The fourth and final installment in the spellbinding series from the irrepressible, #1 New York Times bestselling author Maggie Stiefvater. All her life, Blue has been warned that she will cause her true love's death. She doesn't believe in true love and never thought this would be a problem, but as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore.

A richly drawn, unsettling, and wickedly funny story of envy and ambition set against the glamor and privilege of media and high society in New York City at its height. At the turn of the millennium, editorial assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. There’s just one problem: She doesn’t have the right pedigree. Instead, Clo is a “workhorse” surrounded by beautiful, wealthy, impossibly well-connected “show horses” who get ahead without effort, including her beguiling cubicle-mate, Davis Lawrence, the daughter of a beloved but fading Broadway actress. Harry Wood, Davis’s boarding school classmate and a reporter with visions of his own media empire, might be Clo’s ally in gaming the system—or he might be the only thing standing between Clo and her rightful place at the top. In a career punctuated by moments of high absurdity, sudden windfalls, and devastating reversals of fortune, Clo wades across boundaries, taking ever greater and more dangerous risks to become the important person she wants to be within the confines of a world where female ambition remains cloaked. But who really is Clo underneath all the borrowed designer clothes and studied manners—and who are we if we share her desires? Hilariously observant and insightful, Workhorse is a brilliant page-turner about what it means to be in thrall to wealth, beauty, and influence, and the outrageous sacrifices women must make for the sake of success.

“A suspenseful, audacious, subversive portrait of the lives of unforgettable women. In turns beautiful and gruesome, this book made me cackle aloud, and contains extraordinary depth of thought and imagination. . . . A wickedly good tale.” —Shashi Bhat, author of Death by a Thousand Cuts A young woman signs her life away in the ancient Chinese tradition of corpse marriage in this wickedly hilarious novel about class, ambition, and the burden of being an impoverished model minority.Poor, vicious Locinda Lo is a nobody with a powerful witch for a grandmother and an undead corpse-kid-sister as her only friend. A broke MFA dropout living in Vancouver with six roommates and zero job prospects, she’s buried so deep in debt she might as well be six feet under—and her family is in danger of being buried along with her.Desperate to escape her financial woes and save her grandmother and sister, Locinda signs a contract with a nefarious company, Joyful Coffin & Co. Matchmaking Services, to be auctioned off as a corpse bride to the highest bidder. Next thing she knows, she’s being smuggled underground into the damp caves where her training coffin awaits.As Locinda prepares for a rich, dying dearly beloved to claim her as his bride-to-be in the Afterlife, her past becomes twisted with that of her grandmother, Baozhai. A feared and revered Villain Hitter, or witchy curse-monger, Baozhai’s legacy stretches from 1920s China to the Battle of Hong Kong in the 40s to New York City thereafter. Across the generational divide, one thing becomes achingly clear to them you can’t outrun your ghosts.Villain Hitting for Vicious Little Nobodies is a daring, genre-bending meditation on life, death, and the murderous cost of living in between. It lays bare the societal and cultural expectations placed on Chinese women and the devastating price of enduring them. This chilling masterclass in fiction cements Lindsay Wong as one of the most provocative Canadian horror writers of our time.

One young woman’s relentless quest to become the first Cherokee astronaut will irrevocably alter the fates of the people she loves most in this tour de force of a debut about ambition, belonging, and family. My mother took my sister and me, and she drove through the night to a place she felt a claim to, a place on earth she thought we might be safe. I stopped asking questions. I picked little glass pieces from my sister’s hair. I watched the moon. Steph Harper is on the run. When she was six, her mother, Hannah, fled an abusive husband—with Steph and her younger sister, Kayla, in tow—to Cherokee Nation, where she hoped they might finally belong. In response, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon. Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret. In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

The fourth and final installment in the spellbinding series from the irrepressible, #1 New York Times bestselling author Maggie Stiefvater. All her life, Blue has been warned that she will cause her true love's death. She doesn't believe in true love and never thought this would be a problem, but as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore.

The third installment in the all-new series from the #1 NEW YORK TIMES bestselling author Maggie Stiefvater! Blue Sargent has found things. For the first time in her life, she has friends she can trust, a group to which she can belong. The Raven Boys have taken her in as one of their own. Their problems have become hers, and her problems have become theirs. The trick with found things, though, is how easily they can be lost. Friends can betray. Mothers can disappear. Visions can mislead. Certainties can unravel.

In this stunning bridge book between Cress and Winter in the bestselling Lunar Chronicles, Queen Levana’s story is finally told. Mirror, mirror on the wall, Who is the fairest of them all? Fans of the Lunar Chronicles know Queen Levana as a ruler who uses her “glamour” to gain power. But long before she crossed paths with Cinder, Scarlet, and Cress, Levana lived a very different story – a story that has never been told . . . until now. Marissa Meyer spins yet another unforgettable tale about love and war, deceit and death. This extraordinary book includes full-color art and an excerpt from Winter, the next book in the Lunar Chronicles series.

An enchanting story from Maggie Stiefvater featuring Opal, Ronan, and Adam from her bestselling Raven Cycle, taking place after the events of The Raven King.

This is the story of the Lynch family. Niall and Mór escaped their homeland for a new start, and lost themselves in what they found. Declan has grown up as the responsible son, the responsible brother--only to find there is no way for him to keep his family safe. Ronan has always lived on the edge between dreams and waking... but now that edge is gone, and he is falling. Matthew has been the happy child, the brightest beam. But rebellion beckons, because it all feels like an illusion now. This world was not made for such a family--a family with the power to make a world and break it. If they cannot save each other or themselves, we are all doomed.

Something is happening to the source of the dreamers' power. It is blocked. Diminished. Weak. If it goes away entirely, what will happen to the dreamers and those who depend on them? Ronan Lynch isn't planning to wait and find out. Backed by his mentor, Bryde, he is ready to do what needs to be done to save the dreamers and the dreamed . . . even if it takes him far from his family and the boy he loves. Jordan Hennessy knows she will not survive if the dreaming fails. So she plunges into a dark underworld in order to find an object that may sustain her. Carmen Farooq-Lane is afraid of the dreamers -- which is why she's agreed to hunt them down. The closer she gets, though, the more complicated her feelings become. Will the dreamers destroy the world . . . or will the world be destroyed trying to eliminate the dreamers? In the remarkable second book of The Dreamer Trilogy, Maggie Stiefvater pushes her characters to their limits -- and shows what happens when they start to break.

The dreamers walk among us . . . and so do the dreamed. Those who dream cannot stop dreaming – they can only try to control it. Those who are dreamed cannot have their own lives – they will sleep forever if their dreamers die. And then there are those who are drawn to the dreamers. To use them. To trap them. To kill them before their dreams destroy us all. Ronan Lynch is a dreamer. He can pull both curiosities and catastrophes out of his dreams and into his compromised reality. Jordan Hennessy is a thief. The closer she comes to the dream object she is after, the more inextricably she becomes tied to it. Carmen Farooq-Lane is a hunter. Her brother was a dreamer . . . and a killer. She has seen what dreaming can do to a person. And she has seen the damage that dreamers can do. But that is nothing compared to the destruction that is about to be unleashed. . . .