Hera, immortal goddess and daughter of the ancient Titan Cronos, helped her brother Zeus to overthrow their tyrannical father so that they could rule the world. But, as they establish their reign on Mount Olympus, Hera suspects that Zeus might be just as ruthless and cruel as their father was, and she begins to question her role at his side. She was born to rule, but does that mean perpetuating a cycle of violence and cruelty that has existed since the dawn of time? Will assuming her power mean that Hera loses herself, or can she find a way to forge a better world? Traditionally portrayed as a jealous wife, a wicked stepmother, and a victim-blaming instrument of the patriarchy, Hera is ripe for a retelling that shows her as a powerful queen―ruthless when she needs to be, but also compassionate, strategic, and ambitious. With Hera, beloved and bestselling author Jennifer Saint delivers another epic and enthralling reimagining of a Greek heroine we only thought we knew.

The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths--historically men--have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil--like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world's suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora's Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman's perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus' mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris "caused" the Trojan war--a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce--getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn't always a monster, and had her hair turned to snakes as punishment for being raped. Pandora's Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place--and so eager to accept the stories we've been told?

The lonely, rockbound island of Tsunojima is notorious as the site of a series of bloody unsolved murders. Some even say it’s haunted. One thing’s for sure: it’s the perfect destination for the K-University Mystery Club’s annual trip. But when the first club member turns up dead, the remaining amateur sleuths realise they will need all of their murder-mystery expertise to get off the island alive. As the party are picked off one by one, the survivors grow desperate and paranoid, turning on each other. Will anyone be able to untangle the murderer’s fiendish plan before it’s too late?

Time no longer exists. At least not to Silene.Serving under the God of Death as a Reaper, she finds herself stepping between life and death every day, collecting souls and guiding them towards the afterlife. When the brother of Death begins interfering in her duties, she begins to question her existence and purpose.And the closer she comes to finding her answers, the further her current reality sinks deeper.

A cool, hip, wisecracking psychiatrist named Eva turns amateur sleuth after a rich Catalan winemaker is found dead at the luxurious family estate hours before the reading of the matriarch's will, and Eva is viewed as one of the prime suspects. As she embarks on a chaotic journey through a richly detailed and seductive Barcelona cityscape to uncover the real killer, she must deal with two different families and their troubled the rich family that makes wine...and the family that talks to her in her head.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

Ed is in trouble with the yakuza. He's gambled away all his money and his family is at risk. But just as he’s about to lose everything, he receives an offer he can’t refuse. A reclusive billionaire is looking for a private chef. The only she has some. . . unusual tastes. As he prepares delicious dishes – fresh crab salad with a panko crumb, lamb shank dripping in red wine juice, sweet, fluffy soufflé pancakes – he realizes that each meal is a test, a challenge to satisfy an insatiable appetite. Caught up in a world more sinister than he could ever have imagined, Ed finds himself entangled in another debt. As the stakes grow, he must make a choice. Will he stay hungry? Or will he be greedy? Dinner is served. Eat up.

The lonely, rockbound island of Tsunojima is notorious as the site of a series of bloody unsolved murders. Some even say it’s haunted. One thing’s for sure: it’s the perfect destination for the K-University Mystery Club’s annual trip. But when the first club member turns up dead, the remaining amateur sleuths realise they will need all of their murder-mystery expertise to get off the island alive. As the party are picked off one by one, the survivors grow desperate and paranoid, turning on each other. Will anyone be able to untangle the murderer’s fiendish plan before it’s too late?