A sharp and timely book about the dark art of manipulation through weaponized storytelling Best-selling author Annalee Newitz traces the way disinformation, propaganda, and violent threats—the essential tool kit for psychological warfare—have evolved from military weapons used against foreign adversaries into tools used in domestic culture wars. Newitz delves into America’s deep-rooted history with psychological operations, beginning with Benjamin Franklin’s Revolutionary War–era fake newspaper and reaching its apotheosis with disinformation during twenty-first–century elections. The nation’s secret weapon has long been coercive storytelling, fashioned by operatives who drew on their experiences in the ad industry and as science-fiction writers. Now, through a weapons-transfer program long unacknowledged, it has found its way into the hands of culture warriors, in conflicts from school-board fights over LGBTQ+ students to campaigns against feminist viewpoints. Stories Are Weapons delivers a powerful counter-narrative, as Newitz highlights the process of psychological disarmament, speaking with Indigenous archivists preserving their histories in new ways, activist storytellers, and technology experts transforming social media.

Unbearably tense, utterly propulsive, and studded with folklore and horror, Something in the Walls is perfect for anyone who loves Midsommar and The Haunting of Hill House. Newly-minted child psychologist Mina has little experience. In a field where the first people called are experts, she’s been unable to get her feet wet. Instead she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain, and anxiously contemplating her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother’s death from years ago. That is, until she meets journalist Sam Hunter at the grief group one day. And he has a proposition for her. Alice Webber is a thirteen year old girl who claims she’s being haunted by a witch. Living with her family in their crowded home in the remote village of Banathel, Alice’s symptoms are increasingly disturbing, and money is tight. Taking this job will give Mina some experience; Sam will get the scoop of a lifetime; and Alice will get better, Mina is sure of it. But instead of improving, Alice’s behavior becomes increasingly inexplicable and intense. The town of Banathel has a deep history of superstition and witchcraft. They believe there is evil in the world. They believe there are ways of…dealing with it. And they don’t expect outsiders to understand. As Mina races to uncover the truth behind Alice’s condition, the dark cracks of Banathel begin to show. Mina is desperate to understand how deep their sinister traditions go–and how her own past may be the biggest threat of all.

From the award-winning author of The Bride at Sea comes this visceral tale of feminine rage and magical realism as Layla learns the very human pains of growing up and realizing the world isn't as safe a place as it should be. A man's body is found viciously murdered behind a neighborhood's corner store, sending shockwaves through the tight-knit community in this small-town neighborhood. All the victim's family and bystanders want is to make sense of this brutal crime and move on with their lives. But all seven-year-old Layla wants is a pet donkey. To her, a donkey is the epitome of freedom and being self-sufficient—to think for herself, go anywhere by herself and live an independent life. As the killings continue, Layla's world unravels. Rumors start to fly of supposed hoofprints and a woman with hair like black silk. As the ambiguous messages in lipstick and sweet smell of perfume cause the finger of blame to point towards the women, Layla herself grows into a woman. The kind of woman she has always dreamt of becoming—a woman with sharp instincts. A woman who cannot be tamed.The night is not for you. It has always belonged to her.

Unbearably tense, utterly propulsive, and studded with folklore and horror, Something in the Walls is perfect for anyone who loves Midsommar and The Haunting of Hill House. Newly-minted child psychologist Mina has little experience. In a field where the first people called are experts, she’s been unable to get her feet wet. Instead she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain, and anxiously contemplating her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother’s death from years ago. That is, until she meets journalist Sam Hunter at the grief group one day. And he has a proposition for her. Alice Webber is a thirteen year old girl who claims she’s being haunted by a witch. Living with her family in their crowded home in the remote village of Banathel, Alice’s symptoms are increasingly disturbing, and money is tight. Taking this job will give Mina some experience; Sam will get the scoop of a lifetime; and Alice will get better, Mina is sure of it. But instead of improving, Alice’s behavior becomes increasingly inexplicable and intense. The town of Banathel has a deep history of superstition and witchcraft. They believe there is evil in the world. They believe there are ways of…dealing with it. And they don’t expect outsiders to understand. As Mina races to uncover the truth behind Alice’s condition, the dark cracks of Banathel begin to show. Mina is desperate to understand how deep their sinister traditions go–and how her own past may be the biggest threat of all.

