In this emotionally rich first memoir, the New York Times bestselling author of True Biz retraces her path out of the hearing world and into the deaf community - and seeks to understand the journeys her own children must take.Sara Nović's early years were filled with music, Bible study, and a strong desire to fit in. But when she failed her school's mandated hearing test, her worldview was thrown into chaos. Desperate not to be marked as different, she told no one, staying in the hearing world for as long as she could by brute force. Eventually unable to ignore the fact that she was deaf, Nović sought out other deaf people and was welcomed into a tight knit community rooted in the beauty and joy of American Sign Language. Nović realized that rather than maintaining the facade of her old life or trying to straddle two worlds, she would need to cultivate a life in the space between. Now the mother of two young sons - one, biological and hearing, the other, adopted and deaf-Nović reflects on her life both before and after parenthood. She's raising her children within the deaf world, offering them things her younger self needed, all the while knowing that as her children grow, their own paths will branch off from hers in ways she cannot fully predict or plan for. Interwoven with Novic's personal story is a remarkable portrait of America through reflections on some of its most complex the rise of the Christian right, the thorny world of international adoption, and above all, the deaf and disabled communities' stubborn survival in the face of persistent oppression. Nović's clear, bold voice is one readers will hold onto, learn from, argue with, and be inspired by, as she asks us to recognize difference as a source of opportunity rather than fear, as a chance to draw families and communities together, and to build something new.

On the island of Wayo Wayo, every second son must leave on the day he turns fifteen as a sacrifice to the Sea God. Atile'i is one such boy, but as the strongest swimmer and best sailor, he is determined to defy destiny and become the first to survive. Alice Shih, who has lost her husband and son in a climbing accident, is quietly preparing to commit suicide in her house by the sea. But her plan is interrupted when a vast trash vortex comes crashing onto the shore of Taiwan, bringing Atile'i with it. In the aftermath of the catastrophe, Atile'i and Alice retrace her late husband's footsteps into the mountains, hoping to solve the mystery of her son's disappearance. On their journey, memories will be challenged, an unusual bond formed, and a dark secret uncovered that will force Alice to question everything she thought she knew.

"You've long set your heart against it, Axl, I know. But it's time now to think on it anew. There's a journey we must go on, and no more delay..." The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years. Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war. Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"

Following the death of her closest friend, Sloane Crosley explores multiple kinds of loss in this disarmingly witty and poignant memoir. Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief.

"You've long set your heart against it, Axl, I know. But it's time now to think on it anew. There's a journey we must go on, and no more delay..." The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years. Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war. Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"

Steppenwolf is a poetical self-portrait of a man who felt himself to be half-human and half-wolf. This Faust-like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle-aged misanthrope. Yet this novel can also be seen as a plea for rigorous self-examination and an indictment of the intellectual hypocrisy of the period. As Hesse himself remarked, "Of all my books Steppenwolf is the one that was more often and more violently misunderstood than any other".

Owen Pick’s life is falling apart. In his thirties, a virgin, and living in his aunt’s spare bedroom, he has just been suspended from his job as a geography teacher after accusations of sexual misconduct, which he strongly denies. Searching for professional advice online, he is inadvertently sucked into the dark world of incel—involuntary celibate—forums, where he meets the charismatic, mysterious, and sinister Bryn. Across the street from Owen lives the Fours family, headed by mom Cate, a physiotherapist, and dad Roan, a child psychologist. But the Fours family have a bad feeling about their neighbor Owen. He’s a bit creepy and their teenaged daughter swears he followed her home from the train station one night. Meanwhile, young Saffyre Maddox spent three years as a patient of Roan Fours. Feeling abandoned when their therapy ends, she searches for other ways to maintain her connection with him, following him in the shadows and learning more than she wanted to know about Roan and his family. Then, on Valentine’s night, Saffyre Maddox disappears—and the last person to see her alive is Owen Pick.

Owen Pick’s life is falling apart. In his thirties, a virgin, and living in his aunt’s spare bedroom, he has just been suspended from his job as a geography teacher after accusations of sexual misconduct, which he strongly denies. Searching for professional advice online, he is inadvertently sucked into the dark world of incel—involuntary celibate—forums, where he meets the charismatic, mysterious, and sinister Bryn. Across the street from Owen lives the Fours family, headed by mom Cate, a physiotherapist, and dad Roan, a child psychologist. But the Fours family have a bad feeling about their neighbor Owen. He’s a bit creepy and their teenaged daughter swears he followed her home from the train station one night. Meanwhile, young Saffyre Maddox spent three years as a patient of Roan Fours. Feeling abandoned when their therapy ends, she searches for other ways to maintain her connection with him, following him in the shadows and learning more than she wanted to know about Roan and his family. Then, on Valentine’s night, Saffyre Maddox disappears—and the last person to see her alive is Owen Pick.

