the ninth circle, where the most detestable traitors go. Callous, resigned, and abandoned by God long ago, the Devil sees Judas as a pathetic wretch, but he soon finds a kindred spirit. As the centuries pass, they struggle to find even a sliver of happiness in Hell.Doomed by the narrative, will they find happiness, or will their story continue to be a tragedy?

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton/Parent Trap you never knew you needed! Gwen has a brilliant beyond brilliant idea. It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games. “Let’s get them together,” she says. It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead. “It’ll be easy” she says. There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other. But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be? Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage. Beth’s not mature enough for this… Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé. That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.

New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Minnesota, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick's feelings grow more complicated when he finds himself falling hard for Jay's openness, idealism, and unfounded faith in the American Dream. Listening Length: 8 hours and 33 minutes

Forbidden love is an art all its ownLondon, 1886 Barkeep Warren Bakshi is happy with the secrets that he keeps—those of the patrons he serves at underground queer club The Curious Fox, and his own. But when Warren’s long-lost brother returns, bringing unexpected wealth to the Bakshi family, his elevated status requires more dignified pursuits. An art class seems an ideal way to keep questions at bay, until it reunites him with the subject of his recent fantasies—a man Warren’s boss has expressly forbidden him to pursue. Detective Inspector Matthew Shaw has brought some of London’s worst criminals to justice. With laws against homosexuality on the books, meeting Warren could detonate his undercover case—and his career. But when his artistic deficiencies prove a greater threat than his desire, Warren is the only person he can turn to for help. Private drawing tutorials give way to an affair that may put more than their jobs in jeopardy. But real life is infinitely more complicated and surprising than any lessons could prepare them for…Lucky Lovers of LondonBook 1: The Gentleman's Book of VicesBook 2: A Rulebook for Restless RoguesBook 3: A Bluestocking's Guide to DecadenceBook 4: To Sketch a Scandal

Desperation is the most dangerous type of magic. An out-of-control spell isn't her problem. Listen. Claire Bishop is Las Vegas's greatest stage magician, and she's perfectly happy with that fame. Ozarik is the next Zaro, the leader of the world's witches, the modern-day Darcy everyone swoons over. Just because Claire shares a Zaro's unfathomable magic doesn't mean she shares the responsibility. So, if Ozarik wants to make himself a villain by casting an ultra-dangerous spell to stop death on Earth "for her," to "protect her," that sounds like a him-problem. Claire has a show in four hours. Skipping it to save the world might give her manager a heart attack. Ozarik may be her friend, but it sounds like a lot of work. Ugh. Fine.

Author of Empire of Sand and Realm of Ash Tasha Suri's The Jasmine Throne, beginning a new trilogy set in a world inspired by the history and epics of India, in which a captive princess and a maidservant in possession of forbidden magic become unlikely allies on a dark journey to save their empire from the princess's traitor brother. Imprisoned by her dictator brother, Malini spends her days in isolation in the Hirana: an ancient temple that was once the source of the powerful, magical deathless waters — but is now little more than a decaying ruin. Priya is a maidservant, one among several who make the treacherous journey to the top of the Hirana every night to clean Malini’s chambers. She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides. But when Malini accidentally bears witness to Priya’s true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to depose her brother from his throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

A series of murders in New York City has stymied the police and FBI alike, and they suspect the culprit is a single killer sending an indecipherable message. But when the two federal agents assigned to the investigation are taken out, the FBI takes a more personal interest in the case. Special Agent Ty Grady is pulled out of undercover work after his case blows up in his face. He's cocky, abrasive, and indisputably the best at what he does. But when he's paired with Special Agent Zane Garrett, it's hate at first sight. Garrett is the perfect image of an agent: serious, sober, and focused, which makes their partnership a classic cliche: total opposites, good cop-bad cop, the odd couple. They both know immediately that their partnership will pose more of an obstacle than the lack of evidence left by the murderer. Practically before their special assignment starts, the murderer strikes again this time at them. Now on the run, trying to track down a man who has focused on killing his pursuers, Grady and Garrett will have to figure out how to work together before they become two more notches in the murderer's knife.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?