From a #1 Apple podcast host, Lambda Literary fellow, and former dominatrix, a sex-positive, judgement-free cultural deep-dive into the world of kink. When BDSM educator and former dominatrix Tina Horn first launched Why Are People Into That?!, publications from Esquire and Guardian to Vice, Bustle, Buzzfeed, and beyond heralded the undertaking as one of the best podcasts about sex. Each episode centered around a different aspect of kink, erotic fantasy, and human sexuality, thoughtfully and non-judgmentally examining why, exactly, different strokes work for different folks. From sex workers and scientists to artists, writers, and porn stars, Tina’s wide range of guests helped educate fascinated listeners across the world on the wide spectrum of humanity’s sexual appetite. But for every episode she released, with every guest expert she interviewed, she found her listeners more and more insatiable--and she soon realized that the only way to really address the titular question with all the depth and nuance it deserved was to turn that idea into a book. From spanking, bondage, and financial domination, to the most taboo fantasies involving cake, chains, and cannibalism, WHY ARE PEOPLE INTO THAT? explores the universal human drives that shape even the most specific erotic tastes, and the cultural context that molds and is molded by the way we conceptualize sex, pleasure, gender, fantasy, and power. Along the way, Tina invites us to reconsider everything we thought we knew about sex and sexuality. How, for example, should we think about "consensual nonconsent" in a post-#MeToo era? How does cross-dressing, as a sexual fantasy, fit in with our evolving cultural understanding of gender performance and identity? And what do foot fetishists, furries, and “femdoms” have in common? Blending insightful cultural criticism, investigative journalism, psychology, and spicy anecdotes from Tina’s 15+ years of hard-earned expertise in the sex industry and beyond, WHY ARE PEOPLE INTO THAT? is a philosophical-but-fun exploration of the prismatic spectrum of human desire and the expansive possibilities of pleasure. For readers of books like Kink and Sex at Dawn, this raunchy and rousing book is perfect for anyone who is interested not only in the intricacies of what we desire, but in how desire itself really works.

In 1972, Martha "Marty" Goddard volunteered at a crisis hotline, counseling girls who had been molested by their fathers, their teachers, their uncles. Soon, Marty was on a mission to answer a question: Why were so many sexual predators getting away with these crimes? By the end of the decade, she had launched a campaign pushing hospitals and police departments to collect evidence of sexual assault and treat survivors with dignity. She designed a new kind of forensics tool—the rape kit—and new practices around evidence collection that spread across the country. Yet even as Marty fought for women's rights, she allowed a man to take credit for her work. When journalist Pagan Kennedy went looking for this forgotten pioneer, she discovered that even Marty Goddard's closest friends had lost track of her. As Pagan followed a trail of clues to solve the mystery of Marty, she also delved into the problematic history of forensics in America. The Secret History of the Rape Kit chronicles one journalist's mission to understand a crucial innovation in forensics and the woman who championed it. As Pagan Kennedy hunts for answers, she reflects on her own experiences with sexual assault and her own desire for justice.

A panoramic history of rules in the Western world Rules order almost every aspect of our lives. They set our work hours, dictate how we drive and set the table, tell us whether to offer an extended hand or cheek in greeting, and organize the rites of life, from birth through death. We may chafe under the rules we have, and yearn for ones we don't, yet no culture could do without them. In Rules, historian Lorraine Daston traces their development in the Western tradition and shows how rules have evolved from ancient to modern times. Drawing on a rich trove of examples, including legal treatises, cookbooks, military manuals, traffic regulations, and game handbooks, Daston demonstrates that while the content of rules is dazzlingly diverse, the forms that they take are surprisingly few and long-lived. Daston uncovers three enduring kinds of rules: the algorithms that calculate and measure, the laws that govern, and the models that teach. She vividly illustrates how rules can change--how supple rules stiffen, or vice versa, and how once bothersome regulations become everyday norms. Rules have been devised for almost every imaginable activity and range from meticulous regulations to the laws of nature. Daston probes beneath this variety to investigate when rules work and when they don't, and why some philosophical problems about rules are as ancient as philosophy itself while others are as modern as calculating machines. Rules offers a wide-angle view on the history of the constraints that guide us--whether we know it or not.

