In this young adult novel by award-winning author Anna-Marie McLemore, two non-binary teens are pulled into a magical world under a lake - but can they keep their worlds above water intact? Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate. Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.

A New York Review Books OriginalThe lies we tell ourselves and the lies we tell others—is the subject of this, Tove Jansson’s most unnerving and unpredictable novel. Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

After years of homeschooling, Maggie is starting high school. It's pretty terrifying. Maggie's big brothers are there to watch her back, but ever since Mom left it just hasn't been the same. Besides her brothers, Maggie's never had any real friends before. Lucy and Alistair don't have lots of friends either. But they eat lunch with her at school and bring her along on their small-town adventures. Missing mothers...distant brothers...high school...new friends... It's a lot to deal with. But there's just one more thing. MAGGIE IS HAUNTED.

After years of homeschooling, Maggie is starting high school. It's pretty terrifying. Maggie's big brothers are there to watch her back, but ever since Mom left it just hasn't been the same. Besides her brothers, Maggie's never had any real friends before. Lucy and Alistair don't have lots of friends either. But they eat lunch with her at school and bring her along on their small-town adventures. Missing mothers...distant brothers...high school...new friends... It's a lot to deal with. But there's just one more thing. MAGGIE IS HAUNTED.

Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s coming-of-age tale about finding a community among fellow outcasts. Born in the small Argentine town of Mina Clavero, Camila is designated male but begins to identify from an early age as a girl. She is well aware that she’s different from other children and reacts to her oppressive, poverty-stricken home life, with a cowed mother and abusive, alcoholic father, by acting out—with swift consequences. Deeply intelligent, she eventually leaves for the city to attend university, slipping into prostitution to make ends meet. And in Sarmiento Park, in the heart of Córdoba, she discovers the strange, wonderful world of the trans sex workers who dwell there. Taken under the wing of Auntie Encarna, the 178-year-old eternal whose house shelters this unconventional extended family, Camila becomes a part of their stories—of a Headless Man who fled his country’s wars, a mute young woman who transforms into a bird, an abandoned baby boy who brings a twinkle to your eye. Camila Sosa Villada’s extraordinary first novel is a rich, nuanced portrait of a marginalized community: their romantic relationships, friendships and squabbles, difficulties at work, aspirations and disappointments. It bears witness to these lives constantly haunted by the specter of death—by disease or more violent means at the hands of customers, boyfriends, or the police—yet full of passion, empathy, and insight.

A story of love and duty set in San Francisco's Chinatown during the Red Scare. “That book. It was about two women, and they fell in love with each other.” And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: “Have you ever heard of such a thing?” Seventeen-year-old Lily Hu can’t remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day.

A small-town waitress and a Hollywood star’s worlds collide in this new romance by Ashley Herring Blake, USA Today bestselling author of Iris Kelly Doesn’t Date. Once upon a time, Ramona Riley was a student at a prestigious art school, with dreams of landing in Hollywood as a costume designer to the stars. But after her father’s car accident, she had to quit and return to her small New Hampshire town, Clover Lake, to help take care of her younger sister. Twelve years later, Ramona is still working at the town’s café, all but given up on her dream. But when a big-budget romantic comedy comes to Clover Lake to film, she wonders if this could be her chance. There’s only one problem—Dylan Monroe, her first kiss and Hollywood’s favorite wild child—is the star. Dylan Monroe has always lived an unconventional life, having famous rock icons for parents. But she wants to prove that she’s not some chaotic, talentless nepo baby, that she has actual skills, that she’s just a normal person. To do that, Dylan takes on a project at a charming lake town—she even works at the town’s café (very quaint), shadowing a local waitress there (very cute), and asks her to take Dylan around to do Normal People Things. But Dylan soon realizes it’s not just some small-town waitress she’s getting to know—Ramona Riley is someone she’s met before, someone who remembers her even more vividly. Before long, however, reality hits them, and both women must decide if the spark between them can fan the flames of their individual dreams, or if it will extinguish their light.

When her seven-year long relationship suddenly falls apart, relationship advice columnist Gemma Cho is convinced that real love doesn’t exist. As a bisexual woman who’s had zero luck with both men and women, she’s ready to give up on her own romantic prospects when she gets paired up with Celeste Min, a world-renowned photographer, on a highly visual, potentially career-saving piece on modern love. Celeste is extremely talented, sexy, and gay, and would be the perfect collaborator and rebound for Gemma if it weren’t for one major she’s Gemma’s ex, the one that broke her heart in college and moved to a whole another country before Gemma could even make sense of what went wrong between them. Despite working on a project together about what constitutes love and romance in the modern age, when it comes to their own affairs, both Gemma and Celeste are tripping over each other’s feet…and into each other’s arms. Heightened by their shared love for love and the unmistakable sparks that still fly between them, Gemma and Celeste struggle to keep their relationship strictly professional. For the sake of her career, Gemma needs this piece to do well. And for the sake of what’s left of her beaten up hopeless romantic heart, she wants to fall head over heels for Celeste again. But can she trust Celeste to feel the same this time around? LOVE IN FOCUS is a second chance sapphic rom com that will appeal to fans of THE BOLD TYPE and DELILAH GREEN DOESN’T CARE.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.