An unapologetic, hilarious, and triumphant debut memoir about the inequality those in the disabled community face on a daily basis from a valued voice and TikTok star Imani Barbarin. Imani was two years old when she was diagnosed with cerebral palsy, a congenital disorder and motor disability that affected her ability to walk without the aid of crutches. Because of her condition, Imani has spent her life enduring unsolicited and audacious comments from able-bodied people who find her presence discomforting. Whether she’s reminded that she’s “inspiring” for existing, “pretty for a disabled girl,” or that she’s “brave” because if they were her, they’d “kill themselves,” Imani understands that the compliments intended to make her feel better about herself actually inspires a deep pity for the person who believes themselves to be doing her a favor. If I Were You, I’d Kill Myself is a sardonically witty, candid, and incisive memoir that views contemporary issues through a queer disabled lens.

A Head Full of Ghosts meets Hereditary in Piñata, a terrifying possession tale by author and artist Leopoldo Gout. Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back in New York, Luna begins acting strange, and only Izel notices the chilling changes happening to her younger sister. But it might be too late for the Sanchez family to escape what's been awakened... Piñata is a bone-chilling story about how the sinister repercussions of our past can return to haunt us.

From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge. There is something about Demi. When this boy is angry, rain clouds gather. When he cries, rivers burst their banks and the first time he takes a shot on a basketball court, the deities of the land take note. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows Gods often act like the same fragile egos, the same unpredictable fury and the same sense of entitlement to the bodies of mortals. She will sacrifice everything to protect her son, but she knows the Gods will one day tire of sports fans, their fickle allegiances and misdirected prayers. When that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, daughters and Goddesses, will stand between him and a lightning bolt.

“You are the cream of the crop.” “Top tier of the top tier, crème de la crème,” “There’s no point in being good at something if you’re not the best at it.” These were some of the phrases that ravaged the brilliant minds of the students at Sekolah Menengah Elit Tunku Aaila, Malaysia’s top boarding school of its time. Students had been drilled to understand that academic excellence is everything, and expectations weighed heavily on their shoulders. But when one of the top students and well-respected prefects was found sprawled dead in what appeared to be a suicide, the elite world they so profusely enjoyed and inhabited shattered. Mona Ali, a close friend of the deceased and a fellow high achiever, was devastated by the sudden death that gripped the school. As she dealt with her grief, Mona began to uncover a series of strange clues that suggested that the death had not been a suicide at all, but what could potentially have been a murder. With the school's administration having brushed off the investigation, Mona, along with the help of her equally intelligent friends, boldly began to navigate the treacherous waters of academic pressure, loyalty, and deceit. But the closer Mona got to the truth, the more She realised that someone would indeed go to great lengths to protect the dangerous secrets that lay within the elite halls of her school. What began as a desperate attempt to understand her friend's tragic end had spiralled into an intense investigation that revealed hidden secrets, dangerous rivalries, and a shocking baggage of trauma and mental health issues that were buried within the school's walls. In a fiercely competitive environment where the pressure to be the top student had been relentless, Mona had started to question: Had her friend’s death been a tragic accident, or had someone been willing to kill to survive the overwhelming pressure? And was the killer willing to kill again to ensure their secrets stay hidden?

What are the stories we need to survive? In ten days, the last spaceship is leaving for a new planet. Some of us will stay on Earth. How do we decide? #TeamEarth. Once upon a time, the oceans were full of fish and the forests dark with brambles. Seb read about it in a book of fairy tales, and memory means hope. #TeamShip. Adaptation means knowing when to walk away. Jay is ready. So their ex, Seb, shows up on the dance floor, T-minus-10. What’s the harm in one last dance? What if the stories themselves are evolving? Told in margin notes, posters, letters scrawled on napkins, and six retellings of classic fairy tales, What A Fish Looks Like gathers the stories of a queer community co-creating one another through the strange landscapes of climate change, wondering who is going to love us when there are not, in fact, plenty of fish in the sea. And now this book belongs to you.

The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story. Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living. As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live. Thurber Prize-winner and NYTimes bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.

"A warm, smart, hilarious, delicious, riveting" (Curtis Sittenfeld) debut about the uncomfortable, unbreakable ties of family as four adult siblings come home to confront the state of their own lives and each otherThe Longe siblings are really botching their parents' American Dream.Sola Longe, eldest daughter, estranged from the family, is secretly back home in Chicago for the first time in a decade. She’s a newly single and recently disgraced influencer trying to quietly put her life back together again. The other three Longe siblings aren't doing much better.Anjola is in love with her best friend, who just got engaged to someone else; Karen, a college junior and the baby of the family, is grappling with her sexuality and self-image; and Ola, the golden child with a baby of his own on the way, is questioning his marriage and how to raise a Black son in America.Sola’s unexpected return sets them on a crash course towards each other, and when the four siblings find themselves together again at their Nigerian immigrant parents' Thanksgiving table, a decade’s worth of secrets and a lifetime of resentments explode to the fore.In the wreckage of their fateful reunion, each Longe is forced to reckon with the past, take stock of what really matters, and find a way back to each other. Big-hearted, hilarious, and poignant, Leave Your Mess At Home is an insightful debut about forgiveness, unconditional love, and becoming who you want to be, asking the what do we owe to our families, and what do we owe to ourselves?

Simon and Marie can't seem to have a baby. And so they flee the city for an idyllic village, where things will certainly be better. But the town is gloomy, even hostile -- things haven't been the same since the factory closed down and a broadcast antenna was erected. Now there are no birds singing, and people have started disappearing.