In this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues’ private emails and DMs and decides to use this intel to save her job—a laugh-till-you-cry debut novel you’ll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine. As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text colour to white so no one can see. That is, until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions. When an IT mix-up grants her access to her entire department’s private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss’s favour, convince HR she’s Supershops material and beat out the competition. But as Jolene is drawn further into her coworker’s private worlds and secrets, her carefully constructed walls begin to crumble—especially around Cliff, who she definitely cannot have feelings for. Soon she will need to decide if she’s ready to leave the comfort of her cubicle, even if it means coming clean to her colleagues. Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes with it.

On the wheel of fortune, who will emerge on top... and who will die? When Ann Stilwell arrives in New York City, she hopes to spend her summer working as a curatorial associate at the Metropolitan Museum of Art. Instead, she finds herself assigned to The Cloisters, a gothic museum and garden renowned for its collection of medieval and Renaissance art. There she is drawn into a small circle of charismatic but enigmatic researchers, including Patrick Roland, the museum's mercurial curator who specializes in the history of tarot; Rachel Mondray, Patrick's beautiful curatorial associate and sometime muse; and Leo Bitburg, the gardener who nurtures the museum's precious collection of medicinal and poison plants. Relieved to have left her troubled past in rural Washington behind her, Ann longs for the approbation of her colleagues and peers and is happy to indulge their more outlandish theories, only to find that their fascination with fortune-telling runs deeper than academic obsession. Patrick is determined to prove that ancient divination holds the key to the foretelling of the future. And when Ann stumbles across a breakthrough in the form of a mysterious and previously-believed lost deck of 15th-century Italian tarot cards, she finds herself at the centre of a dangerous game of power, toxic friendship and ambition. Then there is an unexpected and devastating death, and suddenly everyone becomes a suspect. As the game being played within the Cloisters spirals out of control, Ann must decide if the tarot cards can not only teach her about the past, but also about her future.

Romance, luxury, and secrets abound in this thrilling new collection that take readers deeper into the world of the #1 bestselling Inheritance Games series There is nothing frivolous about the way a Hawthorne man loves. An amnesiac playboy and the woman with every reason to hate him. A daredevil, his favorite heiress, and three nights in Prague. An unlikely pairing between a cowboy and a goth. Four brothers with an inescapable bond, strengthened by the family they chose, in a house of wonders that promises to always deliver one more secret. Discover their stories of love and loss, power, puzzles, and life-and-death secrets in this mind-blowingly romantic collection that proves that when you love the way Hawthornes love, there is no going back. This collection includes: That Night in Prague (novella) The Same Backward as Forward (novella) The Cowboy and the Goth Five Times Xander Tackled Someone (and One Time He Didn't) One Hawthorne Night* What Happens in the Treehouse* $3CR3T $@NT@ Pain at the Right Gun *previously published in limited release

Alternate cover edition of ISBN 9780060937751. Who killed Maurizio Gucci? Discover the sensational true story of murder, madness, glamour, and greed that shook the Gucci dynasty–and inspired the blockbuster film. On the morning of March 27, 1995, four quick shots cracked through Milan’s elegant streets. Maurizio Gucci, heir to the fabulous fashion dynasty, had been ambushed, slain on the steps to his office by an unknown gunman. Two years later, Milan’s chief of police entered the sumptuous palazzo of Maurizio’s ex-wife, Patrizia Reggiani—nicknamed “the Black Widow” by the press—and arrested her for the murder. Did Patrizia kill her ex-husband because his spending was wildly out of control? Did she do it because he was preparing to marry his mistress? Or is it possible Patrizia didn’t do it at all? The Gucci story is one of glitz, glamour, and intrigue—a chronicle of the rise, near fall, and subsequent resurgence of a fashion dynasty. Beautifully written, impeccably researched, and widely acclaimed, The House of Gucci is a page-turning account of high fashion, high finance, and heartrending personal tragedy.

Alternate Cover/publisher Edition ISBN 0743482832 (ISBN13: 9780743482837) Each edition includes: • Freshly edited text based on the best early printed version of the play • Full explanatory notes conveniently placed on pages facing the text of the play • Scene-by-scene plot summaries • A key to famous lines and phrases • An introduction to reading Shakespeare's language • An essay by an outstanding scholar providing a modern perspective on the play • Illustrations from the Folger Shakespeare Library's vast holdings of rare books

Vampires and vaqueros face off on the Texas-Mexico border in this supernatural western from the author of The Hacienda. As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters—her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead. Something that once attacked Nena nine years ago. Believing Nena dead, Néstor has been on the run from his grief ever since, moving from ranch to ranch working as a vaquero. But no amount of drink can dispel the night terrors of sharp teeth; no woman can erase his childhood sweetheart from his mind. When the United States attacks Mexico in 1846, the two are brought abruptly together on the road to war: Nena as a curandera, a healer striving to prove her worth to her father so that he does not marry her off to a stranger, and Néstor as a member of the auxiliary cavalry of ranchers and vaqueros. But the shock of their reunion—and Nena’s rage at Néstor for seemingly abandoning her long ago—is quickly overshadowed by the appearance of a nightmare made flesh. And unless Nena and Néstor work through their past and face the future together, neither will survive to see the dawn.

Co-winner of the 2022 Novel Prize, Tell is an exuberant, intensely fluid, and probing examination of the ways in which we make stories of our own and of other people’s lives A novel of intense, flickering intelligence, Tell  is structured as a series of interviews with a woman who worked as a gardener for a wealthy businessman and art collector who has mysteriously disappeared, and may or may not have committed suicide. What might be a gloomy subject is instead alluring, lit from within by a lively deep knowledge of human Buckley's eye for motivations brings to mind a Thomas Hardy for our atomized 21st-century. A thrilling novel of strange, intoxicating immediacy, Tell  carries the pleasures of exciting new gossip enjoyed with a rare old cognac by a crackling fire.  Calling his work “captivating,” John Banville has “Why isn’t Jonathan Buckley better known?”

Alternate cover edition of ISBN 9780060937751. Who killed Maurizio Gucci? Discover the sensational true story of murder, madness, glamour, and greed that shook the Gucci dynasty–and inspired the blockbuster film. On the morning of March 27, 1995, four quick shots cracked through Milan’s elegant streets. Maurizio Gucci, heir to the fabulous fashion dynasty, had been ambushed, slain on the steps to his office by an unknown gunman. Two years later, Milan’s chief of police entered the sumptuous palazzo of Maurizio’s ex-wife, Patrizia Reggiani—nicknamed “the Black Widow” by the press—and arrested her for the murder. Did Patrizia kill her ex-husband because his spending was wildly out of control? Did she do it because he was preparing to marry his mistress? Or is it possible Patrizia didn’t do it at all? The Gucci story is one of glitz, glamour, and intrigue—a chronicle of the rise, near fall, and subsequent resurgence of a fashion dynasty. Beautifully written, impeccably researched, and widely acclaimed, The House of Gucci is a page-turning account of high fashion, high finance, and heartrending personal tragedy.

The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams’ essay “The World I Live In.” It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams’ A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.

White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, it is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.

As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes.

No one’s ever told Eleanor that life should be better than fine Meet Eleanor Oliphant: she struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living. Ultimately, it is Raymond’s big heart that will help Eleanor find the way to repair her own profoundly damaged one. If she does, she'll learn that she, too, is capable of finding friendship—and even love—after all. Smart, warm, uplifting, Eleanor Oliphant Is Completely Fine is the story of an out-of-the-ordinary heroine whose deadpan weirdness and unconscious wit make for an irresistible journey as she realizes. . . the only way to survive is to open your heart.