
AnnbutnotAnne TBR'd a book
1h

Zone One
Colson Whitehead
In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuilding civilization under orders from the provisional government based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street—aka Zone One—but pockets of plague-ridden squatters remain. While the army has eliminated the most dangerous of the infected, teams of civilian volunteers are tasked with clearing out a more innocuous variety—the “malfunctioning” stragglers, who exist in a catatonic state, transfixed by their former lives. Mark Spitz is a member of one of the civilian teams working in lower Manhattan. Alternating between flashbacks of Spitz’s desperate fight for survival during the worst of the outbreak and his present narrative, the novel unfolds over three surreal days, as it depicts the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder, and the impossible job of coming to grips with the fallen world. And then things start to go wrong. Both spine chilling and playfully cerebral, Zone One brilliantly subverts the genre’s conventions and deconstructs the zombie myth for the twenty-first century.

AnnbutnotAnne is interested in reading...
1h

Zorro
Isabel Allende
A swashbuckling adventure story that reveals for the first time how Diego de la Vega became the masked man we all know so well Born in southern California late in the eighteenth century, Diego de la Vega is a child of two worlds. His father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. At the age of sixteen, Diego is sent to Spain, a country chafing under the corruption of Napoleonic rule. He soon joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. Between the New World and the Old, the persona of Zorro is formed, a great hero is born, and the legend begins. After many adventures -- duels at dawn, fierce battles with pirates at sea, and impossible rescues -- Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

AnnbutnotAnne commented...
1h
Only missing 4 letters! This really makes me want to go through and read some books to fill in the gaps 😂 Vanity Fair, here I come!
A: (An) Academic Affair by Jodie Mcalister B: Before I Let Go by Kennedy Ryan C: (I) Capture the Castle by Dodie Smith D: (The) Decagon House Murders by Yukito Ayatsuji E: (The) Everlasting by Alix. E. Harrow F: Firekeeper's Daughter by Angeline Boulley G: Good Spirits by B.K. Borison H: Headshot by Rita Bulwinkel I: Isn't it Obvious? By Rachel Runya Katz J: (The) Jasmine Throne by Tasha Suri K: Kushiel's Chosen by Jaqueline Carey L: Lie With Me by Phillipe Benson M: (The) Message by Ta-Nehisi Coates N: No Matter What by Cara Bastone O: On Sundays We Picked Flowers by Yah-Yah Schofield P: Palaver by Bryan Washington Q: R: Refuse to be Done: How to Write and Rewrite a Novel in Three Drafts by Matt Bell S: Son of the Morning by Akwaeke Emezi T: That Could Be Enough by Alyssa Cole U: (The) Unicorn Hunters by Katherine Arden V: W: Wuthering Heights by Emily Brontë X: Y: You Should've Been Nicer to My Mom by Vincent Tirado Z:


To bring a bit of fun to what's shaping up to be an otherwise dreary day, I though we could play a little game based on the progress we've made toward our reading goals so far. Using the titles for books you've finished this year, can you complete the alphabet?
Looking at my reads for the year, I managed to find titles for all but eight letters. Definitely didn't think I'd have anything for X or Z, but the lack of a J title surprised me. I excluded "The", "I", and "An" for my list to make it a bit more of a challenge, but you can ignore this element if you choose. Can't wait to see what y'all have been reading!
A - Aquicorn Cove by Kay O'Neill B - Black Sheep by Rachel Harrison C - Catalog of Unabashed Gratitude by Ross Gay D - Diavola by Jennifer Thorne E - The Everlasting by Alix E. Harrow F - The Family Plot by Cherie Priest G - Guillotine by Delilah S. Dawson H - How to Sell a Haunted House by Grady Hendrix I - If the Dead Belong Here by Carson Faust J K - Katabasis by R.F. Kuang L - Lost Girls of Hollow Lake Rebekah Faubion M - Mister Magic by Kiersten White N O - Obit by Victoria Chang P - Piranesi by Susanna Clark Q R - Rainbow Black by Maggie Thrash S - The Starving Saints by Caitlin Starling T - The Tapestry of Fate by Shannon Chakraborty U V W - When Devils Sing by Xan Kaur X Y Z

AnnbutnotAnne TBR'd a book
13h

The Left Hand of Darkness
Ursula K. Le Guin
Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

AnnbutnotAnne commented...
21h
V.E. Schwab used to be an auto-buy author for me until I read Addie LaRue. Had to take them off that list with a heavy heart once I finished it, I hated it that badly!
there’s always that one author or series that everyone seems to love… except you (me? we? who knows)
so. that being said: who is an author or what is a book series that you just can’t read?

