In this electrifyingly fierce and funny social satire-- a gender-flipped reboot of the iconic 1970's film "Taxi Driver"--a ride share driver is barely holding it together on the hunt for love, dignity and financial security . . . until she decides she's done waiting. "A ferocious new voice. A fierce and immersive debut."--Weike Wang Damani is tired. Her father just died on the job at a fast food joint, and now she lives paycheck to paycheck in a basement, caring for her mom and driving for an app that is constantly cutting her take. The city is roiling in protests --everybody's in solidarity with somebody-- but while she keeps hearing that they're fighting for change on behalf of people like her, she literally can't afford to pay attention. Then she gives a ride to Jolene (5 stars, obviously). Jolene seems like she could be the perfect girlfriend - attentive, attractive, an ally - and their chemistry is off the charts. Jolene's done the reading, she goes to every protest, and she says all the right things. So maybe Damani can look past the one thing that's holding her back: She's never dated anyone with money before, not to mention a white girl with money. But just as their romance intensifies and Damani finally lets her guard down, Jolene does something unforgivable, setting off an explosive chain of events. A wild, one-sitting read brimming with dark comedy, and piercing social commentary and announcing Priya Guns' feverishly original voice, Your Driver Is Waiting is a crackling send-up of our culture of modern alienation.

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself. You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes. On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them. The mermaid and her doctor must embrace the cruellest parts of their true nature if they hope to survive.

A woman’s mysterious death puts her husband and son on a collision course with her demonic family. A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality. For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar’s father go to protect his child? And can anyone escape their fate? Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina’s military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America’s most original novelists, “a mesmerizing writer,” says Dave Eggers, “who demands to be read.”

A deeply dark academia novel from USA Today bestselling author Cassandra Khaw, perfect for fans of A Deadly Education and The Atlas Six who are hungry for something a little more diabolical.The Hellebore Technical Institute for the Gifted is the premier academy for the dangerously the Anti-Christs and Ragnaroks, the world-eaters and apocalypse-makers.Hellebore promises redemption, acceptance, and a normal life after graduation. At least, that’s what Alessa Li is told when she’s kidnapped and forcibly enrolled. But there’s more to Hellebore than meets the eye. On graduation day, the faculty go on a ravenous rampage, feasting on Alessa’s class. Only Alessa and a group of her classmates escape the carnage. Trapped in the school’s library, they must offer a human sacrifice every night, or else the faculty will break down the door and kill everyone.Can they band together and survive, or will the faculty eat its fill?Also by Cassandra Khaw:The Salt Grows HeavyNothing But Blackened TeethA Song for QuietHammers on BoneThe Dead Take the A Train (co-written with Richard Kadrey)At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From award-winning author R. F. Kuang comes Babel, a historical fantasy epic that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British Empire Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide . . . Can powerful institutions be changed from within, or does revolution always require violence?