#1 New York Times bestselling author Brandon Sanderson brings us a gripping story set in the Cosmere universe told by Hoid, where two people from incredibly different worlds must compromise and work together to save their worlds from ruin. Yumi comes from a land of gardens, meditation, and spirits, while Painter lives in a world of darkness, technology, and nightmares. When their lives suddenly become intertwined in strange ways, can they put aside their differences and work together to uncover the mysteries of their situation and save each other’s communities from certain disaster?

For what do you hunger, Lenore? Lenore is the wife of steel magnate Henry, but ten years into their marriage, the relationship has soured and no child has arrived to fill the distance growing between them. Henry's ambitions take them out of London and to the imposing Nethershaw manor in the countryside, where Henry aims to host a hunt with society’s finest. Lenore keeps a terrible secret from the last time her husband hunted, and though they never speak of it, it haunts their marriage to this day. The preparations for the event take a turn when a carriage accident near their remote home brings the mysterious Carmilla into Lenore's life. Carmilla who is weak and pale during the day but vibrant at night; Carmilla who stirs up a hunger deep within Lenore. Soon girls from local villages begin to fall sick before being consumed by a bloody hunger. Torn between regaining her husband's affection and Carmilla's ever-growing presence, Lenore begins to unravel her past and in doing so, uncovers a darkness in her household that will place her at terrible risk . . . Set against the violent wilderness of the moors and the uncontrolled appetite of the industrial revolution, Hungerstone is a compulsive feminist reworking of Carmilla, the book that inspired Dracula: a captivating story of appetite and desire.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

When a murder of crows begins wreaking havoc on a small town, a girl with OCD must come to terms with what it means to be a “good” person in order to stop the crows from enacting the worst of her intrusive thoughts, in this YA horror for fans of Don’t Let the Forest In and The Spirit Bares Its Teeth! On the surface, seventeen-year-old Paloma O’Hare is gentle, well-behaved, and balanced, especially compared to the troublesome step-sister taking up most of her parents’ attention. But Paloma’s anxiety and OCD have been worsening since her ex-boyfriend and ex-best friend found the journal that she’d been using to detail her disturbing intrusive thoughts. It feels inevitable that soon, everyone else will discover what she’s always feared most: she’s actually a terrible person. For months, Paloma left the journal untouched and instead spent all her free time birding in the forest surrounding her small town, befriending the crows there and convincing herself things might be okay. That is, until dead animals start showing up with page scraps from her journal stuffed inside them, preceding violent attacks by the crows . . . attacks that are making her worst intrusive thoughts come true. Horrified, Paloma knows this is all her fault. Teaming up with an unlikely ally, town loner Alise Cordova, Paloma tries to find a way to stop the crows before they take things too far. But unless she can reconcile with the cruelest parts of her brain and accept her own imperfections, there may be no way of stopping the murder.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

In this epic and seductive gothic fantasy, a vampire escapes the thrall of Dracula and embarks on her own search for self-discovery and true love. Her name was written in the pages of someone else's story: Lucy Westenra was one of Dracula's first victims. But her death was only the beginning. Lucy rose from the grave a vampire, and has spent her immortal life trying to escape from Dracula's clutches--and trying to discover who she really is and what she truly wants. Her undead life takes an unexpected turn when, in twenty-first-century London, she meets another woman who is also yearning to break free from her past. Iris’s family has built a health empire based on a sinister secret, and they’ll do anything to stay in power. Lucy has long believed she would never love again. But she finds herself compelled by the charming Iris, while Iris is mesmerized by the confident and glamorous Lucy. But their intense connection and blossoming love is threatened by forces from without. Iris's mother won't let go of her without a fight, and Lucy's past still has fangs: Dracula is on the prowl again. Lucy Westenra has been a tragically murdered teen, a lonesome adventurer, and a fearsome hunter, but happiness always eluded her. Can she find the strength to destroy Dracula once and for all, or will her heart once again be her undoing?