AnnbutnotAnne commented...
21h
to be fair, we need people like you who review books they know are bad, so anyone who picks them up with high expectations can lower them immediately 😂
I don't know why, but I keep hearing people say "It's not the book's fault I couldn't finish it, there was just x y z going on," after soft DNFing. Now, this is interesting to me because there's an implication that, if you can't bring yourself to finish a text, there has to be some level of blame attached to either you or the work itself for you being unable to complete it.
Now, full disclosure: I don't think like this at all currently, but I definitely had this kind of mentality when I was a lot younger than I am now, especially if it received a lot of buzz or critical acclaim. Now I kind of approach reading a book kind of like going out with somebody: if you click immediately, great. If you don't click immediately, that's okay, give it another try. If you're both clearly not on the same page about anything? There's no shame in calling it quits.
Anyway, do you place blame on either yourself or the book when you DNF? Did you used to, like me? Do you even DNF books to begin with?
I don't know why, but I keep hearing people say "It's not the book's fault I couldn't finish it, there was just x y z going on," after soft DNFing. Now, this is interesting to me because there's an implication that, if you can't bring yourself to finish a text, there has to be some level of blame attached to either you or the work itself for you being unable to complete it.
Now, full disclosure: I don't think like this at all currently, but I definitely had this kind of mentality when I was a lot younger than I am now, especially if it received a lot of buzz or critical acclaim. Now I kind of approach reading a book kind of like going out with somebody: if you click immediately, great. If you don't click immediately, that's okay, give it another try. If you're both clearly not on the same page about anything? There's no shame in calling it quits.
Anyway, do you place blame on either yourself or the book when you DNF? Did you used to, like me? Do you even DNF books to begin with?

Aside from the time period, nothing here felt all that new to me, but I did really like the banter! Long live the sapphics 🔥

AnnbutnotAnne finished a book
1d

That Could Be Enough
Alyssa Cole
Mercy Alston knows the best thing to do with pesky feelings like "love" and "hope": avoid them at all cost. Serving as a maid to Eliza Hamilton, and an assistant in the woman's stubborn desire to preserve her late husband's legacy, has driven that point home for Mercy—as have her own previous heartbreaks. When Andromeda Stiel shows up at Hamilton Grange for an interview in her grandfather's stead, Mercy's resolution to live a quiet, pain-free life is tested by the beautiful, flirtatious, and entirely overwhelming dressmaker. Andromeda has staid Mercy reconsidering her worldview, but neither is prepared for love—or for what happens when it's not enough. This is an angsty but fluffy F/F novella with a happy ending for both of our intrepid heroines.

AnnbutnotAnne is interested in reading...
1d

Daddy Long Legs
Jean Webster
Jerusha Abbott has grown up in the John Grier Home for orphans. As the oldest, she is in charge of the younger children. An anonymous benefactor on the Board, "Mr. Smith," decides to send her to college, as long as she writes to him faithfully detailing her education. Originally published in 1912, Jean Webster's coming-of-age tale continues to be relevant to young women today. Actress Kate Forbes shares these months and years, from freshman to senior in college. Through a series of letters Jerusha writes to "Daddy-Long-Legs," a relationship filled with affection and respect develops.

AnnbutnotAnne is interested in reading...
1d

Spoiled Milk
Avery Curran
The untimely death of a student at a girls’ boarding school turns out to be the first in a haunting series of escalating supernatural events. A thrilling debut novel about teenage repression, queer desire, and the everyday horror of coming of age. In 1928, Emily Locke’s final year at the isolated Briarley School for Girls is derailed when Violet, the school’s brightest star (and a cunning beauty for whom Emily would do anything), falls to her death on her eighteenth birthday. Emily and her buttoned-up rival Evelyn are, for once, in agreement: Violet’s death was no accident. There’s an obvious culprit, the French schoolmistress with whom Violet was getting a little too close—they only need to prove it. Desperate for answers, Emily and her classmates turn to spiritualism, hoping for a glimpse of wisdom from the great beyond. To their shock, Violet’s spirit appears, choosing pious Evelyn as her unlikely medium. And Violet has a warning for them: the danger has just begun. Something deadly is infecting Briarley. It starts with rotten food and curdled milk, but quickly grows more threatening. As the body count rises and the students race to save themselves, Emily must confront the fatal forces poisoning the school. Emily’s fight for survival forces her to reevaluate everything she knows: about Violet, Evelyn, Briarley, and, ultimately, herself. Avery Curran channels the indelible ambience and intrigue of the classic boarding school novel while turning the beloved genre on its head in this visceral, exuberant debut.

