The Cruel Prince meets Ninth House in this dangerously romantic dark academia fantasy, where a lost heiress must infiltrate an arcane society and live with the vampire she suspects killed her family and kidnapped her sister. It began long before my time, but something has always hunted our family. Orphaned heiress Kidan Adane grew up far from the arcane society she was born into, where human bloodlines gain power through vampire companionship. When her sister, June, disappears, Kidan is convinced a vampire stole her—the very vampire bound to their family, the cruel yet captivating Susenyos Sagad. To find June, Kidan must infiltrate the elite Uxlay University—where students study to ensure peaceful coexistence between humans and vampires and inherit their family legacies. Kidan must survive living with Susenyos—even as he does everything he can to drive her away. It doesn’t matter that Susenyos’s wickedness speaks to Kidan’s own violent nature and tempts her to surrender to a life of darkness. She must find her sister and kill Susenyos at all costs. When a murder mirroring June’s disappearance shakes Uxlay, Kidan sinks further into the ruthless underworld of vampires, risking her very soul. There she discovers a centuries-old threat—and June could be at the center of it. To save her sister, Kidan must bring Uxlay to its knees and either break free from the horrors of her own actions or embrace the dark entanglements of love—and the blood it requires.

A princess desperate to win back the prince who broke her heart follows him to his kingdom's prestigious military academy – and in doing so, falls in love, saves the realm, and continues to look fabulous, in this romantic debut fantasy. Prince Domhnall and Princess Clía are a perfect royal match – or so everyone says. Until Domhnall ruins everything by refusing to propose. Heartbroken but determined, Clía makes the perfect plan: Follow Domhnall to Caisleán Cósta, the military academy he’s attending. Show she can protect her kingdom. Secure the betrothal. Sure, the castle has a brutal reputation. But how hard can dueling really be? Warrior Ronan promised himself he’d never lose his focus. He fought and sacrificed for his place at Caisleán Cósta, and he has no time for blonde princesses who waltz intro arenas like they’re attending a ball. Even if she and her otter-like pet are…well, cute. He doesn’t want to be intrigued by Clía. But her hunger to prove herself is something he understands. He tells himself there’s no harm training her. Even if his heart does race around her. Even if Domhnall is his best friend. But as they say, love is a battlefield – and unfortunately for them all, a very real war is looming on the horizon. It’s a fight that will threaten all their kingdoms…and test all their hearts.

"When a Coast Indian consents to tell you a legend he will, without variation, begin it with, 'It was before the white people came.' The natural thing for you then to ask is, 'But who were here then?' He will reply, 'Indians, and just the trees, and animals, and fishes, and a few birds.'" With a tinge of superstition and an underlying lesson that every tale wants to convey, Johnson captures her peoples' beliefs: the importance of companionship and family bonds, the extraordinary gift of parenthood and never to be forgotten eulogies about brave warriors. Even though their world is gone, these stories keep the legends alive. All you need to do is let your heart believe in something that your mind might take some time to embrace. Emily Pauline Johnson (1861-1913), also known by her Mohawk name Tekahionwake (literally: 'double-life'), had a major impact on Canadian as well as Native American literature. Her English mother and her Mohawk father raised her in both their cultures equally which influenced her own literary works and are essential for her far-reaching success.

In the wake of China's invasion of Tibet throughout the 1950s, Lhamo and her younger sister, Tenkyi, arrive at a refugee camp in Nepal. They survived the dangerous journey across the Himalayas, but their parents did not. As Lhamo-haunted by the loss of her homeland and her mother, a village oracle-tries to rebuild a life amid a shattered community, hope arrives in the form of a young man named Samphel and his uncle, who brings with him the ancient statue of the Nameless Saint-a relic known to vanish and reappear in times of need. Decades later, the sisters are separated, and Tenkyi is living with Lhamo's daughter, Dolma, in Toronto. While Tenkyi works as a cleaner and struggles with traumatic memories, Dolma vies for a place as a scholar of Tibetan Studies. But when Dolma comes across the Nameless Saint in a collector's vault, she must decide what she is willing to do for her community, even if it means risking her dreams. Breathtaking in its scope and powerful in its intimacy, We Measure the Earth with Our Bodies is a gorgeously written meditation on colonization, displacement, and the lengths we'll go to remain connected to our families and ancestral lands. Told through the lives of four people over fifty years, this novel provides a nuanced, moving portrait of the little-known world of Tibetan exiles.

Kitchen juxtaposes two tales about mothers, transsexuality, bereavement, kitchens, love and tragedy in contemporary Japan. It is a startlingly original first work by Japan's brightest young literary star and is now a cult film. When Kitchen was first published in Japan in 1987 it won two of Japan's most prestigious literary prizes, climbed its way to the top of the bestseller lists, then remained there for over a year and sold millions of copies. Banana Yoshimoto was hailed as a young writer of great talent and great passion whose work has quickly earned a place among the best of modern literature, and has been described as 'the voice of young Japan' by the Independent on Sunday.

In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.