In the late 1800s, three sisters use witchcraft to change the course of history in Alix E. Harrow's powerful novel of magic and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters -- James Juniper, Agnes Amaranth, and Beatrice Belladonna -- join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote -- and perhaps not even to live -- the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, sapphic love, motherhood, and women's suffrage--the lost ways are calling.

In a city clinging to light during an age of darkness, all healer Ophelia wants is for a Saint to finally claim her. Since being brought to Lumendei as an orphan nearly thirty years ago, she’s worked tirelessly to prove herself worthy of the Mysteries—the sacred, magical power that only the Saints can bestow upon mortals of their choosing. When she’s tasked with caring for an injured prisoner, Ophelia sees the perfect way to prove she’s ready for her Sainting. The prisoner is none other than the Umbra Knight—the most dangerous warrior of Lumendei’s sworn enemy, the Sepulchyre. If she can save the Umbra Knight’s soul by converting her to the Church of the Host, the Saints will surely fight amongst themselves to claim Ophelia. But the disarmingly beautiful and undeniably deadly knight’s soul is in even worse shape than Ophelia feared. In fact, she insists Ophelia’s beloved God is a murderous liar and her adopted city is built on blackened bones. It’s easy to dismiss as blasphemy, at least at first. Until Lumendei’s gilded secrets begin to tumble from their hiding places and Ophelia herself uncovers a conspiracy ... then she’s forced to consider the idea that Nyatrix—otherwise known as the Umbra Knight—might be telling the truth, and that saving the alluring knight’s soul is the least of her concerns. A sapphic high fantasy for fans of The Fall That Saved Us and The Foxglove King, Holy Wrath is a standalone novel about the fierceness of queer love and two women who no longer want equality once they’ve tasted revenge.

From the author of HOLY WRATH comes an ambitious Arthurian retelling about a banished witch and a changeling knight forced to join forces if they want to survive. All Nyneve Or’Afon needs to do is prove herself to the Druid Elders. Then the young sorceress can go home—back to her magic and her studies, pursuing all the mysteries the world has to offer. But there’s a rather large obstacle in her way: the handsome and cunning Sir Mordred Pendragon, knight of the Round Table and bastard son of King Arthur. From the very first moment they meet, he’s deeply suspicious of Nyneve. After all, Mordred knows exactly what an outsider with a secret looks like. Because he is one—a faerie changeling embedded in King Arthur’s court, to be exact. And if anyone could uncover that dangerous truth, it’s the spellbinding sorceress who makes him weak in the knees … which means Mordred will do almost anything to get Nyneve out of Camelot. But as war brews, a notorious sorcerer returns and an ancient god tests the walls of his prison, Mordred and Nyneve find their similarities growing into an inconvenient attraction—and a necessary alliance if they have any chance of surviving what’s to come. Perfect for fans of MORGAN IS MY NAME and THE GUINEVERE DECEPTION, this heart-rending medieval fantasy explores conquest, religion, power, and—perhaps the deadliest of them all—relentless, unyielding love.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

In this debut gothic fantasy, the first book of an enthralling fantasy romance trilogy, a young woman who can see the dead strikes a deal with a magnetic and dangerous purveyor of dark secrets to save her brother’s life. Three years ago, Leena Al-Sayer awoke with a terrible power. She can see the dead. Since then, she has hidden herself from the world, knowing that if she ever reveals her curse she will be locked away in an asylum. When her beloved brother, Rami, falls fatally ill, Leena is faced with a terrible Let him die or buy the expensive medicine that will save his life by bartering the only valuable thing she has—her secret. The Saint of Silence, a ruthless merchant who trades in confessions and is shrouded in unearthly rumors of cruelty and power, accepts her bargain, for a deadly price. Leena must find the ghost of Percival Avon, the last lord of Weavingshaw—or lose her freedom to the Saint forever. As Leena’s search takes her and the Saint to Weavingshaw, she finds the estate and the surrounding moors to be living things—hungry for blood and sacrifice. Fighting against Weavingshaw’s might, Leena must also fight her growing pull toward the enigmatic Saint himself, whose connection to Percival Avon remains a mystery. As the house begins to entomb them, time is running out on their desperate hunt for answers. For Leena has come to see that here in Weavingshaw, the dead are not hushed—and some secrets are better left buried with them.

A propulsive, electrifying and enraging retelling of the life of Greek goddess Hekate, child of war turned all-powerful goddess of witchcraft and necromancy, by internationally bestselling poet Nikita Gill. Born into a world on fire, Godling Hekate has never known safety. After her parents are on the losing side of the war between the ruling Titans and new Olympian Gods, Hekate is taken by her mother Asteria to the Underworld, where Styx and Hades agree to raise her. Meanwhile, Asteria is pursued across the world by Zeus and Poseidon and, to escape their clutches, transforms herself into an island in a stormy sea. Orphaned and alone, Hekate grows up amongst the horrors and beauties of the Underworld, desperate to find her divine purpose and a sense of belonging in the land of the dead.  When Hekate finally uncovers her powers and ascends to Goddess status, she realises that even the most powerful Olympians are terrified of her. But when immortal war breaks out again, threatening to destroy everything from Mount Olympus to the Underworld itself, the Goddess of witchcraft and necromancy is the only one who can bring the deadly conflict to an end. . .  ADVANCE PRAISE FOR HEKATE ‘In Hekate, we are plunged into a vivid and imaginatively wrought divine world that is monstrous, magical and beautiful through the perspective of a bewildered child of war who grows up to understand and embrace her power. It's a timely and achingly resonant reflection on conflict, fear and the unbreakable bonds of family conveyed in exquisite, evocative poetry.’ – Jennifer Saint, author of Ariadne   ‘In a wholly original, incandescent take on the myth of Hekate, Nikita Gill captures the beauty, brutality and otherworldly strangeness of the ancient world like no other writer. This beautifully imagined tale of a Refugee Goddess's. . . quest to find her destiny among a kingdom of outcasts is both deeply moving and absolutely captivating. . . This poem is pure magic.’  – Elodie Harper, bestselling author of The Wolf Den trilogy  

Lucy isn’t a normal girl. Ghost. Victim. Killer. She’s a doll on a mission—to find the man who killed her and return the favor. Lucy McQuinn has been murdered, but she’s not about to go quietly. If she doesn’t get to keep breathing, then neither does Kyle, her killer. Possessing the body of an antique doll, she sets out on a quest for revenge. But it’s hard when you’re eighteen inches tall and made of porcelain. For help, she turns to Nicola, a human and fellow outsider with her own reasons to hate Kyle. But in their small idyllic town, no one wants to hear the truth, especially not about such a promising young man. If they can’t expose his crimes, Lucy will have to roll up her lacy little sleeves and teach him a lesson the old-fashioned way—as slowly and painfully as possible. From LA Times bestselling author Barbara Truelove, She’s a Doll is a ghoulish and gleeful tribute to the unstoppable power of female rage and a love letter to the friends who have our back—in this life and the next.

Mors vincit omnia. Death conquers all. London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.