.Forensic anthropologist Erin Kimmerle investigates of the notorious Dozier Boys School--the true story behind the Pulitzer Prize-winning novel The Nickel Boys--and the contentious process to exhume the graves of the boys buried there in order to reunite them with their families. The Arthur G. Dozier Boys School was a well-guarded secret in Florida for over a century, until reports of cruelty, abuse, and "mysterious" deaths shut the institution down in 2011. Established in 1900, the juvenile reform school accepted children as young as six years of age for crimes as harmless as truancy or trespassing. The boys sent there, many of whom were Black, were subject to brutal abuse, routinely hired out to local farmers by the school's management as indentured labor, and died either at the school or attempting to escape its brutal conditions. In the wake of the school's shutdown, Erin Kimmerle, a leading forensic anthropologist, stepped in to locate the school's graveyard to determine the number of graves and who was buried there, thus beginning the process of reuniting the boys with their families through forensic and DNA testing. The school's poorly kept accounting suggested some thirty-one boys were buried in unmarked graves in a remote field on the school's property. The real number was at least twice that. Kimmerle's work did not go unnoticed; residents and local law enforcement threatened and harassed her team in their eagerness to control the truth she was uncovering--one she continues to investigate to this day. We Carry Their Bones is a detailed account of Jim Crow America and an indictment of the reform school system as we know it. It's also a fascinating dive into the science of forensic anthropology and an important retelling of the extraordinary efforts taken to bring these lost children home to their families--an endeavor that created a political firestorm and a dramatic reckoning with racism and shame in the legacy of America.

A young Black woman challenges the indignity of a segregated dystopian future and exposes a time-bending secret in this dark, defiant short story from P. Djèlí Clark, award-winning author of Ring Shout. The year is 2030. Annabeth works a stable job at CRONUS, a time travel company that caters to wealthy clients. Life is harsh, but she’s willing to keep her head down—until a vision of a past that never happened leads her to question everything she knows. They call it madness, but she’ll learn to call it memory. P. Djélì Clark’s Cronus is part of The Time Traveler’s Passport, an unforgettable collection of stories about memory, identity, and choice. Watch time fly as you read or listen to each short story in a single sitting.

The New York Times bestselling author of This Will Be My Undoing and Caul Baby returns with an epic, multi-generational novel that illuminates the legacy of slavery and the power of romantic love. Harlem, 2019. Ardelia and Oliver are hosting their engagement party. As the guests get ready to leave, he hands her a love letter on a yellowing, crumbling piece of paper . . . Natchez, 1865. Discharged from the Union Army as a free man after the war’s end, Harrison returns to Mississippi to reunite with the woman he loves, Tirzah. Upon his arrival at the Freedmen’s Bureau, though, he catches the eye of a woman working there, who’s determined to thwart his efforts to find his beloved. After tragedy strikes, Harrison resigns himself to a life with her.  Meanwhile in Louisiana, the newly free Tirzah is teaching at the Freedmen’s School, and discovers an advertisement in the local paper looking for her. Though she knows Harrison must have placed it, and longs to find him, the risks of fleeing are too great, and Tirzah chooses the life of seeming security right in front of her. Spanning over a hundred and fifty years, Morgan Jerkins’s extraordinary novel intertwines the stories of these star-crossed lovers and their descendants. As Tirzah's family moves across the country during the Great Migration, they challenge authority with devastating consequences, while of the legacy of heartbreak and loss continues on in the lives of Harrison's progeny. When Ardelia meets Oliver, she finds his family’s history is as full of secrets and omissions as her own. Could their connection be a cosmic reconciliation satisfying the unfulfilled desires of their ancestors, or will the weight of the past, present and future tear them apart? Sweeping, textured, and meticulously researched, Zeal is both a story of how one generation’s choices reverberate through the years and an indelible portrait of an enduring love.

Narnia… the land beyond the wardrobe door, a secret place frozen in eternal winter, a magical country waiting to be set free. Lucy is the first to find the secret of the wardrobe in the professor's mysterious old house. At first her brothers and sister don't believe her when she tells of her visit to the land of Narnia. But soon Edmund, then Peter and Susan step through the wardrobe themselves. In Narnia they find a country buried under the evil enchantment of the White Witch. When they meet the Lion Aslan, they realize they've been called to a great adventure and bravely join the battle to free Narnia from the Witch's sinister spell.

Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for...

Agatha Christie's debut novel was also the first to feature Hercule Poirot, her famously eccentric Belgian detective. A refugee of the Great War, Poirot has settled in England near Styles Court, the country estate of his wealthy benefactor, the elderly Emily Inglethorp. When Emily is poisoned and the authorities are baffled, Poirot puts his prodigious sleuthing skills to work. Suspects are plentiful, including the victim’s much younger husband, her resentful stepsons, her longtime hired companion, a young family friend working as a nurse, and a London specialist on poisons who just happens to be visiting the nearby village. All of them have secrets they are desperate to keep, but none can outwit Poirot as he navigates the ingenious red herrings and plot twists that contribute to Agatha Christie's well-deserved reputation as the queen of mystery. Librarian's note: the first fifteen novels in the Hercule Poirot series are 1) The Mysterious Affair at Styles, 1920; 2) The Murder on the Links, 1923; 3) The Murder of Roger Ackroyd, 1926; 4) The Big Four, 1927; 5) The Mystery of the Blue Train, 1928; 6) Peril at End House, 1932; 7) Lord Edgware Dies, 1933; 8) Murder on the Orient Express, 1934; 9) Three Act Tragedy, 1935; 10) Death in the Clouds, 1935; 11) The A.B.C. Murders, 1936; 12) Murder in Mesopotamia, 1936; 13) Cards on the Table, 1936; 14) Dumb Witness, 1937; and 15) Death on the Nile, 1937. Poirot also appears, in this period, in a play, Black Coffee, 1930, and two collections of short stories, Poirot Investigates, 1924, and Murder in the Mews, 1937. Each novel and short story has its own entry on Goodreads.

The secret passage to the house next door leads to a fascinating adventure NARNIA...where the woods are thick and cold, where Talking Beasts are called to life...a new world where the adventure begins. Digory and Polly meet and become friends one cold, wet summer in London. Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurtling to...somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis before they finally return home.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this work is an invaluable contribution to our shared history and culture.

We can’t choose what we inherit. But can we choose who we become? In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child challenge everything the siblings thought they knew about their lineage and themselves. Can Byron and Benny reclaim their once-close relationship, piece together Eleanor’s true history, and fulfill her final request to “share the black cake when the time is right”? Will their mother’s revelations bring them back together or leave them feeling more lost than ever? Charmaine Wilkerson’s debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

More than just a slogan on a t-shirt, feminism is a radical tool for fighting back against structural violence and injustice. Feminism, Interrupted is a bold call to seize feminism back from the cultural gatekeepers and return it to its radical roots. Lola Olufemi explores state violence against women, the fight for reproductive justice, transmisogyny, gendered Islamophobia and solidarity with global struggles, showing that the fight for gendered liberation can change the world for everybody when we refuse to think of it solely as women's work. Including testimonials from Sisters Uncut, migrant groups working for reproductive justice, prison abolitionists and activists involved in the international fight for Kurdish and Palestinian rights, Olufemi emphasises the link between feminism and grassroots organising. Reclaiming feminism from the clutches of the consumerist, neoliberal model, Feminism, Interrupted shows that when 'feminist' is more than a label, it holds the potential for radical transformative work.