WELCOME HOME. Follow Wenqi, Liam, and Mrs. in this modern gothic ghost story by Chinese-Canadian writer and immigrant, Ai Jiang. LINGHUN is set in the mysterious town of HOME, a place where the dead live again as spirits, conjured by the grief-sick population that refuses to let go.

Joey has a very unique paraphilia that has ruined his health, destroyed his once handsome looks, and made him an outcast, a pariah. Now, this horrifying fetish threatens his very life, placing him in the hands of a profoundly disturbed and angry woman with a serious grudge. From the twisted imagination of Wrath James White comes a tale of extreme horror, extreme violence, and revenge taken well beyond the extreme.

Joey has a very unique paraphilia that has ruined his health, destroyed his once handsome looks, and made him an outcast, a pariah. Now, this horrifying fetish threatens his very life, placing him in the hands of a profoundly disturbed and angry woman with a serious grudge. From the twisted imagination of Wrath James White comes a tale of extreme horror, extreme violence, and revenge taken well beyond the extreme.

In the Los Angeles suburbs, the Crawfords seem like the average American family. Leo is a rising star in advertising. His wife, Rose, is brilliant, restless, and pregnant with their second child. Their teenage daughter, Melinda, is already leaning toward rebellion. Then Rose vanishes during a family vacation. When she comes back, she’s not the same. As time goes by, Rose seems to readjust to everyday life—until a new color television triggers a complete breakdown. She claims voices are speaking to her through the screen. Doctors call it hysteria. Her family feels terrified. And Rose is locked inside an institution where women are silenced, drugged, and erased. Desperate to help his wife, Leo uncovers evidence that Rose’s breakdown might not be mental at all. Especially when he learns the truth about why she was institutionalized—a “research study” linked to his own advertising agency. The deeper Leo digs, the more he realizes his entire family may be in danger. Because what they did to Rose was only the beginning.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

Sorcha is over the hook-ups and gay haunts of her twenties. At thirty-one what she wants, more than anything, is to have a baby. Then she meets Chris― with her buttoned-up plaid, 90s heartthrob hair, and grand romantic gestures― and things get serious. Fast. Though Sorcha's friends find her new partner problematic, Sorcha has an explanation for everything. As Chris's moods turn volatile and Sorcha becomes increasingly isolated, Chris paints an idyllic picture of domestic bliss in Cape Breton. Sorcha is all in: if her conservative religious upbringing taught her anything, it's how to save. Plus, Chris promises Sorcha the thing she wants most― a baby. But when Sorcha becomes pregnant and Chris's abuse escalates, Sorcha realizes she must escape the life they've built together, just as she escaped her own stifling family years before. When Sorcha's estranged Aunt Agnes, a retired midwife, messages Sorcha out of the blue, her bothy in the Scottish Highlands seems the perfect place to hide. As the bundle of cells in Sorcha's belly diligently divides, she daydreams that Agnes will deliver the baby and they'll stay in Scotland, where Chris can't find them. And where, just maybe, Sorcha could build the sort of family she's always ached for. Exploring the clandestinity of queer abuse, the fierceness of friendship, and the magic of found family, milktooth is a bold, inventive, lyrical and darkly funny story about finding the strength to cut away what's harmed you and create something entirely new.

Based on a real-life seventeenth century Danish witch trial, The Wax Child tells in vivid prose the story of Christenze Kruckow, a noblewoman long pursued by a scandal of sorcery. People whisper that in her wake one finds illness, death, and unsettling behaviour by pigs and cats. Some even say she once fashioned out of wax a child, an instrument of the most sinister magic. Christenze will flee the rumours to Aalborg, that great city of seawater and mist. But even there suspicion and fear rule, and once a rumour of witchcraft has taken hold, it can prove hard to shake…

A magnetic, stirring debut novel about an adrift young woman whose growing fascination with her boyfriend’s cat ushers her into the possibilities of her own life—but not without first threatening to unravel it. Katie is far from home and fresh out of college, desperate to skirt adulthood’s demands, and all too willing to let her wealthy boyfriend James make decisions for them both. It doesn’t help that she’s no longer speaking to her mother. Or that her roommate has abruptly moved out of their New York City apartment. But when James takes Katie on vacation to his family’s seaside house, he brings Silver, his childhood cat, and Katie discovers a sudden, strange, and giddy sense of connection. Silver doesn’t mind that Katie can’t seem to get a job, hold her own at dinner parties, or make amends with her mother. Silver, who gets to lie around all day, misbehave spectacularly, be cute, gross, and still get fed, seems to have the life Katie increasingly longs for. Soon enough, they’re inseparable, and something inside Katie begins to crack open, or maybe just…crack. Because if Katie has learned anything from her estranged mother, it’s that devotion comes at a price. As Katie’s affection for Silver deepens, all of her other relationships begin to falter. Soon, Katie must confront what it is she desires from her life, and what she might have to risk to get it. Both darkly playful and unexpectedly heartfelt, this debut from a major new voice in fiction is a timeless reckoning with the uncertainty of becoming a person in a world that is as disorienting as it is full of hope and promise.

" I am in some sick love triangle with my husband and my insanity."In the quiet corridors of suburbia, where manicured lawns whispered tales of ordinary lives, I stood on the precipice of my own unraveling. Our house, a carefully curated sanctuary of domestic bliss, hid the storms brewing within its walls—the storms that gave no warning, the flip of a switch, the great awakening. Whatever you want to call it, it doesn’t matter.They will say I lost it. That the pressures of motherhood was too much for me.No, I haven’t lost anything; I have found exactly what I have been looking for- her. My sweet, sweet, insanity.

In the Los Angeles suburbs, the Crawfords seem like the average American family. Leo is a rising star in advertising. His wife, Rose, is brilliant, restless, and pregnant with their second child. Their teenage daughter, Melinda, is already leaning toward rebellion. Then Rose vanishes during a family vacation. When she comes back, she’s not the same. As time goes by, Rose seems to readjust to everyday life—until a new color television triggers a complete breakdown. She claims voices are speaking to her through the screen. Doctors call it hysteria. Her family feels terrified. And Rose is locked inside an institution where women are silenced, drugged, and erased. Desperate to help his wife, Leo uncovers evidence that Rose’s breakdown might not be mental at all. Especially when he learns the truth about why she was institutionalized—a “research study” linked to his own advertising agency. The deeper Leo digs, the more he realizes his entire family may be in danger. Because what they did to Rose was only the beginning.