This is Alabaster Penitentiary… Where they send you when the world thinks you’re dead. And trust me, you’ll wish you were. We’re the stain on society. The freaks, the creeps, your favorite Netflix documentaries come to life. They lock us up and throw away the key, because we deserve it. But not me. I’m just a lowly bank robber. I don’t belong here, surrounded by psychopaths and killers with no remorse… At least, I don’t think I do. Getting by unscathed is my top priority. Unfortunately for me and my fellow prisoners, those in charge are more dangerous than we are. You see, the guards run the show, and I seem to have caught the attention of the most twisted one. He has a name, but it might as well be Officer. We move around one another like a sun and a moon, revolving in an axis of confused lust and torment until the truth is distorted, and the thing I once feared becomes that which I crave; my vile addiction, somehow so exquisite. Reality warps in the dungeon, and I’m left wondering which prison is worse… the one holding my body, or my mind. *DO NOT READ OR POST SPOILERS! I am begging you to think of your fellow readers, in your reviews, your posts… everywhere. Revealing plot twists is a dick move. And I promise, it’ll be fun to go in blind. **Distorted is the first book in the Alabaster Penitentiary series. It is a full M/M romance, with HEA. Each book in this series is technically a standalone, though they are interconnected, so it will be recommended to read in order, as references to this story will be made in future books. Distorted is intended for mature audiences and open-minded readers ONLY! If you prefer the same old story, this book won’t be for you. This story is dark, probably darker for some than others, so please proceed with caution, and if you’re easily triggered, steer clear. You’ve been warned.

A postapocalyptic take on the perennial classic "Little Red Riding Hood", about a woman who isn't as defenseless as she seems. It's not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago. There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined. Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods....

Letter from an Unknown Woman (German: Der Brief einer Unbekannten, sometimes appearing without the definite article "der") is a novella by Austrian writer Stefan Zweig. The work first appeared in the 1 January 1922 issue of the Viennese Neuen Freien Presse, before being published in book form as part of the collection Amok: Novellen einer Leidenschaft (Insel Verlag, 1922). The novella tells the story of an author who, while reading a letter written by a woman he does not remember, gets glimpses into her life story. It is generally considered to be Zweig's most famous work of fiction.

CANADA READS 2020 WINNER SHORTLISTED FOR THE 2020 EDNA STAEBLER AWARD FOR CREATIVE NON-FICTION NATIONAL BESTSELLER 2020 LAMBDA LITERARY AWARD WINNER ONE OF BOOK RIOT'S 100 MOST INFLUENTIAL QUEER BOOKS OF ALL TIME How do you find yourself when the world tells you that you don't exist? Samra Habib has spent most of their life searching for the safety to be themself. As an Ahmadi Muslim growing up in Pakistan, they faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From their parents, they internalized the lesson that revealing their identity could put them in grave danger. When their family came to Canada as refugees, Samra encountered a whole new host of bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, their need for a safe space--in which to grow and nurture their creative, feminist spirit--became dire. The men in Samra's life wanted to police them, the women in their life had only shown them the example of pious obedience, and their body was a problem to be solved. So begins an exploration of faith, art, love, and queer sexuality, a journey that takes them to the far reaches of the globe to uncover a truth that was within them all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter. Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as "love addiction." In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her. Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings: for love, and a place to call home.