An ambitious young woman with the power to control minds seeks vengeance against the royals who murdered her family, in a Caribbean-inspired fantasy world embattled by colonial oppression. Sigourney Rose is the only surviving daughter of a noble lineage on the islands of Hans Lollik. When she was a child, her family was murdered by the islands’ colonizers, who have massacred and enslaved generations of her people—and now, Sigourney is ready to exact her revenge. When the childless king of the islands declares that he will choose his successor from amongst eligible noble families, Sigourney uses her ability to read and control minds to manipulate her way onto the royal island and into the ranks of the ruling colonizers. But when she arrives, prepared to fight for control of all the islands, Sigourney finds herself the target of a dangerous, unknown magic. Someone is killing off the ruling families to clear a path to the throne. As the bodies pile up and all eyes regard her with suspicion, Sigourney must find allies among her prey and the murderer among her peers... lest she become the next victim. Queen of the Conquered reckons with the many layers of power and privilege in a lush fantasy world—perfect for readers of V. E. Schwab, Kiersten White, and Marlon James.

Unlike the other residents of the small Caribbean Island of St. Virgil, Selina DaSilva does not believe in magic. With a logical mind and a knack for botany, Selina used to dream of leaving the island to study Pharmacology—until a vicious, unsolved attack left her father dead and her mother in a coma. Now her guilt over her mother’s condition keeps her tethered to the island, relegated to conning gullible tourists with useless talismans and phony protection rituals. But when one of those tourists ends up at the center of a string of strange murders, the truth that Selina has been denying can no longer be there is evil lurking in the forests that surround St. Virgil. Another thing that can’t be avoided? Selina’s ex-boyfriend Gabriel, newly employed at the local newspaper and eager to put his investigative skills to use. Desperate to put an end to the killings and claim justice for Selina’s family, these two former lovers race to find answers. But evil bides its time. And as long-buried feelings and long-hidden secrets about Selina’s family’s past begin to reveal themselves, only one answer remains—and it waits in the forest.

Dark matter: the nonluminous matter, not yet detected, that nonetheless has detectable gravitational effects on the universe. Dark matter: the Afro-American presence and influences unseen or unacknowledged by Euro-American culture. Dark Matter: the first anthology to illuminate the presence and influence of black writers in speculative fiction, with 25 stories, three novel excerpts, and five essays. This anthology's critical and historical importance is indisputable. But that's not why it will prove to be the best anthology of 2000 in both the speculative and the literary fiction fields. It's because the stories are great: entertaining, imaginative, insightful, sharply characterized, and beautifully written. The earliest story in Dark Matter is acclaimed literary author Charles W. Chesnutt's "The Goophered Grapevine" (1887), in which an aging ex-slave tells a chilling tale of cursed land to a white Northerner buying a Southern plantation. In "The Comet" (1920), W.E.B. Du Bois portrays the rich white woman and the poor black man who may be the only survivors of an astronomical near-miss. In George S. Schuyler's "Black No More" (1931), an excerpt from the satirical novel of the same name, an African American scientist invents a machine that can turn blacks white. More recent reprints include science fiction master Samuel R. Delany's Nebula Award-winning "Aye, and Gomorrah..." (1967), which delineates the socio-sexual effects of asexual astronauts; Charles R. Saunders's heroic fantasy "Gimmile's Songs" (1984), in which a woman warrior encounters a singer with a frightening, compelling magic in ancient West Africa; MacArthur Genius Grant recipient Octavia E. Butler's powerful "The Evening and the Morning and the Night" (1987), in which the cure for cancer creates a terrifying new disease of compulsive self-mutilation; and Derrick Bell's angry, riveting "The Space Traders" (1992), in which aliens offer to trade their advanced technology to the U.S. in exchange for its black population. Other reprints include "Ark of Bones" (1974) by author-poet-folklorist Henry Dumas; "Future Christmas" (1982) by master satirist Ishmael Reed; "Rhythm Travel" (1996) by playwright-poet-critic Amiri Baraka (who has also written as LeRoi Jones and Imamu Amiri Baraka); and "The African Origins of UFOs" (2000) by London-based West Indian author Anthony Joseph. Most of the stories in Dark Matter are original; these range even more widely in their concerns and themes. In the generation ship of Linda Addison's "Twice, at Once, Separated," a Yanomami Indian tribe preserves its culture in coexistence with technology, while visions tear a young woman from her own wedding. Bestselling novelist Steven Barnes examines degrees of privilege and deprivation when an African American woman artist is trapped in an African concentration camp in his unflinching contribution, "The Woman in the Wall." In John W. Campbell Award winner Nalo Hopkinson's sexy, scary "Ganger (Ball Lightning)," two lovers drifting apart try to reconnect through the separation of virtual sex. A mystic power awakens in the devastated future of Ama Patterson's gorgeous and tough "Hussy Strutt." An artist's infidelity changes two generations in Leone Ross's astute, magic-realist "Tasting Songs." In Nisi Shawl's sharp, witty mythic fantasy "At the Huts of Ajala," the spirit of a modern woman must outwit a god before she is even born. Others contributing new stories are Tananarive Due, Robert Fleming, Jewelle Gomez, Akua Lezli Hope, Honorée Fanonne Jeffers, Kalamu ya Salaam, Kiini Ibura Salaam, Evie Shockley, and Darryl A. Smith. --Cynthia Ward

In a vast, mysterious house on the cliffs near Dover, the Silver family is reeling from the hole punched into its heart. Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly - Slipping away from them - And when one dark night she vanishes entirely, the survivors are left to tell her story. "Miri I conjure you " This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.

