From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

A family on a remote island. A mysterious woman washed ashore. A rising storm on the horizon. Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers. But with sea levels rising, the Salts are now its final inhabitants, packing up the seeds before they are transported to safer ground. Despite the wild beauty of life here, isolation has taken its toll on the Salts. Raff, eighteen and suffering his first heartbreak, can only find relief at his punching bag; Fen, seventeen, has started spending her nights on the beach among the seals; nine-year-old Orly, obsessed with botany, fears the loss of his beloved natural world; and Dominic can’t stop turning back toward the past, and the loss that drove the family to Shearwater in the first place. Then, during the worst storm the island has ever seen, a woman washes up on shore. As the Salts nurse the woman, Rowan, back to life, their suspicion gives way to affection, and they finally begin to feel like a family again. Rowan, long accustomed to protecting her heart, begins to fall for the Salts, too. But Rowan isn’t telling the whole truth about why she set out for Shearwater. And when she discovers the sabotaged radios and a freshly dug grave, she realizes Dominic is keeping his own dark secrets. As the storms on Shearwater gather force, the characters must decide if they can trust each other enough to protect the precious seeds in their care before it’s too late—and if they can finally put the tragedies of the past behind them to create something new, together.

From a dazzling new talent, a sensual and spellbinding novel about one summer that shatters the balance between three best friends, forcing them to confront the line between friendship and desireFifteen-year-old Mina’s whole world is her two best friends, but after an unexpected kiss, the established dynamics of their trio quickly unravel. Everything that was once shared openly, from clothes to secrets, now feels impossibly fragile. Loyalties shift and tensions simmer across the long days of this pivotal summer, where the girls have nowhere new to go and everything new to feel.Looking back, an adult Mina traces the undercurrents of longing that shaped her first experience of desire. The rituals of girlhood—gossip, selfies, sleepovers, and videogames—become threads in a delicate, volatile web of intimacy, in which everything feels achingly fleeting and permanently etched. Loving one person, Mina learns, can change the way we love everyone else—including ourselves. Bold, vulnerable, and sharply observant, Girl’s Girl is a sundrenched and dewy snapshot of modern girl culture set in the blaze of one suburban Midwest summer.

Gone Girl meets Big Swiss in this electric, binge-of-a-debut about a millennial antihero who seeks revenge on her ex-situationship with a hex, only for him to actually, literally die. Lillian and Henry have been enjoying each other’s company, especially in bed. Even though Lillian’s best friend calls it “situationship,” Lillian is determined to lock Henry down—and she has a plan. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup, Lillian exacts revenge by performing a drunken hex on him.Lillian expects Henry to come crawling back to her. What she doesn’t quite anticipate is becoming a prime suspect in his murder case when he’s found dead. As Lillian grapples with the loss of her sort-of-boyfriend, she’s hit with another That Henry had a long-term girlfriend he also left behind. Desperate to control the narrative, clear her name, and assume her rightful place as Henry’s mourning girlfriend, Lillian’s pursuit of the truth will throw her into a dangerous tailspin. A deliciously addictive novel that explores our darkest, most human impulses, A Good Person heralds Kirsten King as a striking new voice in the canon of celebrated fiction.

For what do you hunger, Lenore? Lenore is the wife of steel magnate Henry, but ten years into their marriage, the relationship has soured and no child has arrived to fill the distance growing between them. Henry's ambitions take them out of London and to the imposing Nethershaw manor in the countryside, where Henry aims to host a hunt with society’s finest. Lenore keeps a terrible secret from the last time her husband hunted, and though they never speak of it, it haunts their marriage to this day. The preparations for the event take a turn when a carriage accident near their remote home brings the mysterious Carmilla into Lenore's life. Carmilla who is weak and pale during the day but vibrant at night; Carmilla who stirs up a hunger deep within Lenore. Soon girls from local villages begin to fall sick before being consumed by a bloody hunger. Torn between regaining her husband's affection and Carmilla's ever-growing presence, Lenore begins to unravel her past and in doing so, uncovers a darkness in her household that will place her at terrible risk . . . Set against the violent wilderness of the moors and the uncontrolled appetite of the industrial revolution, Hungerstone is a compulsive feminist reworking of Carmilla, the book that inspired Dracula: a captivating story of appetite and desire.

"A work of spectral beauty destined to be a classic. Readers of Sebastian Junger’s The Perfect Storm, Erik Larsen’s Dead Wake, and Nathaniel Philbrick’s In the Heart of the Sea will love this deeply reported tale." —Hampton Sides, New York Times best-selling author of The Wide Wide Sea and In the Kingdom of Ice“The Untold Story of the Edmund Fitzgerald’ has been told and retold by authors and bards. But never has it been told better than by Mr. Bacon in this colorful and compelling book.... Dead men tell no tales, but their loved ones do. Mr. Bacon tracked them down and listened.” —John J. Miller, Wall Street JournalOn the fiftieth anniversary of the Edmund Fitzgerald’s sinking, the bestselling author of The Great Halifax Explosion tells the definitive story of the “Mighty Fitz.” For three decades following World War II, the Great Lakes overtook Europe as the epicenter of global economic strength. The region was the beating heart of the world economy, possessing all the power and prestige Silicon Valley does today. And no ship represented the apex of the American Century better than the 729-foot-long Edmund Fitzgerald—the biggest, best, and most profitable ship on the Lakes.But on November 10, 1975, as the “storm of the century” threw 100 mile-per-hour winds and 50-foot waves on Lake Superior, the Mighty Fitz found itself at the worst possible place, at the worst possible time. When she sank, she took all 29 men onboard down with her, leaving the tragedy shrouded in mystery for a half century.In The Gales of November, award-winning journalist John U. Bacon presents the definitive account of the disaster, drawing on more than 100 interviews with the families, friends, and former crewmates of those lost. Bacon explores the vital role Great Lakes shipping played in America’s economic boom, the uncommon lives the sailors led, the sinking’s most likely causes, and the heartbreaking aftermath for those left behind—"the wives, the sons, and the daughters,” as Gordon Lightfoot sang in his unforgettable ballad.Focused on those directly affected by the tragedy, The Gales of November is both an emotional tribute to the lives lost and a propulsive, page-turning narrative history of America’s most-mourned maritime disaster.

From bestselling author Meagan Church comes a haunting exploration of identity, motherhood, and the suffocating grip of societal expectations that will leave you questioning the lives we build―and the lies we live.  They called it hysteria. She called it survival. Lulu Mayfield has spent the last five years molding herself into the perfect 1950s housewife. Despite the tragic memories that haunt her and the weight of exhausting expectations, she keeps her husband happy, her household running, and her gelatin salads the talk of the neighborhood. But after she gives birth to her second child, Lulu's carefully crafted life begins to unravel. When a new neighbor, Bitsy, moves in, Lulu suspects that something darker lurks behind the woman's constant smile. As her fixation on Bitsy deepens, Lulu is drawn into a web of unsettling truths that threaten to expose the cracks in her own life. The more she uncovers about Bitsy, the more she questions everything she thought she knew―and soon, others begin questioning her sanity. But is Lulu truly losing her mind? Or is she on the verge of discovering a reality too terrifying to accept? In the vein of The Bell Jar and The Hours, The Mad Wife weaves domestic drama with psychological suspense, so poignant and immersive, you won't want to put it down.

A woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path, thanks to a receptionist who recommends a nearby hike. Out on the sun-scorched trail, the woman encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door. So she enters it. What awaits her inside this mystical succulent sets her on a journey at once desolate and rich, hilarious and poignant.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.