The untimely death of a student at a girls’ boarding school turns out to be the first in a haunting series of escalating supernatural events. A thrilling debut novel about teenage repression, queer desire, and the everyday horror of coming of age. In 1928, Emily Locke’s final year at the isolated Briarley School for Girls is derailed when Violet, the school’s brightest star (and a cunning beauty for whom Emily would do anything), falls to her death on her eighteenth birthday. Emily and her buttoned-up rival Evelyn are, for once, in agreement: Violet’s death was no accident. There’s an obvious culprit, the French schoolmistress with whom Violet was getting a little too close—they only need to prove it. Desperate for answers, Emily and her classmates turn to spiritualism, hoping for a glimpse of wisdom from the great beyond. To their shock, Violet’s spirit appears, choosing pious Evelyn as her unlikely medium. And Violet has a warning for them: the danger has just begun. Something deadly is infecting Briarley. It starts with rotten food and curdled milk, but quickly grows more threatening. As the body count rises and the students race to save themselves, Emily must confront the fatal forces poisoning the school. Emily’s fight for survival forces her to reevaluate everything she knows: about Violet, Evelyn, Briarley, and, ultimately, herself. Avery Curran channels the indelible ambience and intrigue of the classic boarding school novel while turning the beloved genre on its head in this visceral, exuberant debut.

The follow-up to T. Kingfisher’s bestselling gothic novella, What Moves the Dead . Retired soldier Alex Easton returns in a horrifying new adventure. After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia. In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.

The Night Gardener follows two abandoned Irish siblings who travel to work as servants at a creepy, crumbling English manor house. But the house and its family are not quite what they seem. Soon the children are confronted by a mysterious spectre and an ancient curse that threatens their very lives. With Auxier’s exquisite command of language, The Night Gardener is a mesmerizing read and a classic in the making.

Fledgling, Octavia Butler's new novel after a seven year break, is the story of an apparently young, amnesiac girl whose alarmingly inhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted - and still wants - to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster. Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

Damian Wayne will be forced to find his own path as Robin away from both sides of his family—his father, Bruce Wayne, the Dark Knight, and his mother, Talia al-Ghul, the daughter of Ra’s al Ghul, the ecoterrorist known as The Demon’s Head! After learning of the deadly League of Lazarus tournament, Damian Wayne has a new mission: win the tournament and prove he is the greatest fighter in the DC Universe! But first he must find the secret island where it’s all going down! New mysteries! New supporting cast! First appearances of new characters! And lots of fights! Includes Batman #106, Detective Comics #1034, and Robin #1-6.

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I'm not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate. I'm Ernest Cunningham. Call me Ern or Ernie. I wish I'd killed whoever decided our family reunion should be at a ski resort, but it's a little more complicated than that. Have I killed someone? Yes. I have. Who was it? Let's get started. EVERYONE IN MY FAMILY HAS KILLED SOMEONE My brother My stepsister My wife My father My mother My sister-in-law My uncle My stepfather My aunt Me

While his literary reputation rests mainly on such celebrated novels as Crime and Punishment, The Brothers Karamazov, and The Idiot, Dostoyevsky also wrote much superb short fiction. The Double is one of the finest of his shorter works. It appeared in 1846 (his second published work) and is by far the most significant of his early stories, not least for its successful, straight-faced treatment of a hallucinatory theme.In The Double, the protagonist, Golyadkin senior, is persecuted by his double, Golyadkin junior, who resembles him closely in almost every detail. The latter abuses the former with mounting scorn and brutality as the tale proceeds toward its frightening denouement. Characteristic Dostoyevskyan themes of helplessness, victimization, and scandal are beautifully handled here with an artistry that qualifies the story as a small masterpiece.Students of literature, admirers of Dostoyevsky, and general readers will all be delighted to have this classic work available in this inexpensive but high-quality edition.

From the bestselling author of American Psycho comes this satirical black comedy about the death of romance. Set at an affluent liberal arts college during the height of the Reagan eighties, The Rules of Attraction follows a handful of rowdy, spoiled, sexually promiscuous students with no plans for the future—or even the present. Three of them—Sean, Paul, and Lauren—become involved in a love triangle of sorts within a sequence of drug runs, "Dressed to Get Screwed" parties, and "End of the World" parties. As Bret Easton Ellis trains his incisive gaze on the kids at the self-consciously bohemian Camden College, treating their sexual posturing and agonies with a mixture of acrid hilarity and compassion, he exposes the moral vacuum at the center of their lives.

