Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however – the eccentric and beautiful Carmilla. With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the village beyond, Laura wrestles to reconcile the truth – that the gentle, fragile woman she loves may be a monster cast out of heaven. Carmilla, the classic vampire novella written by J Sheridan LeFanu, receives new life in this gorgeous retelling, centered on the provocative, controversial leads of the original, Carmilla and Laura.

Anna "You'll watch your true love die three times before joining them in death." I've been living with the curse of that knowledge for years. Since the first half of that prophecy has already come true, I'm going to spend what's left of my life hunting down the vampire who killed my boyfriend. When she offers me a position at her side, she has no idea that I'm headed for an early grave, and I'm determined to bring her down with me. Just as soon as I can stop thinking about her and how much I'm tempted to actually stay and serve her. Marzanna My strange angel hasn't visited in centuries. So when she shows up in my throne room with blood on her face and hate in her eyes, I'm determined to do whatever it takes to make her stay. To make her remember. To make her mine. She Came for Blood is intended for readers 18+. You can find the content warnings on the author's website. This book is a vampire romance set in the same world as She Came from the Swamp and She Came at Midnight, but it can be read as a standalone.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however – the eccentric and beautiful Carmilla. With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the village beyond, Laura wrestles to reconcile the truth – that the gentle, fragile woman she loves may be a monster cast out of heaven. Carmilla, the classic vampire novella written by J Sheridan LeFanu, receives new life in this gorgeous retelling, centered on the provocative, controversial leads of the original, Carmilla and Laura.

En el nuevo mundo por enésima vez recién descubierto de las mujeres, La sed se interna para poner una distancia: de menor a mayor, especie contra género en la taxonomía de los reinos. Una vampira llega a las costas de la Buenos Aires decimonónica para ver por segunda vez en su vida cómo las aldeas se vuelven una ciudad cosmopolita. Es el ocaso de las bacanales de sangre, de la Europa en que se puede matar y comer a destajo. Hay que adaptarse, mezclarse con los humanos, ser discreta. En el otro extremo de la novela, una mujer contemporánea pasea con su hijo por el cementerio de la Recoleta y vive un poco inquieta su modesta emancipación. El encuentro entre el mortal aburrimiento de la una y el gótico a destiempo de la otra desencadena la hermosa novela que deja caer todo el peso de la muerte tumultuosa del pasado porteño sobre las pasiones familiares en sordina del presente. Darwin dice que para los naturalistas, “las especies, cuando se cruzan, resultan especialmente dotadas de esterilidad, a fin de impedir la confusión”. Marina Yuszczuk demuestra que en la literatura, por suerte, es exactamente al revés. Los experimentos con lo monstruoso de Mary Shelley y con la astucia doméstica de Jane Austen, más que Drácula, están en el origen de la novela de especies que se niega a ser sólo novela de género.

Starting a new school is never easy, but this time not fitting in could cost lives. Despite being raised by shifters, my life was fairly ordinary . . . until I tried to break up a fight and got zapped with magic. Then, all hell broke loose. The binding spell placed on me as an infant broke and I found out in a painful and rather unpleasant manner that I’m actually a witch. Sounds great, right? Yeah . . . not so much. Now, the very people my birth mother tried to hide me from want to use my concealment as an excuse to push an anti-shifter agenda. The only way to keep my adoptive family—and myself—safe is to enroll in the elite Ravencrest Academy and prove I can control my newfound abilities. Unfortunately, raw power doesn’t translate into competency and magic alone does nothing to help me navigate the ins and outs of witch society. But even with all the things working against me, I manage to make a few new friends and there's a spark of something more with the last person I expect. Still, I can’t let that distract me from the ugly truth that many who walk the halls of Ravencrest are eager to see me fail. To keep the peace between shifters and witches I must succeed . . . no matter the cost. Magic Bound is the first book in an exciting new YA paranormal academy series with a slow burn enemies-to-lovers romance. Perfect for fans of Supernatural Academy, Shadowspell Academy, and Evermore Academy.