From bestselling and award-winning author Mason Deaver comes a delightful second-chance romance with trans representation! Trapped on a cruise together, exes Owen and Jacob are forced to confront why their relationship went off course…but in such close quarters, maybe they’ll finally be able to right the ship. A year ago, Owen Henson had a close-knit group of friends who felt like family and a boyfriend who made his heart race just by walking into the room. But now? Everything’s unraveling. His friends seem to be moving forward without him, and his happily-ever-after shattered when his boyfriend Jacob packed up and left for North Carolina to join a research team. The last thing Owen needs is for Jacob to waltz back into the city like nothing happened, showing up at their friends’ annual Christmas party looking just as annoyingly handsome as the day he left. Or for their friends to spring a surprise six-day, seven-night cruise up the West Coast to Alaska as a bonding trip for the group. How is Owen supposed to keep it together around the man who broke his heart, all while pretending he’s fine? Totally fine. But then Jacob tells Owen that he’d like to be something even more complicated than exes. He wants to be friends. Skeptical, Owen agrees to the plan but as they spend time together among the gorgeous Alaskan backdrop and cruise-mandated activities, Owen feels his walls coming down and he might just discover that he can’t help but fall in love again. An emotional second-chance romance set on a breathtaking cruise, where two former flames must decide whether to let go or risk it all for a love that refuses to sink. Tropes Forced proximity Exes Second chance Cruises Dating in secret Meddling friends

Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s  grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman. Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new “emancipation” bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn’t about freedom; Congress is fed up with Indians. The bill is a “termination” that threatens the rights of Native Americans to their land and their very identity. How can the government abandon treaties made in good faith with Native Americans “for as long as the grasses shall grow, and the rivers run”? Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. Patrice’s shameful alcoholic father returns home sporadically to terrorize his wife and children and bully her for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn’t been in touch in months, and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life. Thomas and Patrice live in this impoverished reservation community along with young Chippewa boxer Wood Mountain and his mother Juggie Blue, her niece and Patrice’s best friend Valentine, and Stack Barnes, the white high school math teacher and boxing coach who is hopelessly in love with Patrice. In the Night Watchman, Louise Erdrich creates a fictional world populated with memorable characters who are forced to grapple with the worst and best impulses of human nature. Illuminating the loves and lives, the desires and ambitions of these characters with compassion, wit, and intelligence, The Night Watchman is a majestic work of fiction from this revered cultural treasure.

From the multi-award-winning Claire North comes an extraordinary and epic tale of time travel, betrayal and a love that echoes through the centuries.In the beginning, the world will end. This is the story of what happens next. When Cal meets a soldier of the French Revolution, he knows his lover is destined to die. But what is the point of being a time traveller if you can't make a few small tweaks to the course of history? A little paradox here, an alteration there - nothing Cal can't fix, to save the man he loves. When Fadimatu walks into a museum in 2018, she stumbles upon her own mummified corpse, setting her on the path to a betrayal that has already killed her, and a murder that has not yet come to pass.And when a sudden rupture in the fabric of history rips through the lives these travellers have built, breaking both past and future, they must reckon with death foretold, love forsaken, and a secret that will shatter time itself. Fall through history on a thrilling journey of shattered time, broken futures and a love that can never be erased.

