A slender novel of epic power, Orbital  deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.  Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

This emotional debut thriller follows a teen girl being haunted by the ghost of her toxic ex-girlfriend, who gives her a chilling ultimatum—help her possess another girl or go down for her murder. Maya has always belonged to Alana. After four years of dating, and on the precipice of graduating high school, Maya has been too terrified to consider the idea of life outside of their volatile relationship. Until she finds the courage to break up with Alana while they’re hiking in Southern California. Then Alana goes missing. As the police get involved and the media run wild with the story, everyone seems to think that Maya is lying about Alana’s disappearance. Secretly, Maya knows they’re if Alana’s dead, she’s the one to blame. But that’s not Maya’s only secret. Alana isn’t gone, not really—and she isn’t going to let Maya go so easily…

Pretty Little Liars meets Teen Wolf in this fast-paced, sharply funny, and patriarchy-smashing graphic novel from author Maggie Tokuda-Hall and artist Lisa Sterle. When the new girl is invited to join her high school’s most popular clique, she can’t believe her luck—and she can’t believe their secret, either: they’re werewolves. Fans of Mariko Tamaki and Elana K. Arnold will devour the snappy dialogue, vivid artwork, and timely social commentary. When Becca transfers to a high school in an elite San Francisco suburb, she’s worried she’s not going to fit in. To her surprise, she’s immediately adopted by the most popular girls in school. At first glance, Marley, Arianna, and Mandy are perfect. But at a party under a full moon, Becca learns that they also have a big secret. Becca’s new friends are werewolves. Their prey? Slimy boys who take advantage of unsuspecting girls. Eager to be accepted, Becca allows her friends to turn her into a werewolf, and finally, for the first time in her life, she feels like she truly belongs. But things get complicated when Arianna’s predatory boyfriend is killed, and the cops begin searching for a serial killer. As their pack begins to buckle under the pressure—and their moral high ground gets muddier and muddier—Becca realizes that she might have feelings for one of her new best friends. Lisa Sterle’s stylish illustrations paired with Maggie Tokuda-Hall’s sharp writing make Squad a fun, haunting, and fast-paced thriller that will resonate with fans of Riverdale, and with readers of This Savage Song, Lumberjanes, and Paper Girls.

An empowering cross-genre YA anthology that explores what it means to be a monster, exclusively highlighting trans and queer authors who offer new tales and perspectives on classic monster stories and tropes. Be not afraid! These monsters, creatures, and beasties are not what they appear. We Mostly Come Out at Night is a YA anthology that reclaims the monstrous for the LGBTQA+ community while exploring how there is freedom and power in embracing the things that make you stand out. Each story centers on both original and familiar monsters and creatures—including Mothman, Carabosse, a girl with thirteen shadows, a living house, werebeasts, gorgons, sirens, angels, and many others—and their stories of love, self-acceptance, resilience, and empowerment. This collection is a bold, transformative celebration of queerness and the creatures that (mostly) go bump in the night. Contributors include editor Rob Costello, Kalynn Bayron, David Bowles, Shae Carys, Rob Costello, H.E. Edgmon, Michael Thomas Ford, Val Howlett, Brittany Johnson, Naomi Kanakia, Claire Kann, Jonathan Lenore Kastin, Sarah Maxfield, Sam J. Miller, Alexandra Villasante, and Merc Fenn Wolfmoor.

Yellowjackets meets She Is a Haunting in this debut speculative thriller that follows a disgraced teen idol who comes face-to-face with the demons of her past in a glittering, cutthroat K-pop competition. After a shocking scandal that abruptly ended her teen popstar career, eighteen-year-old Sunny Lee spends her days longing for her former life and cyberstalking her ex-BFF and groupmate, Candie. The two were once inseparable, but that was then—before the tragedy and heartache they left in their wake. In the here and now, Sunny is surprised to discover that Candie is attending a new K-pop workshop in her hometown. Candie might be there chasing stardom, but Sunny can’t resist the chance to join her and finally confront their traumatic history. Because she still can’t figure out what happened that horrible night when Mina, the third in their tight-knit trio, jumped to her death. Or if the dark and otherworldly secrets she and Candie were keeping had something to do with it . . . But the workshop doesn’t bring the answers Sunny had hoped for, nor a happy reunion with Candie. Instead, Sunny finds herself haunted by ghostly visions while strange injuries start happening to her competitors—followed by even stranger mutilations to their bodies. In her race to survive, Sunny will have to expose just who is behind the carnage—and if Candie is out for blood once more—in Linda Cheng’s spellbinding sapphic thriller that will have readers screaming and swooning for more.

Alternate cover edition of ASIN B07S5D5TH7 In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved murders. But when a brutal killing takes place on their very doorstep, the Thursday Murder Club find themselves in the middle of their first live case. Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. Can our unorthodox but brilliant gang catch the killer before it's too late?

What will the end of the world look like? Will it be an old man slowly turned to gold, flowers raining from the sky, or a hole cut through the wire fencing that keeps the monsters out? Is it someone you love wearing your face, or a good old fashioned inter-dimensional summoning? Does it sound like a howl outside the window, or does it look like coming home? This startling and irresistibly witty collection from the phenomenally talented Moïra Fowley is an exploration of all our darkest impulses and deepest fears.

Grady Hendrix takes on the haunted house in a thrilling new novel that explores the way your past—and your family—can haunt you like nothing else. When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. Unfortunately, she’ll need his help to get the house ready for sale because it’ll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market. But some houses don’t want to be sold, and their home has other plans for both of them…

A woman known only as A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality dating show called That's My Partner! A eats mostly popsicles and oranges, watches endless amounts of television, often just for the commercials— particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert—and models herself on a standard of beauty that exists only in such advertising. She fixates on the fifteen minutes of fame a local celebrity named Michael has earned after buying up a Wally's Supermarket's entire, and increasingly ample, supply of veal. Meanwhile, B is attempting to make herself a twin of A, who in turn hungers for something to give meaning to her life, something aside from C's pornography addiction. Maybe something like what's gotten into her neighbors across the street, the family who's begun "ghosting" themselves beneath white sheets and whose garage door features a strange scrawl of graffiti: he who sits next to me, may we eat as one. An intelligent and madly entertaining novel reminiscent of The Crying of Lot 49, White Noise, and City of Glass, Alexandra Kleeman's unforgettable debut is a missing-person mystery told from the point of view of the missing person; an American horror story that concerns sex and friendship, consumption and appetite, faith and transformation, real food and reality television; and, above all, a wholly singular vision of modern womanhood by a frightening, "stunning" (Conjunctions), and often very funny voice of a new generation.