From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes Hemlock & Silver, a dark reimagining of “Snow White” steeped in poison, intrigue, and treason of the most magical kind. Healer Anja knows little of politics but much of poisons. When she is summoned to treat the mysterious illness afflicting the king’s daughter, she finds herself against the clock, desperate to track down the source of the poison killing Princess Snow. But the chance discovery of a strange alternate world inside a magic mirror leads Anja to darker discoveries, including what really happened to Snow’s dead sister, Rose, and why their mother seemingly went mad and cut out her heart. Aided by a taciturn bodyguard, a narcissistic cat, and a late Renaissance understanding of the scientific method, Anja must navigate the mysteries of the mirror world before the dark queen that dwells within rises to threaten them all.