After a wild bet, gourmet grilled-cheese sandwich, and cuddle with a baby goat, Alexis Montgomery has had her world turned upside down. The cause: Daniel Grant, a ridiculously hot carpenter who’s ten years younger than her and as casual as they come—the complete opposite of sophisticated city-girl Alexis. And yet their chemistry is undeniable. While her ultra-wealthy parents want her to carry on the family legacy of world-renowned surgeons, Alexis doesn’t need glory or fame. She’s fine with being a “mere” ER doctor. And every minute she spends with Daniel and the tight-knit town where he lives, she’s discovering just what’s really important. Yet letting their relationship become anything more than a short-term fling would mean turning her back on her family and giving up the opportunity to help thousands of people. Bringing Daniel into her world is impossible, and yet she can’t just give up the joy she’s found with him either. With so many differences between them, how can Alexis possibly choose between her world and his? The New York Times bestselling author of Life's Too Short delivers a refreshingly modern fairy tale perfect for fans of Casey McQuiston and Emily Henry.

Remarkably Bright Creatures, an exploration of friendship, reckoning, and hope, tracing a widow's unlikely connection with a giant Pacific octopus. After Tova Sullivan's husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she's been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago. Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn't dream of lifting one of his eight arms for his human captors--until he forms a remarkable friendship with Tova. Ever the detective, Marcellus deduces what happened the night Tova's son disappeared. And now Marcellus must use every trick his old invertebrate body can muster to unearth the truth for her before it's too late. Shelby Van Pelt's debut novel is a gentle reminder that sometimes taking a hard look at the past can help uncover a future that once felt impossible.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

An incendiary, deeply reported exposé of Johnson & Johnson, one of America’s oldest and most trusted pharmaceutical companies—from award-winning investigative journalist Gardiner Harris One day in 2004, Gardiner Harris, early for a flight, sat down at an airport bar and started talking to the woman on the bar stool beside him. She was a drug sales rep for Johnson & Johnson, and her horrific story about unethical sales practices and the devastating impact they’d had on her family fundamentally changed the nature of how Harris covered the company—and the entire pharmaceutical industry—for The New York Times. His subsequent investigations and ongoing research since that conversation led to new federal laws and ultimately to No More Tears, a blistering exposé of a trusted American institution and the largest healthcare conglomerate in the world. Harris takes us light years away from the company’s image as the child-friendly “baby company” as he uncovers reams of evidence showing decades of deceitful and dangerous corporate practices that have threatened the lives of millions. He covers multiple disasters: lies and cover-ups regarding baby powder’s link to cancer; the surprising dangers of Tylenol; a criminal campaign to sell dangerous anti-psychotics to children; a popular drug for cancer patients that increases the risk of tumor growth. Deceptive marketing efforts that accelerated opioid addictions rival even those of the Sacklers and Purdue Pharma. All told, Johnson & Johnson's products have helped cause drug crises that have contributed to the deaths of as many as two million people and counting. Filled with shocking, infuriating, but utterly necessary revelations, No More Tears is a landmark work of investigative journalism that lays bare the deeply rooted corruption behind the image of babies bathing with a smile.

What happens to all the mind-controlled minions when the evil villain is finally vanquished? When Oaklin Nettlewood (accidentally) joined an evil cult, they and the rest of their small community were promptly whammied by mind control magic and forced to do unspeakable things. Now, years later, the realm's heroes have saved the day, defeated the villain, and shattered the last remnants of the spell...leaving destruction in their wake. Because the minions who were nothing more than obstacles were Oaklin's last remaining family and friends, and now as the entire realm celebrates, Oaklin is left alone to pick up the pieces. And so, with a spell-damaged memory and whole bushel of trauma, they buy a small farm on the edge of Mossley's Rest and swear an After all the things they were forced to do with their magic, they will never use it again. Ever. But the gentle ghost who lives in Oaklin's house has other ideas. And as she coaxes Oaklin out of their shell and back into the world, Oaklin begins to find companionship (a grumpy horse and a very good boy dog), friendship (a local bard and magical baker who should just kiss already), and even romance (a paladin-librarian who makes Oaklin's heart flutter.) Healing comes in gentle waves, and Oaklin doesn't have to do it alone. So what does it mean when an inquisitor comes to town just as Oaklin begins to think that maybe, just maybe, they deserve a happy ending after all?