In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers—a note that makes her question her memories of their disappearance and her father’s departure. A beguiling story that proves that gothic delights and uncanny family horror can live—and even thrive—under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles. In these pages Jennings assures you that gothic delights, uncanny family horror, and strange, unsettling prose can live—and even thrive—under a burning sun. Holly Black describes as “half mystery, half fairy tale, all exquisitely rendered and full of teeth.” Flyaway enchants you with the sly, beautiful darkness of Karen Russell and a world utterly its own.

One of the most remarkable true-crime narratives of the twenty-first century: the story of the world’s most prolific art thief, Stéphane Breitwieser. In this spellbinding portrait of obsession and flawed genius, the best-selling author of The Stranger in the Woods brings us into Breitwieser’s strange world—unlike most thieves, he never stole for money, keeping all his treasures in a single room where he could admire them. For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than two hundred heists over nearly eight years—in museums and cathedrals all over Europe—Breitwieser, along with his girlfriend who worked as his lookout, stole more than three hundred objects, until it all fell apart in spectacular fashion. In The Art Thief, Michael Finkel brings us into Breitwieser’s strange and fascinating world. Unlike most thieves, Breitwieser never stole for money. Instead, he displayed all his treasures in a pair of secret rooms where he could admire them to his heart’s content. Possessed of a remarkable athleticism and an innate ability to circumvent practically any security system, Breitwieser managed to pull off a breathtaking number of audacious thefts. Yet these strange talents bred a growing disregard for risk and an addict’s need to score, leading Breitwieser to ignore his girlfriend’s pleas to stop—until one final act of hubris brought everything crashing down. This is a riveting story of art, crime, love, and an insatiable hunger to possess beauty at any cost.

Collette LeSange has been hiding a dark secret: She is immortal. In 1834, Collette’s grandfather granted her the gift of eternal life and since then, she has endured centuries of turmoil and heartache. Now, almost 150 years later, Collette is a lonely artist running an elite fine art school for children in upstate New York. But her life is suddenly upended by the arrival of a gifted child from a troubled home, the return of a stalking presence from her past, and her own mysteriously growing hunger for blood.

The Devil knows your name, David Aristarkhov. As a teen, David Aristarkhov was a psychic prodigy, operating under the shadow of his oppressive occultist father. Now, years after his father’s death and rapidly approaching his thirtieth birthday, he is content with the high-powered life he’s curated as a Boston attorney, moonlighting as a powerful medium for his secret society. But with power comes a price, and the Devil has come to collect on an ancestral deal. David’s days are numbered, and death looms at his door. Reluctantly, he reaches out to the only person he’s ever trusted, his ex-boyfriend and secret Society rival Rhys, for help. However, the only way to get to Rhys is through his wife, Moira. Thrust into each other’s care, emotions once buried deep resurface, and the trio race to figure out their feelings for one another before the Devil steals David away for good… The first book in a spellbinding and vibrant new series from The Sunday Times bestselling author of A Dowry of Blood.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

A new translation of one of the most popular satires on the Russian Revolution and Soviet society Best known for The Master and Margarita, Mikhail Bulgakov is one of twentieth-century Russia's most prominent novelists. A Dead Man's Memoir is a semi- autobiographical story about a writer who fails to sell his novel, then fails to commit suicide. When the writer's play is taken up for production in a theater, literary success beckons, but he is not prepared to reckon with the grotesquely inflated egos of the actors, directors, and theater managers.

Anne Carson writes, “Euripides was a playwright of the fifth century BC who reinvented Greek tragedy, setting it on a path that leads straight to reality TV. His plays broke all the rules, upended convention and outraged conservative critics. The Bakkhai is his most subversive play, telling the story of a man who cannot admit he would rather live in the skin of a woman, and a god who seems to combine all sexualities into a single ruinous demand for adoration. Dionysos is the god of intoxication. Once you fall under his influence, there is no telling where you will end up.”