This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma. In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all. Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other? Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now. Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

A hilarious and painfully relatable debut novel about one woman’s messy search for joy and meaning in the wake of an unexpected breakup, from comedian, essayist, and award-winning screenwriter Monica Heisey Maggie is fine. She’s doing really good, actually. Sure, she’s broke, her graduate thesis on something obscure is going nowhere, and her marriage only lasted 608 days, but at the ripe old age of twenty-nine, Maggie is determined to embrace her new life as a Surprisingly Young Divorcée™. Now she has time to take up nine hobbies, eat hamburgers at 4 am, and “get back out there” sex-wise. With the support of her tough-loving academic advisor, Merris; her newly divorced friend, Amy; and her group chat (naturally), Maggie barrels through her first year of single life, intermittently dating, occasionally waking up on the floor and asking herself tough questions along the way. Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call “happiness”. This is a remarkable debut from an unforgettable new voice in fiction.

Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She’s even started to feel like she knows the people who live in one of the houses. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. If only Rachel could be that happy. And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Now Rachel has a chance to become a part of the lives she’s only watched from afar. Now they’ll see; she’s much more than just the girl on the train... An alternative cover edition for this ISBN can be found here.

An unexpected quest. Two worlds at stake. Are you ready? Days after winning Oasis founder James Halliday's contest, Wade Watts makes a discovery that changes everything. Hidden within Halliday's vaults, waiting for his heir to find, lies a technological advancement that will once again change the world and make the Oasis a thousand times more wondrous—and addictive—than even Wade dreamed possible. With it comes a new riddle, and a new quest—a last Easter egg from Halliday, hinting at a mysterious prize. And an unexpected, impossibly powerful, and dangerous new rival awaits, one who'll kill millions to get what he wants. Wade's life and the future of the Oasis are again at stake, but this time the fate of humanity also hangs in the balance. Lovingly nostalgic and wildly original as only Ernest Cline could conceive it, Ready Player Two takes us on another imaginative, fun, action-packed adventure through his beloved virtual universe, and jolts us thrillingly into the future once again.

Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

Throughout human history, certain drinks have done much more than just quench thirst. As Tom Standage relates with authority and charm, six of them have had a surprisingly pervasive influence on the course of history, becoming the defining drink during a pivotal historical period. A History of the World in 6 Glasses tells the story of humanity from the Stone Age to the 21st century through the lens of beer, wine, spirits, coffee, tea, and cola. Beer was first made in the Fertile Crescent and by 3000 B.C.E. was so important to Mesopotamia and Egypt that it was used to pay wages. In ancient Greece wine became the main export of her vast seaborne trade, helping spread Greek culture abroad. Spirits such as brandy and rum fueled the Age of Exploration, fortifying seamen on long voyages and oiling the pernicious slave trade. Although coffee originated in the Arab world, it stoked revolutionary thought in Europe during the Age of Reason, when coffeehouses became centers of intellectual exchange. And hundreds of years after the Chinese began drinking tea, it became especially popular in Britain, with far-reaching effects on British foreign policy. Finally, though carbonated drinks were invented in 18th-century Europe they became a 20th-century phenomenon, and Coca-Cola in particular is the leading symbol of globalization.For Tom Standage, each drink is a kind of technology, a catalyst for advancing culture by which he demonstrates the intricate interplay of different civilizations. You may never look at your favorite drink the same way again.

In Russia's struggle with Napoleon, Tolstoy saw a tragedy that involved all mankind. War and Peace broadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both men. As Napoleon’s army invades, Tolstoy brilliantly follows characters from diverse backgrounds—peasants and nobility, civilians and soldiers—as they struggle with the problems unique to their era, their history, and their culture. And as the novel progresses, these characters transcend their specificity, becoming some of the most moving—and human—figures in world literature. Tolstoy gave his personal approval to this translation, published here in a new single volume edition, which includes an introduction by Henry Gifford, and Tolstoy's important essay `Some Words about War and Peace'.

You go through life thinking there’s so much you need… Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.

