In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

A young woman’s seasonal job takes a dark, surreal turn in this vivid and surprising debut. When Elise and her boyfriend, Tom, set off for Minnesota, all she knows about harvesting sugar beets (Beta vulgaris) is that her paycheck will cover a few months’ rent on their Brooklyn apartment. She’ll try anything to escape the incessant debt collection calls—and chronic anxieties about her body and her relationship. But as the grueling graveyard shifts set in, Elise notices strange threatening texts, a mysterious rash, a string of disappearances from the workers’ campsite, and snatches of a hypnotic voice coming from the beet pile itself. As crewmembers vanish, Elise obsesses over Tom’s closeness with their charismatic coworker Cee and falls back on self-destructive patterns of disordered eating and dissociation. Against the horrors of her uncertain future, is the siren song of the beet pile almost . . . appealing? Biting and eerie, Beta Vulgaris harnesses an audacious premise to undermine straightforward narratives of class, trauma, consumption, and redemption.

From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

A heartwarming novel from a South Korean author about the healing power of books, perfect for readers of Before the Coffee Gets Cold. With good books, good food and companionship, the Book Kitchen fills people's tired souls. Yoojin, who grew up in Seoul, opened the Book Kitchen by chance in Soyangri, a village two hours from Seoul by car. The Book Kitchen functions as a bookshop and cafe. The second function of the Book Kitchen is a Book Stay, where one can stay overnight in one of the building’s four complexes. Over the course of one year, multiple characters each find comfort and hope at Yoojin’s Book Kitchen. From a music idol facing an identity crisis, to a promising lawyer beset by an unsettling medical diagnosis, to a young, failed music director who has had to rein in his dreams, they happen upon Soyangri at pivotal moments in their lives.

Bohaterka utrzymuje całą rodzinę, chwytając się dorywczych prac. Jej matka jest alkoholiczką, brat — emigruje, a młodsza siostra z trudem radzi sobie w szkole. Przelotna znajomość z Cheolsu urywa się, gdy ten znika na obowiązkową służbę wojskową. Pewnego dnia dziewczyna wyrusza, by odwiedzić Cheolsu na poligonie, a jej podróż staje się pościgiem za ulotnym cieniem tego, którego szuka. Koreańska pisarka Bae Suah wciąga czytelnika w gęstą opowieść o przytłaczającej codzienności, od której ucieczką mogą być jedynie wyobraźnia lub całkowita apatia. Ale wyobraźnia, jeśli tylko wymknie się spod kontroli, potrafi przeobrazić senny, znany świat w niepokojącą, nieznaną przestrzeń. Bae snuje opowieść, której wydźwięk zmienia się z każdą kolejną lekturą. Pomiędzy wersami pyta nas: czy o tym, kim jesteśmy, decyduje to, jak widzi nas świat, czy może to, jak sami siebie postrzegamy?

Matczyna droga

In a drab North Korean city, a seventh daughter is born to a couple longing for a son. Abandoned hours after her birth, she is eventually rescued by her grandmother. The old woman names the child Bari, after a legend telling of a forsaken princess who undertakes a quest for an elixir that will bring peace to the souls of the dead. As a young woman, frail, brave Bari escapes North Korea and takes refuge in China before embarking on a journey across the ocean in the hold of a cargo ship, seeking a better life. She lands in London, where she finds work as a masseuse. Paid to soothe her clients' aching bodies, she discovers that she can ease their more subtle agonies as well, having inherited her beloved grandmother's uncanny ability to read the pain and fears of others. Bari makes her home amongst other immigrants living clandestinely. She finds love in unlikely places, but also suffers a series of misfortunes that push her to the limits of sanity. Yet she has come too far to give in to despair.

We join San in 1970s rural South Korea, a young girl ostracised from her community. She meets a girl called Namae, and they become friends until one afternoon changes everything. Following a moment of physical intimacy in a minari field, Namae violently rejects San, setting her on a troubling path of quashed desire and isolation. We next meet San, aged twenty-two, as she starts a job in a flower shop. There, we are introduced to a colourful cast of characters, including the shop's mute owner, the other florist Su-ae, and the customers that include a sexually aggressive businessman and a photographer, who San develops an obsession for. Throughout, San's moment with Namae lingers in the back of her mind. A story of desire and violence about a young woman who everyone forgot, VIOLETS is a captivating and sensual read, full of tragedy and beauty.

