From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart. Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten. Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs. But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.

Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home. One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum. With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

From three-time Shirley Jackson, World Fantasy, and Nebula Award-winning author Elizabeth Hand comes the first-ever authorized novel to return to the world of Shirley Jackson's  The Haunting of Hill House:  a suspenseful, contemporary, and terrifying story of longing and isolation all its own.   Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play, The Witch of Edmonton, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the ornate, if crumbling, gothic mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.   Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house out for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds,  disturbing sounds echo throughout the halls, and time itself seems to shift.  All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . .   

Due to the war between East and West, Henry and Martha part ways without ever expressing their feelings for each other. Martha enlists to fight and only narrowly survives a bloody battle in Westalis. Amid the chaos of war, can she make her way back to Ostania?

Loid seized the opportunity to gather intelligence during Melinda's examination. What secret about Donovan Desmond was revealed there—!? Meanwhile, as the new semester began, Anya found herself caught up in an inter-national (?) rivalry within her subject-specific classes!?

Due to the war between East and West, Henry and Martha part ways without ever expressing their feelings for each other. Martha enlists to fight and only narrowly survives a bloody battle in Westalis. Amid the chaos of war, can she make her way back to Ostania?

A NEW YORK TIMES BESTSELLER An equal parts haunting and hilarious deep-dive review of history’s most notorious and cold-blooded serial killers, from the creators of the award-winning Last Podcast on the Left Since its first show in 2010, The Last Podcast on the Left has barreled headlong into all things horror, as hosts Henry Zebrowski, Ben Kissel, and Marcus Parks cover subjects spanning Jeffrey Dahmer, werewolves, Jonestown, and supernatural phenomena. Deeply researched but with a morbidly humorous bent, the podcast has earned a dedicated and aptly cultlike following for its unique take on all things macabre. In their first book, the guys take a deep dive into history’s most infamous serial killers, from Ted Bundy to John Wayne Gacy, exploring their origin stories, haunting habits, and perverse predilections. Featuring newly developed content alongside updated fan favorites, each profile is an exhaustive examination of the darker side of human existence. With appropriately creepy four-color illustrations throughout and a gift-worthy paper over board format,  The Last Book on the Left  will satisfy the bloodlust of readers everywhere.   

An action-packed comedy about a fake family that includes a spy, an assassin and a telepath! The midterm exams—with stella stars and tonitrus bolts on the line—are over. Has Anya’s hard work studying classical language paid off? Also, in hopes of advancing her plan B at the class gala, Anya asks Damian to be her dance partner! The midterm exams—with stella stars and tonitrus bolts on the line—are over. Has Anya’s hard work studying classical language paid off? Also, in hopes of advancing her plan B at the class gala, Anya asks Damian to be her dance partner!

Desperate for answers about her friend’s disappearance, Waka breaches the Tokyo danger zone in search of clues. Instead, she finds Tokinaga, a researcher with the Anti-God Science Institute. While Waka tries to decide if she should trust Tokinaga, he quickly realizes Waka is hiding a dangerous secret of her own—one that may just be the key to killing off the gods once and for all.