Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

An enthralling sapphic retelling of Swan Lake, for fans of Allison Saft and V.E Schwab.Magic has long been outlawed in Auréal. Odile has always known she’d be the one to restore it.Raised by a sorcerer, Odile has spent years preparing for the heist of a lifetime. It’s perfectly simple. Impersonate a princess, infiltrate the palace, steal the king's enchanted crown and restore magic to the kingdom.But when the King is unexpectedly murdered, she’s forced to recruit the help of Marie d'Odette, the real princess, and the two begin to unravel a web of lies and deceit that leaves Odile uncertain of who to trust.Soon though Odile must decide – her mission or the girl she’s falling for?The fate of the Kingdom depends on her making the right choice. . .

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

Linguistics has long shied away from claiming any link between a language and the culture of its speakers. But now, acclaimed linguist Guy Deutscher has dared to reopen the issue. Can culture influence language —and vice versa? Can different languages lead their speakers to different thoughts? Could our experience of the world depend on whether our language has a word for "blue"? Challenging the consensus that the fundaments of language are hard-wired in our genes and thus universal, Deutscher argues that the answer to all these questions is—yes. In thrilling fashion, he takes us from Homer to Darwin, from Yale to the Amazon, from how to name the rainbow to why Russian water —a "she"— becomes a "he" once you dip a tea bag into her, demonstrating that language does in fact reflect culture in ways that are anything but trivial.

A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love in the start of a heartwarming and enchanting new fantasy series. Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world's first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party--or even get invited to one. And she prefers the company of her books, her dog, and the Fair Folk. So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, get in the middle of Emily's research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones--the most elusive of all faeries--lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she'll have to unlock the greatest mystery of all--her own heart.

When Paul and Julian meet as university freshmen in early 1970s Pittsburgh, they are immediately drawn to one another. A talented artist, Paul is sensitive and agonizingly insecure, incomprehensible to his working-class family, and desolate with grief over his father’s recent death.  Paul sees the wealthy, effortlessly charming Julian as his sole intellectual equal—an ally against the conventional world he finds so suffocating. He idolizes his friend for his magnetic confidence. But as charismatic as he can choose to be, Julian is also volatile and capriciously cruel. And admiration isn’t the same as trust. As their friendship spirals into an all-consuming intimacy, Paul is desperate to protect their precarious bond, even as it becomes clear that pressures from the outside world are nothing compared with the brutality they are capable of inflicting on one another. Separation is out of the question. But as their orbit compresses and their grip on one another tightens, they are drawn to an act of irrevocable violence that will force the young men to confront a shattering truth at the core of their relationship.    Exquisitely plotted, unfolding with a propulsive ferocity, These Violent Delights is a novel of escalating dread and an excavation of the unsettling depths of human desire. The Secret History meets Call Me by Your Name in Micah Nemerever's compulsively readable debut novel—a feverishly taut Hitchcockian story about two college students, each with his own troubled past, whose escalating obsession with one another leads to an act of unspeakable violence.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

Kell is one of the last Antari—magicians with a rare, coveted ability to travel between parallel Londons; Red, Grey, White, and, once upon a time, Black. Kell was raised in Arnes—Red London—and officially serves the Maresh Empire as an ambassador, traveling between the frequent bloody regime changes in White London and the court of George III in the dullest of Londons, the one without any magic left to see. Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see. It's a defiant hobby with dangerous consequences, which Kell is now seeing firsthand. After an exchange goes awry, Kell escapes to Grey London and runs into Delilah Bard, a cut-purse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure. Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they'll first need to stay alive.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things. Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road. Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend. The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.

It’s been 10 years since a group of college friends made a vow: that the first to get rich would rent a boat and invite the others on a cruise. Now, the friends find themselves marooned at a luxurious hotel on the Amalfi Coast in Italy. While their boat is being repaired, they can’t help but observe the daily routine of a fellow hotel guest - a mysterious, white-bearded stranger who sits on the veranda each night and smokes one cigarette, sometimes two. One evening, the stranger approaches their table and places a hand on the shoulder of Mark, a member of the group who recently suffered an injury to that very shoulder. In an instant, Mark’s pain miraculously evaporates. The group is stunned, eager to find out more about this stranger’s healing powers - everyone but Margot, who is suspicious of this man and reluctant to join her friends’ enthusiasm. Soon, though, even Margot finds herself enchanted by his mystical powers, and she allows Raúl to introduce her to simple pleasures like fresh fish seasoned with peppery olive oil and swimming in the sea in midafternoon light. She also allows him to tell her things about herself - testing his unnerving clairvoyance - until she realizes that they may have already met and that this is neither the beginning of their love story nor the end. Written by André Aciman and performed by Edoardo Ballerini, two master storytellers at the height of their own otherworldly powers, The Gentleman from Peru is a sultry and spellbinding tale of love, self-discovery, and past lives. Listening length: 2 hours, 39 minutes

JADE CITY is a gripping Godfather-esque saga of intergenerational blood feuds, vicious politics, magic, and kungfu. The Kaul family is one of two crime syndicates that control the island of Kekon. It's the only place in the world that produces rare magical jade, which grants those with the right training and heritage superhuman abilities. The Green Bone clans of honorable jade-wearing warriors once protected the island from foreign invasion--but nowadays, in a bustling post-war metropolis full of fast cars and foreign money, Green Bone families like the Kauls are primarily involved in commerce, construction, and the everyday upkeep of the districts under their protection. When the simmering tension between the Kauls and their greatest rivals erupts into open violence in the streets, the outcome of this clan war will determine the fate of all Green Bones and the future of Kekon itself.

Pip is not a detective anymore. With the help of Ravi Singh, she released a true-crime podcast about the murder case they solved together last year. The podcast has gone viral, yet Pip insists her investigating days are behind her. But she will have to break that promise when someone she knows goes missing. Jamie Reynolds has disappeared, on the very same night the town hosted a memorial for the sixth-year anniversary of the deaths of Andie Bell and Sal Singh. The police won't do anything about it. And if they won't look for Jamie then Pip will, uncovering more of her town's dark secrets along the way... and this time everyone is listening. But will she find him before it's too late?

It's been eighteen months since the Raxter School for Girls was put under quarantine. Since the Tox hit and pulled Hetty's life out from under her. It started slow. First the teachers died one by one. Then it began to infect the students, turning their bodies strange and foreign. Now, cut off from the rest of the world and left to fend for themselves on their island home, the girls don't dare wander outside the school's fence, where the Tox has made the woods wild and dangerous. They wait for the cure they were promised as the Tox seeps into everything. But when Byatt goes missing, Hetty will do anything to find her, even if it means breaking quarantine and braving the horrors that lie beyond the fence. And when she does, Hetty learns that there's more to their story, to their life at Raxter, than she could have ever thought true.