From New York Times bestselling horror writer Stephen Graham Jones comes a “viciously clever” (The New York Times Book Review) classic slasher story with a twist—perfect for fans of Adam Cesare and Grady Hendrix. 1989, Lamesa, Texas. A small town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this “playful, self-aware, and remarkably gory horror novel” (The New York Times).

When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy’s plans don’t include her overzealous, evangelical mother―or even her five-year-old daughter, Tru. Beating with the pulse of a long-witheld confession, Patsy gives voice to a woman who looks to America for the opportunity to choose herself first―not to give a better life to her family back home. Patsy leaves Tru behind in a defiant act of self-preservation, hoping for a new start where she can be, and love, whomever she wants. But when Patsy arrives in Brooklyn, America is not as Cicely’s treasured letters described; to survive as an undocumented immigrant, she is forced to work as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother’s decision. Expertly evoking the jittery streets of New York and the languid rhythms of Jamaica, Patsy weaves between the lives of Patsy and Tru in vignettes spanning more than a decade as mother and daughter ultimately find a way back to one another.

From the bestselling author of Strange Houses and Strange Pictures comes a mesmerizing novel of eleven strange buildings and one terrible secret. A lonely hut in the woods. A murder house. A hidden chamber. A mysterious shrine. A home in flames. A nightmarish prison. . . . Each of the buildings in this book tells a chilling story. Each one is part of a puzzle. Look closely . . . and you'll see that everything is connected. All leading to a revelation so horrifying you won't want to believe it. Millions have become addicted to solving Uketsu's dark mysteries. Strange Buildings is the strangest, and darkest, of them all.

In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.

Librarian's Note: This is the entry for the short story collection. Please don't combine it with the short story of the same name. A triptych of stories about love, lust, betrayal, misogyny, and the ever-intriguing interchanges between women and men. Celebrated for her powerful short fiction, Claire Keegan now gifts us three exquisite stories, newly revised and expanded, together forming a brilliant examination of gender dynamics and an arc from Keegan’s earliest to her most recent work. In “So Late in the Day,” Cathal faces a long weekend as his mind agitates over a woman with whom he could have spent his life, had he behaved differently. In “The Long and Painful Death,” a writer’s arrival at the seaside home of Heinrich Böll for a residency is disrupted by an academic who imposes his presence and opinions. And in “Antarctica,” a married woman travels out of town to see what it’s like to sleep with another man and ends up in the grip of a possessive stranger.  Each story probes the dynamics that corrupt what could be between women and a lack of generosity, the weight of expectation, the looming threat of violence. Potent, charged, and breathtakingly insightful, these three essential tales will linger with readers long after the book is closed.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.