A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

The Blair Witch Project meets The Ritual, with a generous helping of The Menu, in Morsel, a delicious folk horror novella perfect for fans of T. Kingfisher, Cassandra Khaw, and Paul Tremblay.Lou did what the children of parents with back-breaking, poor paying jobs are supposed to pulled up her bootstraps, went to college, and got an office job with coworkers who won’t stop talking about their multi-level marketing scheme disguised as self-betterment.Determined to lift her ill mother out of poverty before it's too late, and in the spirit of climbing the corporate ladder, Lou accepts an assignment in the rural hills of Ohio. She quickly finds herself stranded in the middle of nowhere with a sabotaged truck, a dog she’s determined to keep safe, and something stalking her through the ancient Appalachian woods.If she can’t escape the woods in time, she’ll come face to face with the fact that her job isn’t the only thing that wants to eat her alive.Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

The Blair Witch Project meets The Ritual, with a generous helping of The Menu, in Morsel, a delicious folk horror novella perfect for fans of T. Kingfisher, Cassandra Khaw, and Paul Tremblay.Lou did what the children of parents with back-breaking, poor paying jobs are supposed to pulled up her bootstraps, went to college, and got an office job with coworkers who won’t stop talking about their multi-level marketing scheme disguised as self-betterment.Determined to lift her ill mother out of poverty before it's too late, and in the spirit of climbing the corporate ladder, Lou accepts an assignment in the rural hills of Ohio. She quickly finds herself stranded in the middle of nowhere with a sabotaged truck, a dog she’s determined to keep safe, and something stalking her through the ancient Appalachian woods.If she can’t escape the woods in time, she’ll come face to face with the fact that her job isn’t the only thing that wants to eat her alive.Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A man living in Bristol, UK doesn’t think much of it when his former roommate, Alice, drops out of contact shortly after leaving to pursue her dream job as a journalist in America. But then he receives a batch of files, seemingly e-mailed by Alice, that point toward a dreadful fate. It turns out that Alice fell in with an older man named Robert, intent upon making a news story out of his peculiar obsession: a seemingly harmless pastime known as the Left/Right game, where people set out in their cars for literally wherever the road takes them. But for Alice, it takes her into a supernatural otherworld that she and the other members of Robert’s expedition cannot handle. Or survive.

For readers of Sarah J Maas, Scarlett St. Clair, and Tasha Suri's The Jasmine Throne, this epic, slow-burn romantasy inspired by Sri Lankan mythology follows a fierce orphaned young woman with an affinity for poisons and revenge who would do anything to end the reign of heartless rajas—even sell her soul to the most dangerous cursed god of all—the Blood Yakka, Reeri. Anula Ramanayake of Anuradhapura calculated her ascent the moment she was orphaned—when her village burned in an endless war and the gods forsook her prayers. First, she would marry the raja. Then, she would poison him and take the throne for herself and her people. But when an unexpected coup thwarts her careful plans, Anula is left with one desperate option. She offers her soul to the cursed gods she renounced in exchange for the crown. In the Second Heavens, Reeri the Blood Yakka, the most dangerous and powerful of his clan, hears her prayer. For eons, he's waited for such a valuable offering—one that could finally give him the chance to kill his divine tormentor and return his fellow Yakkas to their former glory on earth. Reeri accepts Anula's bargain, tethering them until their goals are achieved, or until they die. As the war presses on, Anula must move quickly or lose her chance to become the first raejina. But while she is skilled at many things, especially in stopping hearts, the closer she grows to Reeri, the more she finds her own heart at risk. And when the time comes to fight enemies both human and divine, Anuradhapura and the Heavens will never be the same. Features Include: character art map glossary of terms and more!