From USA Today bestselling author Rina Kent comes a new STANDALONE enemies-to-lovers college romance. I’m trapped by the devil. What started as an innocent mistake turned into actual hell. In my defense, I didn’t mean to get involved with a mafia prince. But he barged through my defenses anyway. He stalked me from the shadows and stole me from the life I know. Jeremy Volkov might appear charming, but a true predator lurks inside. He’s out to possess, own, and keep me. But I have no plans to stick around in his blood-soaked world. Or so I think. This book is a dark unconventional romance and contains themes that aren't to everyone's liking. Please check the author's note for content warnings before reading.

The Jacksonville Rays go international when their Swedish star forward and the team’s physical therapist have to stage a very real fake marriage in this delicious slow burn, spicy MM, workplace hockey romance from viral sensation Emily Rath! My name is Teddy O’Connor, and I just made a terrible mistake. It’s been six years since I was an intern for the Jacksonville Rays NHL team. Six years since I wrapped ice packs on knees and played Mario Kart on chartered planes. And six long years since I first met him. Henrik Karlsson, star forward of the Rays . . . and king of my heart. Oh god, I’ve got to get over this crush! I’m a doctor now, a respected professional. And Henrik doesn’t even know I exist. So you tell me why I’m risking everything to follow this man halfway around the world! After receiving news of his sister’s tragic death, Henrik must fly to Sweden to retrieve his injured, grieving young niece. But with a new hockey season about to start, Henrik can’t possibly care for her alone. In fact, the Swedish government won’t let him. He needs me. They both do. I’d be heartless not to help—right? Well, that’s what I told myself last week as I signed our Swedish marriage license. It’s what I told myself yesterday as I moved into his apartment. And it’s what I’m telling myself now as the Rays PR Director stares us down. They want this marriage to look real. The team’s public image, our jobs, and Henrik’s custody agreement all depend on it. But my problem isn’t that I don’t love my fake husband. God help me, my problem is that I do.

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

Drawing on Maggie O'Farrell's long-term fascination with the little-known story behind Shakespeare's most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child. Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history. A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.