A lively tour through the history of US cemeteries that explores how, where, and why we bury our dead The summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melville’s lifelong curiosity with how, where, and why we bury and commemorate our dead. Melville’s Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places that have mirrored the passing eras in history but have also shaped it. Cemeteries have given birth to landscape architecture and famous parks, as well as influenced architectural styles. They’ve inspired and motivated some of our greatest poets and authors—Emerson, Whitman, Dickinson. They’ve been used as political tools to shift the country’s discourse and as important symbols of the United States' ambition and reach. But they are changing and fading. Embalming and burial is incredibly toxic, and while cremations have just recently surpassed burials in popularity, they’re not great for the environment either. Over My Dead Body explores everything—history, sustainability, land use, and more—and what it really means to memorialize. Locales visited in Over My Dead Body Shawsheen Cemetery – Bedford, Massachusetts The 1607 Burial Ground – Historic Jamestowne, Virginia Burial Hill – Plymouth, Massachusetts Colonial Jewish Burial Ground – Newport, Rhode Island Monticello’s African American Graveyard – Charlottesville, Virginia Mount Auburn Cemetery – Cambridge, Massachusetts Green-Wood Cemetery – Brooklyn, New York Laurel Grove Cemetery – Savannah, Georgia Sleepy Hollow Cemetery – Concord, Massachusetts Central Park – New York, New York Gettysburg National Cemetery – Gettysburg, Pennsylvania Arlington National Cemetery – Arlington, Virginia Woodlawn Cemetery – Bronx, New York Boothill Graveyard – Tombhill, Arizona Forest Lawn Memorial-Park – Glenwood, California The Chapel of the Chimes – Oakland, California Hollywood Forever Cemetery – Los Angeles, California Nature's Sanctuary – Philadelphia, Pennsylvania

An alternative cover edition for this ISBN can be found here and here. The Emperor of All Maladies is a magnificent, profoundly humane “biography” of cancer - from its first documented appearances thousands of years ago through the epic battles in the twentieth century to cure, control, and conquer it to a radical new understanding of its essence. Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist’s precision, a historian’s perspective, and a biographer’s passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with - and perished from - for more than five thousand years. The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out “war against cancer.” The book reads like a literary thriller with cancer as the protagonist. From the Persian Queen Atossa, whose Greek slave cut off her malignant breast, to the nineteenth-century recipients of primitive radiation and chemotherapy to Mukherjee’s own leukemia patient, Carla, The Emperor of All Maladies is about the people who have soldiered through fiercely demanding regimens in order to survive—and to increase our understanding of this iconic disease. Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.

Rippling with humor, warmth, and style, Lost Lambs is a new vision of the charms and pitfalls of family dysfunction. The Flynn family is coming undone. Catherine and Bud's open marriage has reached its breaking point as their daughters spiral in their own chaotic Abigail, the eldest, is dating a man in his twenties nicknamed War Crime Wes; Louise, the middle child, maintains a secret correspondence with an online terrorist; the brilliant youngest, Harper, is being sent to wilderness reform camp due to her insistence that someone—or something—is monitoring the town’s citizens. Casting a shadow across their lives, and their small coastal town, is Paul Alabaster, a billionaire shipping magnate. Rumors of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with a mysterious shipping container sends the family hurtling into a criminal conspiracy—one that may just bring them closer together. Irreverent and addictive, pinging between the voices of the Flynn family and those of the panorama of characters around them, Madeline Cash’s Lost Lambs is a debut novel of quick-witted observation and surprising tenderness. With Lost Lambs, Cash has crafted a family saga for the twenty-first century, all held together with crazy glue.

A rash of grisly serial murders plagued Seattle until the infamous "Beacon Hill Butcher" was finally hunted down and killed by police chief Edward Shank in 1985. Now, some thirty years later, Shank, retired and widowed, is giving up his large rambling Victorian house to his grandson Matt, whom he helped raise. Settling back into his childhood home and doing some renovations in the backyard to make the house feel like his own, Matt, a young up-and-coming chef and restaurateur, stumbles upon a locked crate he’s never seen before. Curious, he picks the padlock and makes a discovery so gruesome it will forever haunt him… Faced with this deep dark family secret, Matt must decide whether to keep what he knows buried in the past, go to the police, or take matters into his own hands. Meanwhile Matt’s girlfriend, Sam, has always suspected that her mother was murdered by the Beacon Hill Butcher—two years after the supposed Butcher was gunned down. As she pursues leads that will prove her right, Sam heads right into the path of Matt’s terrible secret.

There are three rules Brooke Sullivan must follow as a new nurse practitioner at a men's maximum-security: 1) Treat all prisoners with respect. 2) Never reveal any personal information. 3) Never EVER become too friendly with the inmates. But none of the staff at the prison knows Brooke has already broken the rules. Nobody knows about her intimate connection to Shane Nelson, one of the penitentiary's most notorious and dangerous inmates. And they certainly don't know that Shane was Brooke's high school sweetheart―the star quarterback who is now spending the rest of his life in prison for a series of grisly murders. Or that Brooke's testimony was what put him there. But Shane knows. And he will never forget.