Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it. Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is. Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol, and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention… Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

'There is a twilight zone between illness and health, and that ' s where I dwell' An ache, a pain, a mysterious lump, a strange sensation in some part of your body, the feeling that something is not right. The fear that something is, in fact, very wrong. These could be symptoms of illness. But they could also be the symptoms of hypochondria - an enigmatic condition that might be physiological or psychological or both. In this landmark book, Caroline Crampton tells the story of hypochondria, beginning in the age of Hippocrates and taking us right through to the wellness industry today. Along the way, we encounter successive generations of doctors positing new theories, as well as quacks selling spurious cure-alls to the desperate. And we meet those who have suffered with conditions both real and imagined, including Moliere, Darwin, Woolf, Freud, Larkin, and Proust whose symptoms and sensitivities gradually narrowed his life to the space of his cork-lined bedroom. Crampton also examines the gendered nature of the medical response, the financial and social factors at play, and the ways in which modern technology simultaneously feeds our fears and holds out the promise of relief. Drawing on Crampton's own experience of surviving a life-threatening disease only to find herself beset by almost constant anxiety about her health, A Body Made of Glass explores part of the landscape of illness that most memoirs don't the territory beyond survival or cure, where body and mind seem locked in a strange and exhausting kind of dance. The result is both a fascinating cultural history of hypochondria and a moving account of what it means to live with this invisible, illusive and increasingly wide-spread condition.