Dr. Henry Jekyll, fascinated by the dichotomy of good and evil, no longer wants to inhibit his dark side. He concocts a potion to create the alter ego of Mr. Edward Hyde. With the burden of evil placed on Hyde, Jekyll can now take pleasure in his immoral, nefarious fantasies - free of conscience and guilt. It’s when Hyde turns to murder that Jekyll realizes how monstrous his impulses are and how hard they are to suppress. Exploring the nature of shame, repression, desire, and control, Stevenson’s story has so endured that “a Jekyll and Hyde personality” has become part of our lexicon in understanding our own - sometimes involuntary - duality. AmazonClassics brings you timeless works from the masters of storytelling. Ideal for anyone who wants to read a great work for the first time or rediscover an old favorite, these new editions open the door to literature’s most unforgettable characters and beloved worlds.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

When the scientist Victor Frankenstein attempts to create life in his laboratory, he sets in motion tragic forces beyond his control and faces losing everything he loves. No reader in the grip of Mary Shelley’s novel, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the countless adaptations, imitations, and homages which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), the teenaged Shelley managed to produce English Romanticism’s finest prose fiction. This edition reproduces her original 1818 text.

Fledgling English lawyer Jonathan Harker treks into the Carpathian Mountains to complete a real estate transaction—despite the frightening warnings of the horrible dangers that await him. Harker’s client is the ancient Count Dracula, who lives in a sumptuously furnished castle—one strangely devoid of mirrors. Harker soon realizes that the Count’s interest in London is more than idle curiosity, and is woefully unprepared for the Count’s obsession with Harker’s fiancée, Mina . . .

This is the story of the making of England in the 9th and 10th centuries, the years in which King Alfred the Great, his son and grandson defeated the Danish Vikings who had invaded and occupied three of England’s four kingdoms. The story is seen through the eyes of Uhtred, a dispossessed nobleman, who is captured as a child by the Danes and then raised by them so that, by the time the Northmen begin their assault on Wessex (Alfred’s kingdom and the last territory in English hands) Uhtred almost thinks of himself as a Dane. He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea. This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England.