From bestselling and award-winning author Mason Deaver comes a delightful second-chance romance with trans representation! Trapped on a cruise together, exes Owen and Jacob are forced to confront why their relationship went off course…but in such close quarters, maybe they’ll finally be able to right the ship. A year ago, Owen Henson had a close-knit group of friends who felt like family and a boyfriend who made his heart race just by walking into the room. But now? Everything’s unraveling. His friends seem to be moving forward without him, and his happily-ever-after shattered when his boyfriend Jacob packed up and left for North Carolina to join a research team. The last thing Owen needs is for Jacob to waltz back into the city like nothing happened, showing up at their friends’ annual Christmas party looking just as annoyingly handsome as the day he left. Or for their friends to spring a surprise six-day, seven-night cruise up the West Coast to Alaska as a bonding trip for the group. How is Owen supposed to keep it together around the man who broke his heart, all while pretending he’s fine? Totally fine. But then Jacob tells Owen that he’d like to be something even more complicated than exes. He wants to be friends. Skeptical, Owen agrees to the plan but as they spend time together among the gorgeous Alaskan backdrop and cruise-mandated activities, Owen feels his walls coming down and he might just discover that he can’t help but fall in love again. An emotional second-chance romance set on a breathtaking cruise, where two former flames must decide whether to let go or risk it all for a love that refuses to sink. Tropes Forced proximity Exes Second chance Cruises Dating in secret Meddling friends

With her country's future and her own life at stake, an orphaned duchess must journey into a world of myth and there discover a power that may be her salvation—or her demise—in this enchanting new novel from the New York Times bestselling author of the Winternight Trilogy and The Warm Hands of Ghosts. Anne of Brittany was a child when her realm was invaded, her home besieged, and her royal father driven to his death. Now her treasury is empty, her land occupied by her enemies, and she is ordered, under threat of renewed war, to become queen of her conquerors and marry the King of France. This marriage means her country’s annexation. But Anne promised her father that Brittany would never be conquered. Defiantly, she betroths herself in secret to France’s greatest enemy. But in a world where courts may spy on each other by magic, there is only one way to solemnize this illicit union. Anne takes her court deep into a legendary forest, where the court diviners’ skill cannot reach. The world thinks they are only a hunting party, coursing after unicorns. But that is a lie, a trick, a feint. No one in living memory has seen a unicorn. All Anne wants is this secret wedding, which is her only hope of salvation. But when against all hope a unicorn appears and a stranger out of legend stumbles from the trees and falls at her feet, Anne is plunged into a world of enchantment where a doomed sovereign might find the power to change her own and her country’s destiny—or be lost in the shadows forever.

Lucy isn’t a normal girl. Ghost. Victim. Killer. She’s a doll on a mission—to find the man who killed her and return the favor. Lucy McQuinn has been murdered, but she’s not about to go quietly. If she doesn’t get to keep breathing, then neither does Kyle, her killer. Possessing the body of an antique doll, she sets out on a quest for revenge. But it’s hard when you’re eighteen inches tall and made of porcelain. For help, she turns to Nicola, a human and fellow outsider with her own reasons to hate Kyle. But in their small idyllic town, no one wants to hear the truth, especially not about such a promising young man. If they can’t expose his crimes, Lucy will have to roll up her lacy little sleeves and teach him a lesson the old-fashioned way—as slowly and painfully as possible. From LA Times bestselling author Barbara Truelove, She’s a Doll is a ghoulish and gleeful tribute to the unstoppable power of female rage and a love letter to the friends who have our back—in this life and the next.

“The symmetry should have tipped me off.” After a violent incident at work, Tamsin goes looking for a fresh start in a remote cottage far away from her old life. Here she could make real friends, find a job she loves, become a whole new person, even. But the solitary cottage is actually a semi-detached, with only a thin wall separating her from a total stranger. Her neighbour is an enigma. Dowdy one moment, vivacious the next, but always wearing an unnerving smile. Tamsin can’t shake the feeling that there’s something wrong with her, especially when she starts experiencing disturbances in her own home. As the locals share strange stories about her house, and her barely contained paranoia spirals out of control, Tamsin begins to suspect that the past she was so desperate to escape might never let her go.

