In this volume, Jarlath Killeen provides a detailed and accessible introduction to the gothic literature of the nineteenth century. Examining how themes and trends associated with early gothic novels were diffused in many different genres throughout the Victorian period—including the ghost story, the detective story, and the adventure story— History of the Gothic pays particular attention to how the gothic attempted to resolve the psychological and theological problems introduced with the modernization and secularization of British society, as well as the relationship between the child and horror.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

NEW YORK TIMES BESTSELLER Begin your very own food journey through the centuries and around the world with the first cookbook from the beloved YouTube channel Tasting History with Max Miller. What began as a passion project when Max Miller was furloughed during Covid-19 has become a viral YouTube sensation. The Tasting History with Max Miller channel has thrilled food enthusiasts and history buffs alike as Miller recreates a dish from the past, often using historical recipes from vintage texts, but updated for modern kitchens as he tells stories behind the cuisine and culture. From ancient Rome to Ming China to medieval Europe and beyond, Miller has collected the best-loved recipes from around the world and has shared them with his fans. Now, with beautiful photographs portraying the dishes and historical artwork throughout, Tasting History compiles over sixty dishes such -Tuh’ a red beet stew with leeks dating back to 1740 BC - deep-fried cheese balls with honey and poppy seeds -Soul yeasted buns with currants from circa 1600 -Pumpkin a crustless pumpkin cheesecake with cinnamon and sugar on top from 1570 -And much more. Including the original recipe and Miller’s modern recreation, this cookbook is a must-have for any avid cook or history fan looking to experience delicious recipes from the past.

As bombs rained down on Gaza in October 2023, images of mass death and destruction gripped the world, and openly genocidal statements from Israeli leaders foretold the magnitude of horrors to come. But the US media was quick to downplay, obscure, and repackage an emerging campaign of extermination into a slick “war on terror” framework.  How to Sell a Genocide is a thorough indictment of US corporate media's role in enabling—and, at times, directly inciting—one of the most devastating campaigns of mass killing in modern memory. Johnson unpacks how major news outlets like The New York Times, CNN, and MSNBC systematically sanitised Israel's war crimes, hid the US’s central role, and dehumanised the Palestinian people. Drawing from deep, original data-driven analysis, Johnson dissects the mechanics of propaganda, from the selective empathy, strategic omissions, overt racism and repetition of state-sanctioned falsehoods, to the demonisation of humanitarian workers and dishonest coverage of campus protests. With clarity and moral force, Johnson argues that the genocide could not have been sustained without the active, sustained complicity of the US media.

A fiery heroine seeks vengeance against a royal court of deadly vampires in this epic alternate history set in lavish Versailles. Louis XIV transformed from the Sun King into the King of Shadows when he embraced immortality and became the world’s first vampire. For the last three centuries, he has been ruling the kingdom from the decadent Court of Shadows in Versailles, demanding the blood of his subjects to sate his nobles’ thirst and maintain their loyalty. In the heart of rural France, commoner Jeanne Froidelac witnesses the king’s soldiers murder her family and learns of her parents’ role in a brewing rebellion involving the forbidden secrets of alchemy. To seek her revenge, Jeanne disguises herself as an aristocrat and enrolls in a prestigious school for aspiring courtiers. She soon finds herself at the doors of the palace of Versailles. But Jeanne, of course, is no aristocrat. She dreams not of court but of blood. The blood of a king.