The Witch in the Well is a dark Norwegian thriller from Camilla Bruce, author of You Let Me In. When two former friends reunite after decades apart, their grudges, flawed ambitions, and shared obsession swirl into an all-too-real echo of a terrible town legend. Centuries ago, beautiful young Ilsbeth Clark was accused of witchcraft after several children disappeared. Her acquittal did nothing to stop her fellow townsfolk from drowning her in the well where the missing children were last seen. When author and social media influencer Elena returns to the summer paradise of her youth to get her family's manor house ready to sell, the last thing she expected was connecting with―and feeling inspired to write about―Ilsbeth’s infamous spirit. The very historical figure that her ex-childhood friend, Cathy, has been diligently researching and writing about for years. What begins as a fiercely competitive sense of ownership over Ilsbeth and her story soon turns both women’s worlds into something more haunted and dangerous than they could ever imagine.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

Rediscover the forgotten ancestors of the modern-day vampire—the most powerful of all the forms taken by the undead—in this hauntingly illustrated volume. The bloodsuckers have plagued the human mind for centuries, recalling incidents of creatures feasting on human blood. Vampires explores the imagination, stories, and culture of these bloodthirsty creatures of the night by reintroducing the very first beliefs of vampires. Learn the history of your favorite monsters, including the characteristics of all its different forms, such   Shroud Eaters Appesarts Nightmares the Stafia and more! Featuring intricate illustrations, this ghoulish handbook looks back to the folklore throughout the centuries of the undead. Find the vampires you never knew existed, and reveal the history of the undead.

A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche. Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future.  Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises. Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

Discover the history and culture of the 100 most fearsome mythical creatures to capture the human imagination in this startlingly illustrated compendium. Accompanied by illustrations of each beast, Freaky Folklore is your guide to the world’s most terrifying beings, from ancient times to today. Hosts from the leading horror podcast network, Eeriecast, present the most frightening—and entertaining—tales of these mysterious creatures, revealing everything you need to know. This beautifully creepy collection is filled with wicked monsters,   Freaky Folklore has the stories, culture, and illustrations for you to be on the lookout for these beasts. Dive into the world of mythology and find what makes each creature unique.

In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. Her relatives were shot and poisoned. And it was just the beginning, as more members of the tribe began to die under mysterious circumstances. In this last remnant of the Wild West—where oilmen such as J. P. Getty made their fortunes and where desperadoes such as Al Spencer, the “Phantom Terror,” roamed—many of those who dared to investigate the killings were themselves murdered. As the death toll climbed to more than twenty-four, the relatively new FBI took over. It was one of the organization’s first major homicide cases but the bureau badly bungled the investigation. In desperation, the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. White put together an undercover team, including an American Indian agents in the bureau. Together with the Osage they began to expose one of the most chilling conspiracies in American history. In Killers of the Flower Moon, David Grann revisits a shocking series of crimes in which dozens of people were murdered in cold blood. Based on years of research and startling new evidence, the book is a masterpiece of narrative nonfiction, as each step in the investigation reveals a series of sinister secrets and reversals. But more than that, it is a searing indictment of the callousness and prejudice toward American Indians that allowed the murderers to operate with impunity for so long. Killers of the Flower Moon is utterly compelling, but also emotionally devastating.

THE THIRD HOUSE Yuzuki is not who she claimed to be. I now know that her sister lived in the Tokyo house, but this murder mystery is far from solved. In fact, it’s only getting stranger and more disturbing. After Yuzuki tells Kurihara and me about the tragedy that occurred just a week before her sister’s disappearance, I realize there’s only one path forward—we must visit the house where her cousin was murdered.

A native Hawaiian teen travels to a luxury island resort in search of her missing twin and uncovers the dark side of paradise, in this YA supernatural thriller that's Mexican Gothic meets She is a Haunting. Lehua is a college dropout-turned-mortician's assistant from Arizona. She never thought she'd visit Hawai'i, her family's ancestral homeland, but when her estranged twin sister Ohia goes missing, Lehua tracks her to Kōpa`a, an exclusive island resort reserved for the upper one percent. Except once she arrives on the remote island, Ohia is nowhere to be found. And as Lehua begins to ask questions, the resort’s welcoming atmosphere turns sinister. She becomes convinced her sister didn't just leave—she was running from something, and now Lehua might be trapped on the island with whoever, or whatever, took her. With the help of fellow native girl Melia, Lehua will have to confront the island's bloody past and what lurks in the old plantation's cane fields… before it consumes her entirely. With lush prose, a tender sapphic romance, and gothic horror, THAT WHICH FEEDS US deftly explores the cost of paradise, for fans of Rory Power and A Love Story.

A relentless, horror-inducing psychological suspense for fans of The Push and Baby Teeth by New York Times bestselling author CG Drews. Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect. Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son? Then the one secret Elodie has been hiding is revealed, and no one is safe anymore. A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.

A relentless, horror-inducing psychological suspense for fans of The Push and Baby Teeth by New York Times bestselling author CG Drews. Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect. Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son? Then the one secret Elodie has been hiding is revealed, and no one is safe anymore. A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.

The eldest was a razor-sharp novelist of upper-class manners; the second was loved by John Betjeman; the third was a fascist who married Oswald Mosley; the fourth idolized Hitler and shot herself in the head when Britain declared war on Germany; the fifth was a member of the American Communist Party; the sixth became Duchess of Devonshire. They were the Mitford sisters: Nancy, Pamela, Diana, Unity, Jessica and Deborah. Born into country-house privilege, they became prominent as ‘bright young things’ in the high society of interwar London. Then, as the shadows crept over 1930s Europe, the stark – and very public – differences in their outlooks came to symbolise the political polarities of a dangerous decade. The intertwined stories of their lives – recounted in masterly fashion by Laura Thompson – hold up a revelatory mirror to upper-class English life before and after World War II.

The remaining members of a ghost hunting show return to the haunted manor that may have killed their friend in this atmospheric, contemporary gothic debut perfect for fans of She Is a Haunting and Delicious Monsters. In July, Georgia Perry and Jules Park—secret girlfriends, covert art thieves, and cohosts of a popular YouTube ghost hunting show—step into a haunted house to steal a priceless painting. A few short hours later, there’s a knife in Jules’s chest and Georgia is waking up in a pool of blood with no painting and no memory of how she got there. Now it’s October, and Georgia is underwater. She hasn’t been to class in weeks, and she’s avoiding her old crew—and only friends—like the plague. But when the three remaining thieves get a call from the man who paid a hefty sum to keep them out of jail, demanding that they return to finish the job, Georgia has no choice but to return to her old life. As the estranged friends scramble to steal the painting with no cover story and no leader, they quickly realize that something is very, very wrong, and it’s not just the suffocating memory of Jules or the prying eyes of their viewers. Between the strange shadows that begin to trail them and the nightmares plaguing Georgia’s sleep, only one thing is certain: something followed them home from De Lys manor, and it will do anything to keep them from going back.

A fascinating, first of its kind exploration of Stephen King and his most iconic early books, based on groundbreaking research and interviews with King—all conducted by the first scholar to be given extended access to his private archivesAfter Caroline Bicks was named the University of Maine's inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of King's enthralled and terrified readers (including her) have asked What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.