The act of eating is both erotic and violent, as one wholly consumes the object being eaten. At the same time, eating performs a kind of vulnerability to the world, revealing a fundamental interdependence between the eater and that which exists outside her body. Racial Indigestion explores the links between food and visual and literary culture in the nineteenth-century United States to reveal how eating produces political subjects by justifying the social discourses that create bodily meaning. Combing through a visually stunning and rare archive of children’s literature, architectural history, domestic manuals, dietetic tracts, novels and advertising, Racial Indigestion tells the story of the consolidation of nationalist mythologies of whiteness via the erotic politics of consumption. Less a history of commodities than a history of eating itself, the book seeks to understand how eating became a political act, linked to appetite, vice, virtue, race and class inequality and, finally, the queer pleasures and pitfalls of a burgeoning commodity culture. In so doing, Racial Indigestion sheds light on contemporary “foodie” culture’s vexed relationship to nativism, nationalism, and race privilege.

How deviant materials figure resistanceYeast ferments, gelatin jiggles, drugs and alcohol froth and bubble, and flesh from animals and plants actively molds and rots. These materials morph through multiple states and phases, and their movement is imbued with a liveliness that is suggestive of volition.Deviant Matter examines four aesthetic and material categories— gelatinousness, fermentation, putrefaction, and intoxication—to theorize how the modern state seeks to manage deviant populations across multiple scales, from the level of the single cell up to the affective and aesthetic imperatives of the state and its bureaucratic projects. Kyla Wazana Tompkins deploys a new materialist engagement with the history of race and queer life, making an argument for queer of color method as political and disciplinary critique. Deviant Matter delves into a vast archive that includes nineteenth-century medical and scientific writing; newspaper comic strips and early film; the Food and Drug Act of 1906; the literature of Martin Delany, Louisa May Alcott and Herman Melville; and twenty-first century queer minoritarian video, installation, and performance art.Drawing from the genealogy of Black feminist and queer of color critique, in Deviant Matter rot, jelly, ferment and intoxicating materials serve as figures for thinking about how matter, art, politics, and affect can be read across multiple scales, ranging from the intimate and molecular everyday to the vast print production and inner workings of the state. Tompkins demonstrates that we are moved by our encounters with the materials in Deviant Matter, producing feelings and sensations that she links to a system of social value where these sensations come to be understood as productive, exciting, disgusting, intoxicating, or even hallucinatory. Moving through multiple states and phase changes, falling apart and reforming again, ferment, rot, intoxicants and jelly energize and choreograph both themselves and human behavior. At the same time, these materialities come to signify exactly those populations whose energy escapes the extractive efforts of capitalism and the state.

A suspenseful, bighearted, and laugh-out-loud story of a single mom trying to do it all—including solve a murder she may or may not have committed… When Tilly Turner signed up for an introductory pole-dancing class, she was looking for a distraction. Reeling from her mother’s passing, and with her career as a stand-up comedian in ruins, Tilly has just moved back to the Idaho hometown she was desperate to leave, with her twin daughters in tow. But Tilly gets more than she bargained for after a night out with her new pole-dancing pals. She wakes to a raging hangover, no memory of the evening before, and a dead body in the trunk of her car. Who was the dead man? And more importantly, who killed him? Tilly has no alibi and needs answers. But investigating a murder is complicated, especially with an old frenemy circling, childcare plans falling through, and pole-dancing classes to attend. And don’t even mention the sexy ATF agent who she’s trying (and failing) to keep at arm’s length. As Tilly races to solve the mystery before the police come knocking, she finds herself implicated in a larger plot that includes political subterfuge and arms dealing. But who knows—maybe busting a criminal enterprise will be just the shake-up she needs. Balancing both heart and hilarity, and with a witty take on the struggles of modern motherhood, Last Night Was Killer is a charming introduction to the most unlikely—and likable—of sleuths.  

Shaped millions of years ago by the receding waters of a once great glacier, the land surrounding the confluence of the Allegheny, Monongahela, and Ohio rivers has supported communities of humans for millennia. In the past four centuries, however, it has been transformed utterly and many times over by the people who call it home. In this brief, lyrical, and idiosyncratic new book, Ed Simon follows the story of America's furnace through a series of interconnected segments.