Steppenwolf is a poetical self-portrait of a man who felt himself to be half-human and half-wolf. This Faust-like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle-aged misanthrope. Yet this novel can also be seen as a plea for rigorous self-examination and an indictment of the intellectual hypocrisy of the period. As Hesse himself remarked, "Of all my books Steppenwolf is the one that was more often and more violently misunderstood than any other".

'Deeply empathetic and profoundly unsettling, this is contemporary crime fiction at its finest' - Dinuka McKenzie Corinne Gray is a woman whose life is falling apart. When probationary detective Kyle Nazarian unexpectedly knocks on her door on a rainy morning, she knows why. He wants to talk about her son, Ben. This is her chance to finally explain how her sweet-natured child – who loved history and dreamed of swimming for Olympic Gold – grew up to do the unthinkable. What really happened to Ben? And could anyone have prevented it? Desperate for justice, Corinne has poured herself into uncovering the sinister figures behind her son's actions and the shadowy online communities that prey on vulnerable young people. Kyle, meanwhile, is grappling with his own personal crisis both at home and at work. Torn between his duties and a growing sympathy for Corinne, Kyle must decide how far he's willing to go to help her. We Need to Talk About Kevin meets None of This Is True in this shattering and provocative psychological thriller that dives into the darkest corners of the internet and the powerful bonds between parents and children, from the bestselling author of Dark Mode.

“Epic in its scope, intimate in its evocation, Whidbey reads like a thriller, compels like a mystery and regarding the human condition, converses with the classics. This is the book everyone will be talking about.” — Adam Johnson, Pulitzer Prize and National Book Award winning author of The Orphan Master’s Son and Fortune Smiles A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden. Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge. But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the her only son has been murdered. Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a the one who lives it, or the one who tells it?

A vivid and inspiring poetry collection about what’s possible when we heed our instincts and honor our intuition, allowing ourselves to strike out for new territories of love, pleasure, and peace.   First, you must realize you’re homesick for all the lives you’re not living. Then, you must commit to the road and the rising loneliness. To the sincere thrill of coming apart.   So begins Joy Sullivan’s Instructions for Traveling West —a lush debut collection that examines what happens when we leave home and leap into the deep unknown. Mid-pandemic, Sullivan left the man she planned to marry, sold her house, quit her corporate job, and drove west. This dazzling collection tells that story as it illuminates the questions haunting us What possible futures lie on the horizon? What happens when we heed the call of furious reinvention?    A book for anyone flinging themselves into fresh starts, Instructions for Traveling West grapples with loss, loneliness and belonging. These poems teach us that naming our desire is profound alchemy. Each of us holds the power to set our own course forward.   Expansive and heart-opening—exquisite in their specificity, galvanizing in their scope—the poems in Instructions for Traveling West speak to the longing that lives within us all. They remind us that “joy is not a trick.”

Following the death of her closest friend, Sloane Crosley explores multiple kinds of loss in this disarmingly witty and poignant memoir. Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief.

“Epic in its scope, intimate in its evocation, Whidbey reads like a thriller, compels like a mystery and regarding the human condition, converses with the classics. This is the book everyone will be talking about.” — Adam Johnson, Pulitzer Prize and National Book Award winning author of The Orphan Master’s Son and Fortune Smiles A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden. Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge. But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the her only son has been murdered. Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a the one who lives it, or the one who tells it?

A daughter of the Asian American church wrestles with faith, exile, and belonging. Being a Christian has nothing to do with being Chinese American--that's what Kristin T. Lee learned as a child. A fissure between her identity and what she was told to believe opened wide. In We Mend with Gold, she What if we can bridge the divide? Lee describes both the breaking of her young faith and the sacred art of repair. She examines how immigrant churches often assimilate to Western theology, even as they offer crucial spaces of belonging. Through lyrical storytelling about her upbringing in Asian immigrant churches as well as in white evangelicalism, Lee wrestles with history, ancestral stories, and what it means to follow Jesus. What might it look like to expand beyond the scripts we've been given and bring our questions to God--as well as building solidarity with the marginalized? Drawing on Black, Asian, and other minoritized theologians, Lee separates the theology of empire from what Jesus preached and lived. Writing of the fractures in our families, churches, and the world, Lee relies on the Japanese art of kintsugi to describe the resplendence of a faith that repairs but doesn't paper over. And she offers pieces of the Asian American experience--such as liminality, displacement, and exile--that attend to the breaking and the mending, the wounding and the healing. How might marginality bring us closer to God and others? What do we lose when we "make it"? And when we expand our notion of who belongs to our family, what do we gain? We can repair the seams between our cultural identities and our faith, Lee claims. By leaving room for mystery, we encounter God's love. We mend the fractures--between and within us--with gold.