What would you change if you could go back in time? In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time. In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know. But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . . Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

A magnetic, stirring debut novel about an adrift young woman whose growing fascination with her boyfriend’s cat ushers her into the possibilities of her own life—but not without first threatening to unravel it. Katie is far from home and fresh out of college, desperate to skirt adulthood’s demands, and all too willing to let her wealthy boyfriend James make decisions for them both. It doesn’t help that she’s no longer speaking to her mother. Or that her roommate has abruptly moved out of their New York City apartment. But when James takes Katie on vacation to his family’s seaside house, he brings Silver, his childhood cat, and Katie discovers a sudden, strange, and giddy sense of connection. Silver doesn’t mind that Katie can’t seem to get a job, hold her own at dinner parties, or make amends with her mother. Silver, who gets to lie around all day, misbehave spectacularly, be cute, gross, and still get fed, seems to have the life Katie increasingly longs for. Soon enough, they’re inseparable, and something inside Katie begins to crack open, or maybe just…crack. Because if Katie has learned anything from her estranged mother, it’s that devotion comes at a price. As Katie’s affection for Silver deepens, all of her other relationships begin to falter. Soon, Katie must confront what it is she desires from her life, and what she might have to risk to get it. Both darkly playful and unexpectedly heartfelt, this debut from a major new voice in fiction is a timeless reckoning with the uncertainty of becoming a person in a world that is as disorienting as it is full of hope and promise.

From the critically-acclaimed author of the Outline trilogy, an irresistible novel of fame, power, beauty and truth -- and a blazing renovation of the form. A little while ago, I told the actor M that I was thinking of writing her autobiography. She liked the idea. She's a good sport. Would you just make it up? she said.The film star M is one of the most recognizable faces of our time. Her image is everywhere. It has been like that since she was a child.With such fame, her life has the appearance of people are instantly obliging, spaces are altered to accommodate her, time can be rearranged. M may live in the same places as real people. She may meet her friends or collect her children from school or walk her dogs as they do. But it seems the rules of reality have melted away.Now, a writer has decided to pay close attention to M's life, in the hope of understanding who she really is. It is hard not to feel ugly next to M, hard not to feel insignificant. But what truths-about the very experience of living-might this proximity allow the writer to briefly capture? Is M to play a character in the book, or is it the writer who is acting the role of M?In this astonishing, explosive novel, Rachel Cusk hunts for the nature of truth without ever swerving away into self-deceptions. She investigates who we are, and pretend to be, at this late stage of modern life when we are hypnotized, more and more effectively, by the images we see everywhere. She shows us that the real value of life might lie not in beauty but in ugliness; in having a self that has survived the violence of the world. Life of M is a beautiful piece of music, audible in a world of noise and spectacle.

From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Sylvia Moreno Garcia and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way. In this “thrilling, literate, scary, [and] immersive” (Stephen King) tale, Jones blends his signature storytelling style with a haunting narrative that masterfully intertwines revenge, cultural identity, and tradition.

Final Destination meets The Cabin at the End of the World in this supernatural horror from New York Times bestselling author Kelley Armstrong, in which a series of car accidents traps a group of strangers at a dive bar. A forested road at night, slick from the pounding rain and eerily illuminated by flashes of lightning. Just before midnight, a car swerves to avoid something—or someone—mysteriously standing in the road, only to slam into a fallen tree instead. In the pitch black, four more cars follow in a pileup no one can seem avoid. Stumbling out of the wreckage, soaked from the rain and nursing various injuries, five strangers find themselves in a backwoods dive bar, waiting for daybreak and hoping for cell service. But as tensions rise and the storm rages on outside, the occupants of the dive bar start to notice that not everything is as it seems. Time is moving differently, and they quickly learn that going outside—whether to assist another accident victim or to hike for help—is a very bad idea. There’s something in the woods, something that isn't natural. Could the figure in the road have been a warning? Or something more sinister? None of this is normal, and they'll need to work together to figure out what’s happening if they have any hope of surviving through the night.

A young family moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.