The future of Black, queer, and trans liberation explored by a legendary transgender elder and activist Miss Major Griffin-Gracy is a veteran of the infamous Stonewall Riots, a former sex worker, and a transgender elder and activist who has survived Bellevue psychiatric hospital, Attica Prison, the HIV/AIDS crisis and a world that white supremacy has built. She has shared tips with other sex workers in the nascent drag ball scene of the late 1960s, and helped found one of America’s first needle exchange clinics from the back of her van. Miss Major Speaks is both document of her brilliant life–told with intimacy, warmth and an undeniable levity-and a roadmap for the challenges black, brown, queer and trans youth will face on the path to liberation today. Her incredible story of a life lived and a world survived becomes a conduit for larger questions about the riddle of collective liberation. For a younger generation, she warns about the traps of ‘representation,’ the politics of 'self-care,' and the frequent dead-ends of non-profit organizing; for all of us, she is a strike against those who would erase these histories of struggle. Miss Major offers something that cannot be found an affirmation that our vision for freedom can and must be more expansive than those on offer by mainstream institutions.

S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta. This is my last love letter to you, though some would call it a confession. . . Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

When Zlata’s Diary was first published at the height of the Bosnian War, it became an international bestseller and was compared to The Diary of Anne Frank, both for the freshness of its voice and the grimness of the world it describes. It begins as the day-today record of the life of a typical eleven-year-old girl, preoccupied by piano lessons and birthday parties. But as war engulfs Sarajevo, Zlata Filipovic becomes a witness to food shortages, the deaths of friends, and learns to wait out bombardments in a neighbor’s cellar. Yet throughout she remains courageous and observant. The result is a book that has the power to move and instruct readers a world away.

From the #1 New York Times bestselling author of One of Us Is Lying comes your next obsession. You'll never feel the same about family again. Milly, Aubrey, and Jonah Story are cousins, but they barely know each another, and they've never even met their grandmother. Rich and reclusive, she disinherited their parents before they were born. So when they each receive a letter inviting them to work at her island resort for the summer, they're surprised . . . and curious. Their parents are all clear on one point--not going is not an option. This could be the opportunity to get back into Grandmother's good graces. But when the cousins arrive on the island, it's immediately clear that she has different plans for them. And the longer they stay, the more they realize how mysterious--and dark--their family's past is. The entire Story family has secrets. Whatever pulled them apart years ago isn't over--and this summer, the cousins will learn everything.

Black transgender luminary Tourmaline brings to life the first definitive biography of the revolutionary activist Marsha P. Johnson, one of the most important and remarkable figures in LGBTQIA+ history, revealing her story, her impact, and her legacy. “She is the preeminent and foremost scholar on Marsha P. Johnson. . . . To us, Tourmaline is the expert.”—Janet Mock, Allure “Thank god the revolution has begun, honey.” Rumor has it that after Marsha P. Johnson threw the first brick in the 1969 Stonewall Uprising, she picked up a shard of broken mirror to fix her makeup. Marsha, a legendary Black transgender activist, embodied both the beauty and the struggle of the early gay rights movement. Her work sparked the progress we see today, yet there has never been a definitive record of her life. Until now.    Written with sparkling prose, Tourmaline’s richly researched biography Marsha finally brings this iconic figure to life, in full color. We vividly meet Marsha as both an activist and She performed with RuPaul and with the internationally renowned drag troupe The Hot Peaches. She was a muse to countless artists from Andy Warhol to the band Earth, Wind & Fire. And she continues to inspire people today.   Marsha didn’t wait to be freed; she declared herself free and told the world to catch up. Her story promises to inspire readers to live as their most liberated, unruly, vibrant, and whole selves.

In this delightfully modern spin on Pride and Prejudice, love is a goal, marriage is a distant option, and self-discovery is a sure thing. Welcome to Bennet House, the only all-women’s dorm at prestigious Longbourn University, home to three close friends who are about to have an eventful year. EJ is an ambitious Black engineering student. Her best friend, Jamie, is a newly out trans woman studying French and theater. Tessa is a Filipina astronomy major with guy trouble. For them, Bennet House is more than a residence—it’s an oasis of feminism, femininity, and enlightenment. But as great as Longbourn is for academics, EJ knows it can be a wretched place to find love. Yet the fall season is young and brimming with surprising possibilities. Jamie’s prospect is Lee Gregory, son of a Hollywood producer and a gentleman so charming he practically sparkles. That leaves EJ with Lee’s arrogant best friend, Will. For Jamie’s sake, EJ must put up with the disagreeable, distressingly handsome, not quite famous TV actor for as long as she can. What of it? EJ has her eyes on a bigger prize, anyway: launching a spectacular engineering career in the “real world” she’s been hearing so much about. But what happens when all their lives become entwined in ways no one could have predicted—and EJ finds herself drawn to a man who’s not exactly a perfect fit for the future she has planned?

Two Muslim teens in Texas fight for access to abortion while one harbors a painful secret in this funny and heartfelt near-future speculative novel perfect for fans of Unpregnant . In a not-too-distant America, abortions are prosecuted and the right to choose is no longer an option. But best friends Laylah and Noor want to change the world. After graduating high school, they’ll become an OBGYN and a journalist, but in the meantime, they’re working on an illegal guide to abortion in Texas. In response to the unfair laws, underground networks of clinics have sprung up, but the good fight has gotten even more precarious as it becomes harder to secure safe medication and supplies. Both Layla and Noor are passionate about getting their guide completed so it can help those in need, but Laylah treats their project with an urgency Noor doesn’t understand—that may have something to do with the strange goings-on between their mosque and a local politician. Fighting for what they believe in may involve even more obstacles than they bargained for, but the two best friends will continue as they always together.

With echoes of Educated and Born a Crime, How to Say Babylon is the stunning story of the author’s struggle to break free of her rigid Rastafarian upbringing, ruled by her father’s strict patriarchal views and repressive control of her childhood, to find her own voice as a woman and poet. Throughout her childhood, Safiya Sinclair’s father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman’s highest virtue was her obedience. In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya’s mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father’s beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya’s voice grows, lyrically and poetically, a collision course is set between them. How to Say Babylon is Sinclair’s reckoning with the culture that initially nourished but ultimately sought to silence her; it is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica. Rich in lyricism and language only a poet could evoke, How to Say Babylon is both a universal story of a woman finding her own power and a unique glimpse into a rarefied world we may know how to name, Rastafari, but one we know little about.'