Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

If on a Winter's Night a Traveler is a marvel of ingenuity, an experimental text that looks longingly back to the great age of narration—"when time no longer seemed stopped and did not yet seem to have exploded." Italo Calvino's novel is in one sense a comedy in which the two protagonists, the Reader and the Other Reader, ultimately end up married, having almost finished If on a Winter's Night a Traveler. In another, it is a tragedy, a reflection on the difficulties of writing and the solitary nature of reading. The Reader buys a fashionable new book, which opens with an exhortation: "Relax. Concentrate. Dispel every other thought. Let the world around you fade." Alas, after 30 or so pages, he discovers that his copy is corrupted, and consists of nothing but the first section, over and over. Returning to the bookshop, he discovers the volume, which he thought was by Calvino, is actually by the Polish writer Bazakbal. Given the choice between the two, he goes for the Pole, as does the Other Reader, Ludmilla. But this copy turns out to be by yet another writer, as does the next, and the next. The real Calvino intersperses 10 different pastiches—stories of menace, spies, mystery, premonition—with explorations of how and why we choose to read, make meanings, and get our bearings or fail to. Meanwhile the Reader and Ludmilla try to reach, and read, each other. If on a Winter's Night is dazzling, vertiginous, and deeply romantic. "What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space."

One night in the reform club, Phileas Fogg bets his companions that he can travel across the globe in just eighty days. Breaking the well-established routine of his daily life, he immediately sets off for Dover with his astonished valet Passepartout. Passing through exotic lands and dangerous locations, they seize whatever transportation is at hand—whether train or elephant—overcoming set-backs and always racing against the clock.

In a house full of sadness and secrets, can young, orphaned Mary find happiness? Mary Lennox, a spoiled, ill-tempered, and unhealthy child, comes to live with her reclusive uncle in Misselthwaite Manor on England’s Yorkshire moors after the death of her parents. There she meets a hearty housekeeper and her spirited brother, a dour gardener, a cheerful robin, and her wilful, hysterical, and sickly cousin, Master Colin, whose wails she hears echoing through the house at night. With the help of the robin, Mary finds the door to a secret garden, neglected and hidden for years. When she decides to restore the garden in secret, the story becomes a charming journey into the places of the heart, where faith restores health, flowers refresh the spirit, and the magic of the garden, coming to life anew, brings health to Colin and happiness to Mary.

A deeply irreverent and Biblically correct takedown of the far-right and their co-opting of religion, and guide to engaging them in effective conversational combat, in the spirit of Bill Maher and Christopher Hitchens.For over two centuries, the United States constitution has given us the right to live in a society where church and state exist independently, and without conflict. So why is it that, suddenly, Christianity is being co-opted by far-right groups, politicians, friends, and family members to justify oppressive and unequal policies? And how do we fight back against those acting—literally—in bad faith? Separation of Church and Hate, a new and critical book from comedian and TV and radio host John Fugelsang—who himself is the child of a former Catholic nun and Franciscan brother—finally offers the answers. In this informative, perspective-shifting guide, Fugelsang takes readers through common talking points and arguments—God condemns abortion, gay marriage is a sin, guns are an ordained right, and more—and exposes their hypocrisy and overall inaccuracy through scripture, philosophy, and plain old common sense. Told with Fugelsang’s trademark blend of radical honesty, relevant humor, and deep political and religious knowledge, Separation of Church and Hate is the book every American today needs. It is a return to civility, a rallying cry for compassion and clarity, and a reclamation of the values and truths we hold dear, for anyone who was raised Christian but has become disillusioned with organized religion; for Democrats, progressives, liberals, and moderates who are tired of the right wing pretending to own Christianity; for atheists, agnostics, and any one of any faith who’s sick of the fundamentalists using religion as a cloaking device for hate; for everyone who’s realized you don’t necessarily need organized religion to be a good person.

In this searing novel, a courageous young woman tries to protect her dream of becoming a doctor as civil war devastates Sri Lanka. Jaffna, 1981. Sixteen-year-old Sashi wants to become a doctor. But over the next decade, a vicious civil war tears through her home, and her dream spins off course as she sees her four beloved brothers and their friend K swept up in the mounting violence. Desperate to act, Sashi accepts K's invitation to work as a medic at the field hospital for the militant Tamil Tigers, who, following years of state discrimination and violence, are fighting for a separate homeland for Sri Lanka's Tamil minority. But after the Tigers murder one of her teachers and Indian peacekeepers arrive only to commit further atrocities, Sashi begins to question where she stands. When one of her medical school professors, a Tamil feminist and dissident, invites her to join a secret project documenting human rights violations, she embarks on a dangerous path that will change her forever. Set during the early years of Sri Lanka's three-decade civil war, Brotherless Night is a heartrending portrait of one woman's moral journey and a testament to both the enduring impact of war and the bonds of home.

How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Editor adrienne maree brown finds the answer in something she calls “pleasure activism,” a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, including Audre Lourde’s invitation to use the erotic as power and Toni Cade Bambara’s exhortation that we make the revolution irresistible, the contributors to this volume take up the challenge to rethink the ground rules of activism. Writers including Cara Page of the Astraea Lesbian Foundation For Justice, Sonya Renee Taylor, founder of This Body Is Not an Apology, and author Alexis Pauline Gumbs cover a wide array of subjects— from sex work to climate change, from race and gender to sex and drugs—creating new narratives about how politics can feel good and how what feels good always has a complex politics of its own. Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!

The latest novel in the international bestselling Before the Coffee Gets Cold Series, following four new customers in a little Tokyo café where customers can travel back in time. In a small back alley in Tokyo, there is a café that has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time. From the author of Before the Coffee Gets Cold and Tales from the Cafe comes another story of four new customers, each of whom is hoping to take advantage of Café Funiculi Funicula's time-travelling offer. Among some familiar faces from Kawaguchi's previous novels, readers will also be introduced to a daughter, a comedian, a sister, and a lover, each with something they wish they had said differently. With his signature heartwarming characters and immersive storytelling, Kawaguchi once again invites the reader to ask themselves: what would you change if you could travel back in time?

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.