An ambitious young woman with the power to control minds seeks vengeance against the royals who murdered her family, in a Caribbean-inspired fantasy world embattled by colonial oppression. Sigourney Rose is the only surviving daughter of a noble lineage on the islands of Hans Lollik. When she was a child, her family was murdered by the islands’ colonizers, who have massacred and enslaved generations of her people—and now, Sigourney is ready to exact her revenge. When the childless king of the islands declares that he will choose his successor from amongst eligible noble families, Sigourney uses her ability to read and control minds to manipulate her way onto the royal island and into the ranks of the ruling colonizers. But when she arrives, prepared to fight for control of all the islands, Sigourney finds herself the target of a dangerous, unknown magic. Someone is killing off the ruling families to clear a path to the throne. As the bodies pile up and all eyes regard her with suspicion, Sigourney must find allies among her prey and the murderer among her peers... lest she become the next victim. Queen of the Conquered reckons with the many layers of power and privilege in a lush fantasy world—perfect for readers of V. E. Schwab, Kiersten White, and Marlon James.

Unlike the other residents of the small Caribbean Island of St. Virgil, Selina DaSilva does not believe in magic. With a logical mind and a knack for botany, Selina used to dream of leaving the island to study Pharmacology—until a vicious, unsolved attack left her father dead and her mother in a coma. Now her guilt over her mother’s condition keeps her tethered to the island, relegated to conning gullible tourists with useless talismans and phony protection rituals. But when one of those tourists ends up at the center of a string of strange murders, the truth that Selina has been denying can no longer be there is evil lurking in the forests that surround St. Virgil. Another thing that can’t be avoided? Selina’s ex-boyfriend Gabriel, newly employed at the local newspaper and eager to put his investigative skills to use. Desperate to put an end to the killings and claim justice for Selina’s family, these two former lovers race to find answers. But evil bides its time. And as long-buried feelings and long-hidden secrets about Selina’s family’s past begin to reveal themselves, only one answer remains—and it waits in the forest.