Pierwsza w Polsce książka jednej z najbardziej uznanych współczesnych pisarek w Korei Południowej. Elegancka proza afirmująca życie oraz eksplorująca tematy rozwoju i zmian, miłości i straty, trwania i odpuszczania. Kim Keum Hee mieszka w małym mieszkaniu w Seulu z mężem i ponad siedemdziesięcioma roślinami. Mówi o sobie, że jest ich dumnym rodzicem. Kiedy życie wydaje się jej przytłaczające, rośliny podtrzymują ją na duchu. Jej nastrój natychmiast się poprawia, gdy obserwuje, jak rozkwitają delikatne liście akacji srebrzystej, a gdy odkrywa nowe korzenie u umierającego kaktusa, wraca nadzieja. Autorka dzieli się z nami codziennymi obserwacjami na temat swojej roślinnej rodziny oraz tego, jak jej dzieci walczą i rozwijają się w kolejnych porach roku. Są tu momenty głębokie i takie, które łamią serce, ale nigdy nie brakuje miłości i nadziei. Jak udowadnia Kim Keum Hee, opieka nad roślinami w dużej mierze przypomina opiekę nad samym sobą. Nie da się żyć bez wiary, że jutro będzie lepiej, oraz bez małych gestów, które na co dzień utrzymują nas w tym przekonaniu. To właśnie tę postawę nazywa „roślinnym optymizmem“.

From a member of the Pussy Riot An urgent, intimate, firsthand account of grassroots dissent, bravery, art, and spectacle in Putin's RussiaPicking up where Riot Days left off, Maria takes us through her activist experiences between 2014 to 2022. In vivid, diary-like vignettes, we follow her as she goes in and out of Russian prisons, continually dodges police violence, protests at the Sochi Olympics, flies to Kyiv to stand in solidarity with Ukraine, defends the high-level dissident Alexi Navalny, drops banners at Trump Tower, and--in 2022--flees from Russia in disguise to escape a new prison sentence.Spanning settings from Moscow to London to New York to Harvard, Political Girl has an artistic sensibility, a punk ethos, a deep moral clarity, and an inimitably dry Russian wit. It portrays not only Masha’s political activities but also her personal the friends she makes in prison, the woman she falls in love with, her bond with her young son Filip, and her deep passion for art and history. As Trump attempts to bring Putin-style authoritarianism to the U.S., Masha's message to Americans is one of solidarity and hope.

A dazzling and deeply moving story about humans turning into trees - for fans of Love and Other Thought Experiments and Never Let Me GoWhat makes a person want to be a tree?Bren and his partner Caelyn are feeling at a standstill in their lives. One day they come across a video of people in the forest who believe that if they stand still for long enough they will transform into trees. The idea is absurd. But it's spreading. Soon, people start to go missing and trees appear in unlikely places.As cities decay and the world becomes greener, Caelyn becomes more and more convinced that arborescence is exactly what will save the planet from human destruction. Bren isn't so sure. Drifting apart, Bren and Caelyn are forced to question what it really means to be human - and if they are ready to stand still.'A dazzling blend of cosmic eco-horror and arthouse sci-fi... one of the most profound and beautiful books you'll ever read' Chris Flynn, author of Orpheus Nine'Original, mind-bending and uplifting' Inga Simpson, author of The Thinning'Reads like a thriller but has the tenderness and insight of poetry' Ben Rawlence, author of The Treeline

An explosive memoir charting one woman’s career at the heart of one of the most influential companies on the planet, Careless People gives you a front-row seat to Facebook, the decisions that have shaped world events in recent decades, and the people who made them. From trips on private jets and encounters with world leaders to shocking accounts of misogyny and double standards behind the scenes, this searing memoir exposes both the personal and the political fallout when unfettered power and a rotten company culture take hold. In a gripping and often absurd narrative where a few people carelessly hold the world in their hands, this eye-opening memoir reveals what really goes on among the global elite. Sarah Wynn-Williams tells the wrenching but fun story of Facebook, mapping its rise from stumbling encounters with juntas to Mark Zuckerberg’s reaction when he learned of Facebook’s role in Trump’s election. She experiences the challenges and humiliations of working motherhood within a pressure cooker of a workplace, all while Sheryl Sandberg urges her and others to “lean in.” Careless People is a deeply personal account of why and how things have gone so horribly wrong in the past decade—told in a sharp, candid, and utterly disarming voice. A deep, unflinching look at the role that social media has assumed in our lives, Careless People reveals the truth about the leaders of Facebook: how the more power they grasp, the less responsible they become and the consequences this has for all of us.