En Cuántos de los tuyos han muerto el escritor mexicano Eduardo Ruiz Sosa se enfrenta al fenómeno de la muerte mirando a los ojos de los sobrevivientes, escuchando a los que quedan en el mundo como testimonio de la ausencia, de esa ausencia ajena que, en buena medida, es nuestra propia ausencia, pues al morir los otros va desapareciendo también lo que fuimos con ellos. Desde la sospecha de que, como decía el poeta Jordi Villaronga, «La muerte no es la muerte, es un muerto», este libro, más allá del duelo, indaga en lo que la muerte despierta en los vivos. La necesidad de recuperar el cuerpo de los desaparecidos, los secretos que se descubren tras la muerte, el desvanecimiento de un mundo, el regreso a una infancia sin mitos y la exigencia de algunos por borrar toda huella de su existencia, son algunos de los motivos que incendian estos relatos de belleza extraña y conmovedora.

Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

An unforgettable psychological novel of obsessive love, The Tunnel was championed by Albert Camus, Thomas Mann, and Graham Greene upon its publication in 1948 and went on to become an international bestseller. At its center is an artist named Juan Pablo Castel, who recounts from his prison cell his murder of a woman named María Iribarne. Obsessed from the moment he sees her examining one of his paintings, Castel fantasizes for months about how they might meet again. When he happens upon her one day, a relationship develops that convinces him of their mutual love. But Castel's growing paranoia leads him to destroy the one thing he truly cares about.

An unforgettable psychological novel of obsessive love, The Tunnel was championed by Albert Camus, Thomas Mann, and Graham Greene upon its publication in 1948 and went on to become an international bestseller. At its center is an artist named Juan Pablo Castel, who recounts from his prison cell his murder of a woman named María Iribarne. Obsessed from the moment he sees her examining one of his paintings, Castel fantasizes for months about how they might meet again. When he happens upon her one day, a relationship develops that convinces him of their mutual love. But Castel's growing paranoia leads him to destroy the one thing he truly cares about.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

CHAINS OF FATE After finding success together in their second trials, Coco and her friends return to the warmth of the atelier. Before long, they are approached by Tartah from Kalhn, and he needs their help setting up shop at the thrilling witches' festival, Silver Eve! But to design a contraption to sell there, the young students must consider the power of magic -- at once delightful, beneficial, and potentially harmful. As Coco makes preparations alongside Tartah, she's reunited with Custas, a boy who was saved by Coco once before, but is convinced that luck will never shine on him again...

I’ve missed you every day since you left. But I’m sure you already knew that. It’s time to let you go now. I’ll miss you all the time, Sam. It’s been a year since his best friend, Sam, died. Even though Oliver knows he won’t get a response, he can’t stop texting Sam’s number, especially as the anniversary of his death approaches. Then one day he accidentally hits the call button, and someone picks up. The voice on the other end isn’t Sam—Sam’s number was reassigned and a stranger has been reading Oliver’s private and vulnerable messages for months. But Ben, an astronomy student in Seattle, won’t remain a stranger for long. When they finally meet in person, their spark is undeniable. Everything seems perfect until Oliver discovers something strange that could keep them from being together.

This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma. In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all. Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other? Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.