AnnbutnotAnne commented...
1d
This is probably controversial, but I'm not the biggest fan of one-to-one book adaptations! I think they're a little uncreative and will always feel less memorable compared to the original source material. 2005's Pride and Prejudice is one of my favorite films in general, but definitely of the very loyal adaptations. They make a lot of small, conscious diversions (we are seeing the story entirely through Lizzie's perspective and thus do not get such details like the "fine eyes" line; also Mr. Collins not being as much of a dick) while casting subtle nods to elements most P&P adaptations completely brush past, such as Mary's infatuation with Mr. Collins among other details.
As for my favorite adaptations, Clueless and The Haunting of Hill House are definitely up there. The latter is particularly unfaithful, and that's part of the reason why I love them. The themes are the same or even elaborated upon because they're not trying to repeat what's been done before—instead they're trying to modernize/expand upon what the original work's message. I genuinely find that the most beautiful thing about adaptations as they function, and this is also why I'm excited for Flanagan's Carrie adaptation since it seems to comment on social media's role in bullying for children today (even if we are once again not getting commentary on the harms of fatphobia).
Hi! First club post, but I’ve been thinking about book-to-screen adaptations recently, and I got really curious. I’m sure a lot of people on here, as book enthusiasts, often prefer the book to the movie (myself included) because a casualty of filming can be cutting details and missing minor plot points, etc. A lot of adaptations are known to irritate book-lovers for not capturing the source material the way they were hoped to.
So, on the positive flip side, I was wondering; what’s everyone’s favourite film/tv adaptions of books they’ve read? And does anyone have an outlier where they actually enjoyed the movie/show more than the written source?
I do really like Del Toro’s Frankenstein (2025), because thematically, I think it was good (compared to most Frankenstein media anyway)! And I have one movie I liked more than the book, and that’s for The Fault in Our Stars (2014) when I watched the movie as a teen after reading, as I just found it more enjoyable. My own personal opinions, but made me wonder if others had any!

AnnbutnotAnne commented...
1d
This is not a novel (and is something I admittedly have yet to read), but 84 Charing Cross Road! It's a collection of real life letters sent between two friends over the course of twenty years. Most epistolary novels are inspired directly by this correspondence!


acidicchaos started reading...
2d

The Correspondent
Virginia Evans
Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

AnnbutnotAnne is interested in reading...
1d

Salt Bones
Jennifer Givhan
For fans of Silvia Moreno-Garcia’s Mexican Gothic and Ramona Emerson’s Shutter: a gripping retelling of Persephone and Demeter in the Mexicali borderlands At the edge of the Salton Sea, in the blistering borderlands, something is out hunting. . . Malamar Veracruz has never left the dust-choked town of El Valle. Here, Mal has done her best to build a good life. She’s raised two children, worked hard, and tried to forget the painful, unexplained disappearance of her sister, Elena. When another local girl goes missing, Mal plunges into a fresh yet familiar nightmare. As a desperate Mal hunts for answers, her search becomes increasingly tangled with inscrutable visions of a horse-headed woman, a local legend who Mal feels compelled to follow. Mal’s perspective is joined by the voices of her two daughters, all three of whom must work to uncover the truth about the missing girls in their community before it's too late. Combining elements of Latina and Indigenous culture, family drama, mystery, horror, and magical realism in a spellbinding mix, Salt Bones lays bare the realities of environmental catastrophe, family secrets, and the unrelenting bond between mothers and daughters.

AnnbutnotAnne TBR'd a book
1d

Bad Cree
Jessica Johns
In this gripping debut tinged with supernatural horror, a young Cree woman's dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home. When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie's dreams return her to a memory from before her sister Sabrina's untimely death: a weekend at the family's lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too--a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina--Mackenzie knows this is more than she can handle alone. Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams--and make them more dangerous. What really happened that night at the lake, and what did it have to do with Sabrina's death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?