Dark matter: the nonluminous matter, not yet detected, that nonetheless has detectable gravitational effects on the universe. Dark matter: the Afro-American presence and influences unseen or unacknowledged by Euro-American culture. Dark Matter: the first anthology to illuminate the presence and influence of black writers in speculative fiction, with 25 stories, three novel excerpts, and five essays. This anthology's critical and historical importance is indisputable. But that's not why it will prove to be the best anthology of 2000 in both the speculative and the literary fiction fields. It's because the stories are great: entertaining, imaginative, insightful, sharply characterized, and beautifully written. The earliest story in Dark Matter is acclaimed literary author Charles W. Chesnutt's "The Goophered Grapevine" (1887), in which an aging ex-slave tells a chilling tale of cursed land to a white Northerner buying a Southern plantation. In "The Comet" (1920), W.E.B. Du Bois portrays the rich white woman and the poor black man who may be the only survivors of an astronomical near-miss. In George S. Schuyler's "Black No More" (1931), an excerpt from the satirical novel of the same name, an African American scientist invents a machine that can turn blacks white. More recent reprints include science fiction master Samuel R. Delany's Nebula Award-winning "Aye, and Gomorrah..." (1967), which delineates the socio-sexual effects of asexual astronauts; Charles R. Saunders's heroic fantasy "Gimmile's Songs" (1984), in which a woman warrior encounters a singer with a frightening, compelling magic in ancient West Africa; MacArthur Genius Grant recipient Octavia E. Butler's powerful "The Evening and the Morning and the Night" (1987), in which the cure for cancer creates a terrifying new disease of compulsive self-mutilation; and Derrick Bell's angry, riveting "The Space Traders" (1992), in which aliens offer to trade their advanced technology to the U.S. in exchange for its black population. Other reprints include "Ark of Bones" (1974) by author-poet-folklorist Henry Dumas; "Future Christmas" (1982) by master satirist Ishmael Reed; "Rhythm Travel" (1996) by playwright-poet-critic Amiri Baraka (who has also written as LeRoi Jones and Imamu Amiri Baraka); and "The African Origins of UFOs" (2000) by London-based West Indian author Anthony Joseph. Most of the stories in Dark Matter are original; these range even more widely in their concerns and themes. In the generation ship of Linda Addison's "Twice, at Once, Separated," a Yanomami Indian tribe preserves its culture in coexistence with technology, while visions tear a young woman from her own wedding. Bestselling novelist Steven Barnes examines degrees of privilege and deprivation when an African American woman artist is trapped in an African concentration camp in his unflinching contribution, "The Woman in the Wall." In John W. Campbell Award winner Nalo Hopkinson's sexy, scary "Ganger (Ball Lightning)," two lovers drifting apart try to reconnect through the separation of virtual sex. A mystic power awakens in the devastated future of Ama Patterson's gorgeous and tough "Hussy Strutt." An artist's infidelity changes two generations in Leone Ross's astute, magic-realist "Tasting Songs." In Nisi Shawl's sharp, witty mythic fantasy "At the Huts of Ajala," the spirit of a modern woman must outwit a god before she is even born. Others contributing new stories are Tananarive Due, Robert Fleming, Jewelle Gomez, Akua Lezli Hope, Honorée Fanonne Jeffers, Kalamu ya Salaam, Kiini Ibura Salaam, Evie Shockley, and Darryl A. Smith. --Cynthia Ward

In a vast, mysterious house on the cliffs near Dover, the Silver family is reeling from the hole punched into its heart. Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly - Slipping away from them - And when one dark night she vanishes entirely, the survivors are left to tell her story. "Miri I conjure you " This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.

In this debut speculative YA mystery, a Black teen with premonition-like powers must solve her friend's disappearance before she finds herself in the same danger. Sariyah Lee Bryant can hear what people need—tangible things, like a pencil, a hair tie, a phone charger—an ability only her family and her best friend, Malcolm, know the truth about. But when she fulfills a need for her friend Deja who vanishes shortly after, Sariyah is left wondering if her ability is more curse than gift. This isn’t the first time one of her friends has landed on the missing persons list, and she’s determined not to let her become yet another forgotten Black girl. Not trusting the police and media to do enough on their own, Sariyah and her friends work together to figure out what led to Deja’s disappearance. But when Sariyah’s mother loses her job and her little brother faces complications with his sickle cell disease, managing her time, money, and emotions seems impossible. Desperate, Sariyah decides to hustle her need-sensing ability for cash—a choice that may not only lead her to Deja, but put her in the same danger Deja found herself in.

A fascinating, first of its kind exploration of Stephen King and his most iconic early books, based on groundbreaking research and interviews with King—all conducted by the first scholar to be given extended access to his private archivesAfter Caroline Bicks was named the University of Maine's inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of King's enthralled and terrified readers (including her) have asked What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.

If you find yourself driving down a winding mountain road near an endless stretch of pines, try tuning in to 104.6 the radio station that shouldn't exist. The village of Pinehaven has a secret of monstrous proportions. Evelyn McKinnon, a radio host falling on hard times, finds herself utterly unprepared when she learns that the radio station isn't just for entertainment. It's a watchtower. She's stalked by a bird with human eyes. Her new co-host won't stop singing show tunes. And when the fog rolls in, the beasts of Pinehaven Forest begin their brutal hunt. Evelyn and her friends are suddenly face-to-face with something much scarier than ravenous flesh-giants and vengeful responsibility. 'A Lonely Broadcast' is a darkly comedic tale that mixes elements of cosmic horror, gruesome gore, and a touching story about friendship, grief, and finding hope when all seems lost. It's also the story of an unhinged woman's personal war with a goddamn bird.