Yuletide cheer is served with a double dose of horror in Kevin Johnson’s gripping debut, in which a young reporter follows a string of disappearances into the middle of a terrifying Christmas cult inspired by our favorite holiday classics. You better watch out. You better not cry. It’s Christmas in the village of Yule, Maine. In fact, it’s always Christmas in Yule. Here, Santa Claus isn’t a storybook figure. He’s an icon. A god. The villagers don’t just believe in him—they worship him. And the world is better for it. Halley Belanger hates Christmas, and she doesn’t have much love for Santa either. But when a string of child disappearances across Maine seems to spare only the village of Yule, Halley—a sharp, skeptical reporter—decides to investigate. What she finds is a town that guards its secrets with gingerbread smiles and a snow globe sheen. Outsiders aren’t welcome. She isn’t welcome. And something sinister is keeping the Christmas spirit alive. As Halley digs deeper, she begins to uncover the horrifying truth behind Yule’s eternal cheer. Christmas comes at a grisly cost. And Santa Claus is no saint.

This humorous, heart-pounding, feminist slasher takes on misogynist social pressures with one former scream queen as she is pursued by a serial killer impersonating the antagonist of her films. Former scream queen Barbra Jacobs desperately wants to break out of the box Hollywood has neatly packaged her in. Cast as the star of the Mirror horror franchise films twenty years ago, the breakout role that shaped her career has also destroyed her dreams of being taken seriously as an actress. Now forty, and still seeking the approval of everyone around her, she makes ends meet by signing old photos of herself and doing meet and greets at horror conventions. So when a producer calls asking her host The Monsters We Made, a hot new horror docuseries, she sees it as a step in the right direction. But when fans begin dying around her—and in ways that mimic the kills in her films—Barb is thrust back into a role she can’t seem to walk away The Final Girl. Will she ever break out of the display-box-life she’s been imprisoned in, or will Mirror Man end it all in Barbie’s Scream House?

Alma Figueroa, recently furloughed from her job as a paralegal and still trying to find her footing after a divorce, is driving home one night when a girl dressed in white appears out of nowhere. Afraid that the girl is injured, Alma takes her to the hospital. The girl is unharmed, but won’t speak and has no identification. Alma is determined to help her, but then the girl disappears without a trace. She is not the only girl in white to be seen. Reports come in of girls appearing in the snow, in the woods, and in the middle of roads. And while none of their faces match the photos on the missing persons posters scattered all over town, evidence of neglect echoes in their unwavering silence. As Alma starts to investigate, she soon uncovers something larger, something the town has been actively ignoring, that just might connect back to her sister Kayla’s death when they were in high school. When another girl from town goes missing, Alma must figure out what the girls in white are trying to tell her before it is too late. Clear Water unfolds over three timelines, moving between the present-day appearance of the girls in white, Alma’s return to the small town several years earlier, and the teenage years in which her sister Kayla gets pulled into addiction. With a haunting quality, a literary feel, and elements of mystery and noir, this lush and lyrical book is a poignant story about sisters, secrets, grief, and what it means when the people in authority continue to overlook the most vulnerable in their community.

Weeks before her retirement, a lonely small-town detective discovers that she is not alone in believing the worst about people—someone or something is exacting terrible vengeance on humanity at a scale she would never have imagined. Detective Andy Cooper is less than two weeks away from retiring, and she’s not looking for any new cases. But while kayaking out on Lake Longdan on her day off, she comes across a grisly, decomposing body. Her last days with the Longdan Police suddenly become more memorable than she ever wanted, and fate has an additional surprise to throw her a budding friendship with a mysterious woman. As Andy proceeds with what she thinks is her final homicide investigation, what she discovers could be the unraveling of the world as she knows it. Eco-horror meets the detective novel in this suspenseful tale, perfect for fans of T. Kingfisher, Paul Tremblay, Laurel Hightower, and Kealan Patrick Burke.

Alexander von Humboldt (1769-1859) was the most famous scientist of his age, a visionary German naturalist and polymath whose discoveries forever changed the way we understand the natural world. Among his most revolutionary ideas was a radical conception of nature as a complex and interconnected global force that does not exist for the use of humankind alone. In North America, Humboldt’s name still graces towns, counties, parks, bays, lakes, mountains, and a river. And yet the man has been all but forgotten. In this illuminating biography, Andrea Wulf brings Humboldt’s extraordinary life back into focus: his prediction of human-induced climate change; his daring expeditions to the highest peaks of South America and to the anthrax-infected steppes of Siberia; his relationships with iconic figures, including Simón Bolívar and Thomas Jefferson; and the lasting influence of his writings on Darwin, Wordsworth, Goethe, Muir, Thoreau, and many others. Brilliantly researched and stunningly written, The Invention of Nature reveals the myriad ways in which Humboldt’s ideas form the foundation of modern environmentalism—and reminds us why they are as prescient and vital as ever.