This is a lively and original book, which treats Western biomedical discourse about illness in Africa as a cultural system that constructed "the African" out of widely varying, and sometimes improbable, materials. Referring mainly to British dependencies in East and Central Africa in the late nineteenth to the mid-twentieth century, it draws on diverse sources ranging from court records and medical journals to fund-raising posters and "jungle doctor" cartoons. Curing Their Ills brings refreshing concreteness and dynamism to the discussion of European attitudes toward their others, as it traces the shifts and variations in medical discourse on African illness. Among the topics the book covers are the differences between missionary medicine, which emphasized individual responsibility for sin and disease, and secular medicine, which tended toward an ethnic model of collective pathology; leprosy and the construction of the social role of "the leper"; and the struggle to define insanity in a context of great ignorance about what the "normal African" was like and a determination to crush indigenous beliefs about bewitchment. The underlying assumption of this discourse was that disease was produced by the disintegration and degeneration of "tribal" cultures, which was seen to be occurring in the process of individualization and modernization. This was a cultural rather than a materialist model, the argument being that Africans were made sick not by the material changes to their lives and environment, but by their cultural "maladaptation" to modern life. The "scientific" discourse about the biological inferiority of "the African," traced by one school of scientists to defects in the frontal lobe, makes painful reading today; it persisted into the 1950s.

In this provocative study Barbara Duden asserts that the most basic biological and medical terms that we use to describe our own bodies―male and female, healthy or sick―are indeed cultural constructions. Duden delves into the records of an eighteenth-century German physician who meticulously documented the medical histories of eighteen hundred women of all ages and backgrounds, often in their own words. This unparalleled record of complaints, symptoms, diagnoses, and treatments reveals a deeply alien understanding of the female body and its functions.

One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation. Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she'd tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer's phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants--and to find the hidden key to her own. Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented--and the mysteries of her own life. She finds the nation of singular, effervescent characters often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival. In her incandescent, relentlessly probing voice, Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An expendable. A hero. An American.

In the aftermath of Haiti’s independence, the vengeful unborn spirit of a child named Etta draws her father from the Bight of Biafra onto a slave ship bound for the harshly colonized Caribbean island of Dominica in this lush historical novel infused with magical realism and rooted in West African mythology for readers of Ta-Nehisi Coates’ The Water Dancer and River Sing Me Home by Eleanor Shearer. 1794, Benin, Africa. Bako is one of 162 men stolen from their homeland. After a harrowing voyage across the sea, penned like livestock, and enduring brutal beatings, Bako survived when many of his fellow countrymen did not. On the Caribbean island of Dominica, he is sold to William Blackwell, sentenced to a life of forced servitude on a sugarcane plantation. Rechristened Ivan, his true identity and defiant nature cannot be tamed. When an indigenous Kalinago woman named Mary is threatened by Blackwell’s cruel son, Bako fights back, escaping with her into the mountains—where she will give birth to their daughter. Etta is an ogbanje, an unborn soul, trapped in a cycle of conception and death in the wombs of one family. She is not of this Earth, existing among the stars, bearing the names of Queen Mother and Iyoba. A gifted siren, her voice unleashes ethereal songs that consume listeners with fear. Her desperate desire to live compelled Bako into the hands of his captors—and his fateful meeting with Mary. They are but vessels brought together to ensure Etta’s birth into the mortal world. But Etta bears the physical scars of her many spiritual deaths. The Kalinago do not accept her into their clan. Her father suspects the truth of his daughter’s origins. And the landowners and tradesmen who enslave Etta’s people will feel her wrath as she compels rebellions, the one within, the gravest.

In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible. Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities. At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears--quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home. Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective. As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect. Featuring an unforgettable Holmes-and-Watson style pairing, a gloriously labyrinthine plot, and a haunting and wholly original fantasy world, The Tainted Cup brilliantly reinvents the classic mystery tale.

John Green, the #1 bestselling author of The Anthropocene Reviewed and a passionate advocate for global healthcare reform, tells a deeply human story illuminating the fight against the world’s deadliest disease. Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is a disease of poverty that walks the trails of injustice and inequity we blazed for it. In 2019, John Green met Henry, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone while traveling with Partners in Health. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal and dynamic advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, treatable infectious disease to also be the deadliest, killing 1.5 million people every year. In Everything is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world and how our choices will shape the future of tuberculosis.