Donatello commented on a post from the Pagebound Club forum
I would love to know what books yall think are excellent examples of showing over telling and what books you think do an exorbatant amount of telling over showing. I want to do a compare and contrast project of my own based on these recommendations
I've seen a lot of critiques on books that seem to always come down to the whole "this author does a lot of telling, not showing" argument.
Now, I think a lot of people take this stance and run with it to an extreme a lot because any sort of telling is often seen as something negative within a story when in reality depending on what/how/why an author is writing their story, some things NEED to be told directly to the audience. There are smoother ways to go about telling an audience certain things but telling is not a sign of a poorly written book. Telling and showing are tools that can be used at the author's discretion in whatever way is best to tell their story.
So I wanted to see what others think are excellent examples of using these tools and which ones are not. This should be interesting!
Donatello commented on a post
"...the gleam of fondness in his eyes is enough to quell the faint twinging of my stomach."
Oh girl, daddy issues got us both in a chokehold huh?
Seriously though I eat up ANY sort of father daughter relationship dynamic but especially ones like this. I will never tire of stories exploring parental issues and breaking away from someone who you have every instinct to follow and love yet you know in your gut is wrong.
So many delicious emotions come with stories like these
Post from the Pagebound Club forum
I would love to know what books yall think are excellent examples of showing over telling and what books you think do an exorbatant amount of telling over showing. I want to do a compare and contrast project of my own based on these recommendations
I've seen a lot of critiques on books that seem to always come down to the whole "this author does a lot of telling, not showing" argument.
Now, I think a lot of people take this stance and run with it to an extreme a lot because any sort of telling is often seen as something negative within a story when in reality depending on what/how/why an author is writing their story, some things NEED to be told directly to the audience. There are smoother ways to go about telling an audience certain things but telling is not a sign of a poorly written book. Telling and showing are tools that can be used at the author's discretion in whatever way is best to tell their story.
So I wanted to see what others think are excellent examples of using these tools and which ones are not. This should be interesting!
Donatello wants to read...
The Serpent and the Wings of Night (Crowns of Nyaxia, #1)
Carissa Broadbent
Donatello wants to read...
A Broken Blade (The Halfling Saga, #1)
Melissa Blair
Donatello wants to read...
The Goldfinch
Donna Tartt
Donatello wants to read...
The Kite Runner
Khaled Hosseini
Donatello wants to read...
A Psalm for the Wild-Built (Monk & Robot, #1)
Becky Chambers
Donatello wants to read...
When the Tides Held the Moon
Venessa Vida Kelley
Donatello commented on a post from the Pagebound Club forum
Is it just me or does anyone else feel weird that there's some fantasy books that seem to have a set up which the author intends to be some level of critique on colonialism, imperialism, exploitative capitalism, etc etc but by the end of the book the message is murky at best?
Like there's very clear messaging in the foreground or background of the story that frames the intended target idea as bad but the narrative ends with the book not really exploring the concept with any depth and the characters doing nothing about it or they even uphold the system in place?
The most glaring recent example of this for me is 'A Dark and Drowning Tide.' And let me tell you after getting through about 70% of that book having a fine old time, that messaging just smacked me across the face. I felt like I was in the Twilight Zone afterward going through reviews because I didn't see anyone talking about this glaring U Turn of politics.
I promise I'm not taking things that were in the background and making them more important than they are. That particular book makes the fantasy politics so integral to the main plot that it simply cannot be ignored.
Have any of yall had this experience with a book? I'm dying to discuss this with someone
Post from the Pagebound Club forum
Is it just me or does anyone else feel weird that there's some fantasy books that seem to have a set up which the author intends to be some level of critique on colonialism, imperialism, exploitative capitalism, etc etc but by the end of the book the message is murky at best?
Like there's very clear messaging in the foreground or background of the story that frames the intended target idea as bad but the narrative ends with the book not really exploring the concept with any depth and the characters doing nothing about it or they even uphold the system in place?
The most glaring recent example of this for me is 'A Dark and Drowning Tide.' And let me tell you after getting through about 70% of that book having a fine old time, that messaging just smacked me across the face. I felt like I was in the Twilight Zone afterward going through reviews because I didn't see anyone talking about this glaring U Turn of politics.
I promise I'm not taking things that were in the background and making them more important than they are. That particular book makes the fantasy politics so integral to the main plot that it simply cannot be ignored.
Have any of yall had this experience with a book? I'm dying to discuss this with someone
Donatello commented on a post from the Pagebound Club forum
I used to want to keep my books pristine but recently I've started tabbing and annotating my books. There's something so special about making a book my own and having a tangible experience scrawled within its pages.
I am curious to hear other peoples methods of tabbing and annotating?
Post from the A Treachery of Swans forum
"...the gleam of fondness in his eyes is enough to quell the faint twinging of my stomach."
Oh girl, daddy issues got us both in a chokehold huh?
Seriously though I eat up ANY sort of father daughter relationship dynamic but especially ones like this. I will never tire of stories exploring parental issues and breaking away from someone who you have every instinct to follow and love yet you know in your gut is wrong.
So many delicious emotions come with stories like these
Donatello finished reading and left a rating...
The audiobook definitely elevated the experience for me.
This was a nice quick fun read although I felt like the achievement notifications dragged the pacing in places. I found myself genuinely interested in the worldbuilding as well towards the end when the intergalactic politics of things kind of came into play.
With characters being the most important aspect of a story for me, I will say that Carl and Donut's relationship has found a soft spot in my heart as well as their individual characters.
Donut is Donut and I can't say anything about her that others haven't already. She's delightful. Carl clearly has massive parental and abandonment issues which I hope are explored a bit more in the following books. Together though they work very well.
The side characters are nice additions but I especially like Zev.
It's worth noting that this book doesn't have much of a conclusion. In fact it kind of ends on a cliffhanger. So if you don't like that, make sure to have the following book as well as this one to keep reading.
But I'll give it to Dinniman, he seeded enough interest for me in the world, story, and characters that I'll probably continue sooner rather than later.
Post from the Dungeon Crawler Carl (Dungeon Crawler Carl, #1) forum
Intergalactic fanfiction was not on my Dungeon Crawler Carl book bingo card
I am deceased 😭😭😭
Post from the Dungeon Crawler Carl (Dungeon Crawler Carl, #1) forum
Ohhhhh
Carl has daddy issues, mommy issues, AND abandonment issues
The ultimate trifecta
Donatello made progress on...