Would you defend your husband if he was accused of killing his mistress? Sarah Morgan is a successful and powerful defense attorney in Washington D.C. At 33 years old, she is a named partner at her firm and life is going exactly how she planned. The same cannot be said for her husband, Adam. He is a struggling writer who has had little success in his career. He begins to tire of his and Sarah’s relationship as she is constantly working. Out in the secluded woods, at Adam and Sarah’s second home, Adam engages in a passionate affair with Kelly Summers. Then, one morning everything changes. Adam is arrested for Kelly’s murder. She had been found stabbed to death in Adam and Sarah’s second home. Sarah soon finds herself playing the defender for her own husband, a man accused of murdering his mistress. But is Adam guilty or is he innocent?

"Ashley Schumacher's latest novel is a delightful read, with diverse characters and an irresistible setting. The Renaissance of Gwen Hathaway proves that there's no better place to find yourself than at a Renaissance Faire." - Jen Deluca, author of Well Met Dumplin ' meets Well Met in this novel about finding your place in the world, learning love is a risk worth taking, and discovering what happens when you take your fate into your own hands. Since her mother’s death, Madeline “Gwen” Hathaway has been determined that nothing in her life will change ever again. That’s why she keeps extensive lists in journals, has had only one friend since childhood, and looks forward to the monotony of working the ren faire circuit with her father. Until she arrives at her mother’s favorite end-of-tour stop to find the faire is under new management and completely changed. Meeting Arthur, the son of the new owners and an actual lute-playing bard, messes up Maddie’s plans even more. For some reason, he wants to be her friend - and ropes her into becoming Princess of the Faire. Now Maddie is overseeing a faire dramatically changed from what her mother loved and going on road trips vastly different from the routine she used to rely on. Worst of all, she’s kind of having fun. Ashley Schumacher's The Renaissance of Gwen Hathaway is filled with a wise old magician who sells potion bottles, gallant knights who are afraid of horses and ride camels instead, kings with a fondness for theatrics, a lazy river castle moat with inflatable crocodile floaties, and a plus-sized heroine with a wide open heart... if only she just admits it. "Set in one of my favorite places in the world — a Renaissance Faire full of jousts, royalty, bards, and castles— this is a wise, beautiful, funny book with tremendous heart. I absolutely loved it." - Jamie Pacton, author of The Life and (Medieval) Times of Kit Sweetly and Lucky Girl

“The first year is when some of us lose our lives. The second year is when the rest of us lose our humanity.” —Xaden Riorson Everyone expected Violet Sorrengail to die during her first year at Basgiath War College—Violet included. But Threshing was only the first impossible test meant to weed out the weak-willed, the unworthy, and the unlucky. Now the real training begins, and Violet’s already wondering how she’ll get through. It’s not just that it’s grueling and maliciously brutal, or even that it’s designed to stretch the riders’ capacity for pain beyond endurance. It’s the new vice commandant, who’s made it his personal mission to teach Violet exactly how powerless she is–unless she betrays the man she loves. Although Violet’s body might be weaker and frailer than everyone else’s, she still has her wits—and a will of iron. And leadership is forgetting the most important lesson Basgiath has taught her: Dragon riders make their own rules. But a determination to survive won’t be enough this year. Because Violet knows the real secret hidden for centuries at Basgiath War College—and nothing, not even dragon fire, may be enough to save them in the end.

James Carson has gotten away with murder three times. The only thing that might stop him from killing again? The three women he murdered. He hunted them online, masquerading as an eligible bachelor. Then he played the perfect gentleman, a thick layer of charm and a thousand-watt smile hiding the fact that his first dates end in shallow graves. What James doesn’t know is that his three victims have found each other. And that they're coming for him. Brecia, Meghan, and Skye might be dead, but they’re not gone. And they won’t rest until they find a way to keep him from killing again. The haunt is on.

A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love in the start of a heartwarming and enchanting new fantasy series. Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world's first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party--or even get invited to one. And she prefers the company of her books, her dog, and the Fair Folk. So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, get in the middle of Emily's research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones--the most elusive of all faeries--lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she'll have to unlock the greatest mystery of all--her own heart.

A professor of literature finds herself caught up in a work of fiction… literally. Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going to her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what. But when her car unexpectedly breaks down on the way, she finds herself stranded in a quaint town that feels like it’s right out of a novel… Because it is. This place can’t be real, and yet… she’s here, in Eloraton, the town of her favorite romance series, where the candy store’s honey taffy is always sweet, the local bar’s burgers are always a little burnt, and rain always comes in the afternoon. It feels like home. It’s perfect—and perfectly frozen, trapped in the late author’s last unfinished story. Elsy is sure that’s why she must be here: to help bring the town to its storybook ending. Except there is a character in Eloraton that she can’t place—a grumpy bookstore owner with mint-green eyes, an irritatingly sexy mouth and impeccable taste in novels. And he does not want her finishing this book. Which is a problem because Elsy is beginning to think the town’s happily-ever-after might just be intertwined with her own.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.