In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.

A wry and bold debut novel, which is at once an irresistible catastrophe waiting to happen and an unflinching exploration of how we narrate the stories of our lives, as an aspiring novelist finds herself stalking—and writing about—her boyfriend’s ex-girlfriend. “I can’t help but compare our worth as writers, as lovers, as women. Is anything solely mine, or will I always dwell in someone else’s shadow?” Twenty-four-year-old bookseller and New Yorker Naomi Ackerman, desperate to write a novel, struggles to find the right story to tell. When, after years of disastrous Tinder dates, she meets Caleb—a perfectly nice guy with a Welsh accent and a unique patience for all of her quirks—she feels she's finally stumbled onto a time-honored subject: love. But then Caleb's ex-girlfriend, Rosemary, enters the scene. When Naomi learns that Rosemary is not safely tucked away overseas as she'd assumed but in fact lives in New York and works in the literary world, she is fundamentally threatened and intrigued in equal measure. On paper, Rosemary sounds like a better version of Naomi—but if they both fell for the same man, they must have something more essential in common. Determined to figure out how their stories intertwine, Naomi's casual Instagram stalking morphs into a full-blown friendship under false pretenses. She can't seem to get herself to quit Rosemary, in whom she discovers an unexpected confidant—and she can't stop writing about her either, having now found a more interesting subject for her nascent novel. As her lies and half-truths spiral out of her control, and fact and fiction become increasingly difficult to separate, Naomi manipulates the most important people in her life—her family, her friends, Caleb, Rosemary, and, perhaps most devastatingly, herself—in pursuit of her craft. Ultimately, she’s forced to decide who and what she's willing to sacrifice to write them all the perfect ending.

A beautiful, arresting short story by Toni Morrison—the only one she ever wrote—about race and the relationships that shape us through life, with an introduction by Zadie Smith. Twyla and Roberta have known each other since they were eight years old and spent four months together as roommates in the St. Bonaventure shelter. Inseparable at the time, they lose touch as they grow older, only to find each other later at a diner, then at a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and in disagreement each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them. Written in 1980 and anthologized in a number of collections, this is the first time Recitatif is being published as a stand-alone hardcover. In the story, Twyla's and Roberta's races remain ambiguous. We know that one is white and one is black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? Morrison herself described this story as "an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial." Recitatif is a remarkable look into what keeps us together and what keeps us apart, and about how perceptions are made tangible by reality.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or twelve and nurse a broken heart, shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances's bed and never left. Now, faced with mounting pressure from her drug dealer, Dom (and his goon, Betty), Frances comes up with a terrible idea: She asks Elaine to move in with her for real. Unfortunately, this seemingly romantic overture makes Elaine even more sex-crazed and maniacal with love. Frances fears she may never escape the relationship, so, given no choice, she makes the obvious decision: She will sedate Elaine. A story as enthusiastically madcap and funny as it is smart and emotionally surprising, Sedating Elaine introduces a roster of unforgettable characters and an indelible, wildly exciting new voice in fiction.

From the New York Times bestselling author of The Atlas Six, Girl Dinner is a darkly-fun novel about power, lust, and eating your fill, as wealthy moms and sorority girls practice a sinister new wellness trend . . .Good girls deserve a treat.Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected.After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey. Meanwhile, adjunct professor Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner's new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane's clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is, and even the few hours a day she's apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves.As Nina and Sloane each get drawn deeper into the arcane rituals of the sisterhood, they learn that living well comes with bloody costs. And when they are finally invited to the table, they will have to decide just how much they can stomach in the name of solidarity and power.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A teenage girl breaks free from her father's world of isolation in this exhilarating novel of family, identity, and the power we have to shape our own destinies—from the New York Times bestselling author of Pretty Things and Watch Me DisappearThe first thing you have to understand is that my father was my entire world.Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence existence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Thoreau-like utopia.As Jane becomes a teenager she starts pushing against the boundaries of her restricted world. She begs to accompany her father on his occasional trips away from the cabin. But when Jane realizes that her devotion to her father has made her an accomplice to a horrific crime, she flees Montana to the only place she knows to look for answers about her mysterious past, and her mother's San Francisco. It is a city in the midst of a seismic change, where her quest to understand herself will force her to reckon with both the possibilities and the perils of the fledgling Internet, and where she will come to question everything she values.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings. On a cold, gloomy night, twenty-three-year-old Kyoko stands in the rain with a knife in her hoodie’s pocket. Her target is Daniel, who seduced Kyoko’s mother then callously dropped her, leading to her death. But tonight, there will be repercussions. Following the unsuspecting Daniel home, Kyoko manages to get a rash kidnapping plot off the ground . . . and then nothing goes as planned. The Fetishist is the story of three people—Kyoko, a Japanese American punk-rock singer full of rage and grief; Daniel, a philandering violinist forced to confront the wreckage of his past; and Alma, the love of Daniel’s life, a Korean American cello prodigy long adored for her beauty, passion, and talent, but who spends her final days examining if she was ever, truly, loved. An exuberant, provocative story that confronts race, complicity, visibility, and ideals of femininity, The Fetishist was written before the celebrated author’s untimely death in 2019. Startlingly prescient, as wise and powerful as it is utterly delightful, this novel cements Katherine Min’s legacy as a writer with a singular voice for our times.

