What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller--one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen? Alas, we cannot give you Austen, but Susan Hill's remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black. The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

Mary MacLane's I Await the Devil's Coming is a shocking, brave and intellectually challenging diary of a 19-year-old girl living in Butte, Montana in 1902. Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten.In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confessional style. In its first month of publication, the book sold 100,000 copies—a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.Now, with a new foreword written by critic Jessa Crispin, I Await The Devil's Coming stands poised to renew its reputation as one of America's earliest and most powerful accounts of feminist thought and creativity.

Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.

In a world where everyone takes wonders like magic spells and dragons for granted, Coco is a girl with a simple dream: She wants to be a witch. But everybody knows magicians are born, not made, and Coco was not born with a gift for magic. Resigned to her un-magical life, Coco is about to give up on her dream to become a witch…until the day she meets Qifrey, a mysterious, traveling magician. After secretly seeing Qifrey perform magic in a way she’s never seen before, Coco soon learns what everybody “knows” might not be the truth, and discovers that her magical dream may not be as far away as it may seem…

Fans of Stephen King, Jack Kilborn, and Blake Crouch… prepare to meet the Devil. In the vine-twisted swamps of Louisiana, the shadows have teeth. Jack Winter has spent his entire life running from something no one else can see. His childhood is his darkest secret, but after a near fatal accident along a deserted road, the darkness he was sure he’d escaped rears its ugly head… and smiles. But this time, he isn’t the only one who sees the soulless eyes of his past. This time, his six-year-old daughter Charlie leans into his ear and whispers: Daddy, I saw it too. And then she begins to change. Faced with reliving the nightmares of his childhood, Jack watches his daughter spiral into the shadows that had nearly consumed him twenty years before. But Charlie isn’t the only one who’s changing. Jack never outran the darkness. It’s been with him all along. And it’s hungrier than ever. A new breed of dark fiction: the subtlety of Seed will haunt you, and the end will wickedly satisfy.

''The best book ever written by man or woman . . . Deserves to sell more copies than the Bible" —Rebel Inc THE BESTSELLING NOVEL THAT INSPIRED DANNY BOYLE’S CULT FILM Described by The Sunday Times as "the voice of punk, grown up, grown wiser and grown eloquent," Trainspotting follows the lives of a group of Scottish junkies. Its bleak depiction of drug addiction is vivid and brutal, and has lost none of its power to shock. Choose the book that outraged the critics. Choose the literary phenomenon that defined a generation. Choose Trainspotting by Irvine Welsh.

The Times top ten bestseller. ‘An instant Scottish classic’ – The Skinny ‘A swaggering, incendiary debut’ – Guardian ‘Trainspotting for a new generation’ – Independent ‘Raw and lyrical’ – Observer ‘One of the most admired young voices in British fiction’ – The Times 2005. Glasgow is named Europe’s Murder Capital, driven by a violent territorial gang and knife culture. In the housing schemes of adjacent Lanarkshire, Scotland’s former industrial heartland, wee boys become postcode warriors. 2004. Azzy Williams joins the Young Team [YTP]. A brutal gang conflict with their deadly rivals, the Young Toi [YTB] begins. 2012. Azzy dreams of another life. He faces his toughest fight of all – the fight for a different future. Expect Buckfast. Expect bravado. Expect street philosophy. Expect rave culture. Expect anxiety. Expect addiction. Expect a serious facial injury every six hours. Expect murder. Hope for a way out.

A young man lies bleeding in the street. It could be any street, in any city. But it's not. It's Glasgow. And it's May - the marching season. The Orange Walks have begun. Graham doesn't want to be involved. He just wants to play football with his new mate, Joe. But when he witnesses a shocking moment of violence, suddenly he and Joe are involved. With Catholics, and with Protestants. With a young Muslim asylum-seeker, and his girlfriend. With all the old rivalries - and fears . . . A gripping tale about two boys who must find their own answers - and their own way forward - in a world divided by differences.

'A superb book ... Anybody interested in Scottish history needs to read it' Andrew Marr, Sunday TimesEighteenth-century Scotland is famed for generating many of the enlightened ideas which helped to shape the modern world. But there was in the same period another side to the history of the nation. Many of Scotland's people were subjected to coercive and sometimes violent change, as traditional ways of life were overturned by the 'rational' exploitation of land use. The Scottish Clearances is a superb and highly original account of this sometimes terrible process, which changed the Lowland countryside forever, as it also did, more infamously, the old society of the Highlands. Based on a vast array of original sources, this pioneering book is the first to chart this tumultuous saga in one volume, with due attention to evictions and loss of land in both north and south of the Highland line. In the process, old myths are exploded and familiar assumptions undermined. With many fascinating details and the sense of an epic human story, The Scottish Clearances is an evocative memorial to all whose lives were irreparably changed in the interests of economic efficiency. This is a story of forced clearance, of the destruction of entire communities and of large-scale emigration. Some winners were able to adapt and exploit the new opportunities, but there were also others who lost everything. The clearances created the landscape of Scotland today, but it came at a huge price.

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In sixteenth-century Europe women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency. From her lavishly embroidered gowns as the prospective wife of the French Dauphin to the fashion dolls she used to encourage a Marian style at the Scottish court and the subversive messages she embroidered in captivity for her supporters, Mary used textiles to advance her political agenda, affirm her royal lineage and tell her own story. In this eloquent cultural biography, Clare Hunter exquisitely blends history, politics and memoir to tell the story of a queen in her own voice.