In this debut speculative YA mystery, a Black teen with premonition-like powers must solve her friend's disappearance before she finds herself in the same danger. Sariyah Lee Bryant can hear what people need—tangible things, like a pencil, a hair tie, a phone charger—an ability only her family and her best friend, Malcolm, know the truth about. But when she fulfills a need for her friend Deja who vanishes shortly after, Sariyah is left wondering if her ability is more curse than gift. This isn’t the first time one of her friends has landed on the missing persons list, and she’s determined not to let her become yet another forgotten Black girl. Not trusting the police and media to do enough on their own, Sariyah and her friends work together to figure out what led to Deja’s disappearance. But when Sariyah’s mother loses her job and her little brother faces complications with his sickle cell disease, managing her time, money, and emotions seems impossible. Desperate, Sariyah decides to hustle her need-sensing ability for cash—a choice that may not only lead her to Deja, but put her in the same danger Deja found herself in.

A fascinating, first of its kind exploration of Stephen King and his most iconic early books, based on groundbreaking research and interviews with King—all conducted by the first scholar to be given extended access to his private archivesAfter Caroline Bicks was named the University of Maine's inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of King's enthralled and terrified readers (including her) have asked What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.

If you find yourself driving down a winding mountain road near an endless stretch of pines, try tuning in to 104.6 the radio station that shouldn't exist. The village of Pinehaven has a secret of monstrous proportions. Evelyn McKinnon, a radio host falling on hard times, finds herself utterly unprepared when she learns that the radio station isn't just for entertainment. It's a watchtower. She's stalked by a bird with human eyes. Her new co-host won't stop singing show tunes. And when the fog rolls in, the beasts of Pinehaven Forest begin their brutal hunt. Evelyn and her friends are suddenly face-to-face with something much scarier than ravenous flesh-giants and vengeful responsibility. 'A Lonely Broadcast' is a darkly comedic tale that mixes elements of cosmic horror, gruesome gore, and a touching story about friendship, grief, and finding hope when all seems lost. It's also the story of an unhinged woman's personal war with a goddamn bird.

When a young woman clears out her deceased grandmother’s home in rural North Carolina, she finds long-hidden secrets about a strange colony of beings in the woods.When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

A page-turning, unforgettable fantasy set in a city peopled with ruffians, spies, malcontents and murderers. Experience out-of-this world adventure and dangerous politics as Maggie tries to survive waking up in her favourite fictional world. A heart-pounding epic from No. 1 New York Times bestselling author duo Ilona Andrews. When Maggie wakes up cold, filthy and naked in a gutter, it doesn’t take her long to recognize Kair Toren. It’s a city she knows intimately from the pages of a famously unfinished dark fantasy series – one she’s been obsessively reading and re-reading, while waiting years for the final novel. Her only tools for navigating this gritty world of rival warlords, magic and mayhem? Her encyclopaedic knowledge of the plot, the setting and the characters’ ambitions and fates. But while she quickly discovers she cannot be killed (though many will try!), the same cannot be said for the living, breathing characters she’s coming to love – a motley band that includes a former lady’s maid, a deadly assassin, various outrageous magical creatures and a dangerously appealing soldier. Soon, instead of trying to return home, she finds herself enmeshed in the schemes – and attentions – of duelling princes, dukes and villains. This all while trying to save them and the kingdom of Rellas from the ending she’s seen on the a cataclysmic war. This Kingdom Will Not Kill Me is the beginning of the most epic adventure yet from genre powerhouse writing duo Ilona Andrews. For fans of Samantha Shannon, Sarah J. Maas, Danielle L. Jensen and isekai portal fantasy.

A Maiden... Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers. A Duty... The entire kingdom’s future rests on Poppy’s shoulders, something she’s not even quite sure she wants for herself. Because a Maiden has a heart. And a soul. And longing. And when Hawke, a golden-eyed guard honor bound to ensure her Ascension, enters her life, destiny and duty become tangled with desire and need. He incites her anger, makes her question everything she believes in, and tempts her with the forbidden. A Kingdom... Forsaken by the gods and feared by mortals, a fallen kingdom is rising once more, determined to take back what they believe is theirs through violence and vengeance. And as the shadow of those cursed draws closer, the line between what is forbidden and what is right becomes blurred. Poppy is not only on the verge of losing her heart and being found unworthy by the gods, but also her life when every blood-soaked thread that holds her world together begins to unravel.