An elegant, razor-sharp debut about women's ambitions and appetites—and the truth about having it all. Outside of a childhood nickname she can't shake, Piglet's rather pleased with how her life's turned out. An up-and-coming cookbook editor at a London publishing house, she's got lovely, loyal friends and a handsome fiancé, Kit, whose rarefied family she actually, most of the time, likes, despite their upper-class eccentricities. One of the many, many things Kit loves about Piglet is the delicious, unfathomably elaborate meals she's always cooking. But when Kit confesses a horrible betrayal two weeks before they're set to be married, Piglet finds herself suddenly… hungry. The couple decides to move forward with the wedding as planned, but as it nears, and Piglet balances family expectations, pressure at work, and her quest to make the perfect cake, she finds herself increasingly unsettled, behaving in ways even she can't explain. Torn between a life she's always wanted and the ravenousness that comes with not getting what you know you deserve, Piglet is, by the day of her wedding, undone, but also ready to look beyond the lies we sometimes tell ourselves to get by. A stylish, uncommonly clever novel about the things we want and the things we think we want, Piglet is both an examination of women's sometimes complicated relationship with food and a celebration of the messes life sometimes makes for us.

From the International Booker Prize Shortlisted author of Heaven and Breasts and Eggs.Hana has nothing but she’s hopeful. She’s fifteen years old. She lives in a tiny apartment in a suburb of Tokyo with her young mother, a hostess at a local dive bar. They have no money, no security. Then Kimiko appears.Kimiko is older, a bright light in Hana’s dark world. Together they set up Lemon, a bar that caters to hostesses and their marks, small-time crooks, men with low morals and deep pockets, and anyone down on their luck. Suddenly Hana has a job she loves, friends to share her days with, and the glittering promise of money. She feels like a normal girl. She feels invincible.But in the seedy streets of Setagaya, nothing is as it seems. Soon all of Hana’s hope, her optimism, and her drive, will be tested to the limt . . .Twenty years later, Kimiko is on trial. Now Hana must wrestle with her own actions, and face their devastating consequences.A story of enduring friendship and deep betrayal, Sisters in Yellow is a masterpiece of teenage dreams and adult cruelties that confirms Mieko Kawakami as one of the great writers of her generation.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or twelve and nurse a broken heart, shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances's bed and never left. Now, faced with mounting pressure from her drug dealer, Dom (and his goon, Betty), Frances comes up with a terrible idea: She asks Elaine to move in with her for real. Unfortunately, this seemingly romantic overture makes Elaine even more sex-crazed and maniacal with love. Frances fears she may never escape the relationship, so, given no choice, she makes the obvious decision: She will sedate Elaine. A story as enthusiastically madcap and funny as it is smart and emotionally surprising, Sedating Elaine introduces a roster of unforgettable characters and an indelible, wildly exciting new voice in fiction.

This novel is about a woman called Martha. She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going. Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it. By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

This novel is about a woman called Martha. She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going. Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it. By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

For fans of My Dark Vanessa and Celeste Ng, Bad Fruit is an unforgettable portrayal of a toxic mother-daughter relationship and a young woman's search for truth and liberation. Just graduated from high school and waiting to start college at Oxford, Lily lives under the scrutiny of her volatile Singaporean mother, May, and is unable to find kinship with her elusive British father, Charlie. When May suspects that Charlie is having an affair, there's only one thing that calms May down: a glass of perfectly, spoiled orange juice served by Lily, who must always taste it first to make sure it's just right. As her mother becomes increasingly unhinged, Lily starts to have flashbacks that she knows aren't her own. Over a sweltering London summer, all semblance of civility and propriety is lost, as Lily begins to unravel the harrowing history that has always cast a shadow on her mother. The horrifying secrets she uncovers will shake her family to its core, culminating in a shattering revelation that will finally set Lily free. Beautiful and shocking, Bad Fruit is as compulsive as it is thought-provoking, as nuanced as it is explosive. A masterful exploration of mothers and daughters, inherited trauma and the race to break its devastating cycle, Bad Fruit will leave readers breathlessly questioning their own notions of femininity, race and redemption.