Mother's corpse in bits, dead dog on the roof, girlfriend in a coma, baby nailed to the wall, and a hundred tons of homicidal beef stampeding through the tube system. And Steven thought the slaughterhouse was bad... Cows is the long-awaited reissue of Matthew Stokoe's critically acclaimed debut novel.

The Virgin Suicides meets The Florida Project in this wildly original debut—a coming-of-age story about the crucible of girlhood, from a writer of rare and startling talent We would not be born out of sweetness, we were born out of rage, we felt it in our bones. In Falls Landing, Florida—a place built of theme parks, swampy lakes, and scorched bougainvillea flowers—something sinister lurks in the deep. A gang of thirteen-year-old girls obsessively orbit around the local preacher's daughter, Sammy. She is mesmerizing, older, and in love with Eddie. But suddenly, Sammy goes missing. Where is she? Watching from a distance, they edge ever closer to discovering a dark secret about their fame-hungry town and the cruel cost of a ticket out. What they see will continue to haunt them for the rest of their lives. Through a darkly beautiful and brutally compelling lens, Dizz Tate captures the violence, horrors, and manic joys of girlhood. Brutes is a novel about the seemingly unbreakable bonds in the "we" of young friendship, and the moment it is broken forever.

A riotous, whirlwind tour through deep American subcultures ranging from Burning Man to Alcoholics Anonymous, by the writer and comedian Moshe Kasher After bottoming out, being institutionalized, and getting sober all by the tender age of fifteen, Moshe Kasher found himself “What’s next?” Over the ensuing decades, he discovered the a lot. There was his time as a boy-king of Alcoholics Anonymous, a kind of pubescent proselytizer for other teens getting and staying sober. He was a rave promoter turned DJ turned sober ecstasy dealer in San Francisco’s techno warehouse party scene of the 1990s. For fifteen years he worked as a psychedelic security guard at Burning Man, fishing hippies out of hidden chambers they’d constructed to try to sneak into the event. As a child of deaf parents, Kasher became deeply immersed in deaf culture and sign language interpretation, translating everything from end-of-life care to horny deaf clients’ attempts to hire sex workers. He reconnects and tries to make peace with his ultra-Hasidic Jewish upbringing after the death of his father before finally settling into the comedy scene where he now makes his living. Each of these scenes gets a gonzo historiographical rundown before Kasher enters the narrative and tells the story of the lives he has spent careening from one to the next. A razor-sharp, gut-wrenchingly funny, and surprisingly moving tour of some of the most wildly distinct subcultures a person can experience, Subculture Vulture deftly weaves together memoir and propulsive cultural history. It’s a story of finding your people, over and over again, in different settings, and of knowing without a doubt that wherever you are is where you’re supposed to be.

Quentin Tarantino’s long-awaited first work of fiction — at once hilarious, delicious, and brutal — is the always surprising, sometimes shocking new novel based on his Academy Award- winning film. RICK DALTON – Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH – Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have gotten away with murder. . . . SHARON TATE – She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON – The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star. HOLLYWOOD 1969 – YOU SHOULDA BEEN THERE

From a bold new voice in nonfiction, an exhilarating account of the lives and works of influential 17th and 18th century feminist philosophers Mary Wollstonecraft and her predecessors who have been written out of history, and a searing look at the author’s experience of patriarchy and sexism in academia As a young woman growing up in small-town Iowa, Regan Penaluna daydreamed about the big questions: Who are we and what is this strange world we find ourselves in? In college she fell in love with philosophy and chose to pursue it as an academician, the first step, she believed, to becoming a self-determined person living a life of the mind. What Penaluna didn’t realize was that the Western philosophical canon taught in American universities, as well as the culture surrounding it, would slowly grind her down through its misogyny, its harassment, its devaluation of women and their intellect. Where were the women philosophers? One day, in an obscure monograph, Penaluna came across Damaris Cudworth Masham’s name. The daughter of philosopher Ralph Cudworth and a contemporary of John Locke, Masham wrote about knowledge and God, and the condition of women. Masham’s work led Penaluna to other remarkable women philosophers of the era: Mary Astell, who moved to London at age twenty-one and made a living writing philosophy; Catharine Cockburn, a philosopher, novelist, and playwright; and the better-known Mary Wollstonecraft, who wrote extensively in defense of women’s minds. Together, these women rekindled Penaluna’s love of philosophy and awakened her feminist consciousness. In How to Think Like a Woman, Regan Penaluna blends memoir, biography, and criticism to tell the stories of these four women, weaving throughout an alternative history of philosophy as well as her own search for love and truth. Funny, honest, and wickedly intelligent, this is a moving meditation on what philosophy could look like if women were treated equally.

In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote to Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

Librarian's note: An alternate cover edition can be found here This short novel, already a modern classic, is the superbly told, tragic story of a Cuban fisherman in the Gulf Stream and the giant Marlin he kills and loses—specifically referred to in the citation accompanying the author's Nobel Prize for literature in 1954.

The face on the milk carton looks like an ordinary little girl: hair in tight pigtails, a dress with a narrow white collar, a three-year-old who was kidnapped more than twelve years ago from a shopping mall in New Jersey. As fifteen-year-old Janie Johnson stares at the milk carton, she feels overcome with shock. She knows that little girl is she. But how could it be true? Janie can't believe that her loving parents kidnapped her, until she begins to piece together clues that don't make sense. Why are there no pictures of Janie before she was four? Her parents have always said they didn't have a camera. Now that explanation sounds feeble. Something is terribly wrong, and Janie is afraid to find out what happened more than twelve years ago. In this gripping page-turner, the reader will unravel—as Janie does—the twisted events that changed the lives of two families forever.

Andrew Pinkney is a young English solicitor’s clerk with boyish good looks and a gentle manner. But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew’s mind, he embarks on a nightmarish quest, with unexpected and horrifying results. Stephen Gregory earned worldwide acclaim with his first novel, The Cormorant (1986), which won the Somerset Maugham Award and was adapted for a BBC film. In The Woodwitch (1988), his second novel, Gregory once again proves himself a master of disturbing and unsettling horror.

Andrew Pinkney is a young English solicitor’s clerk with boyish good looks and a gentle manner. But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew’s mind, he embarks on a nightmarish quest, with unexpected and horrifying results. Stephen Gregory earned worldwide acclaim with his first novel, The Cormorant (1986), which won the Somerset Maugham Award and was adapted for a BBC film. In The Woodwitch (1988), his second novel, Gregory once again proves himself a master of disturbing and unsettling horror.

“Only very rarely does one of our stories—one of us—change the course of human events. Joshua Sharpe asked the right questions, refusing easy answers.” —Anna Quindlen, Pulitzer Prize–winning journalist and best-selling author The riveting story of a 1985 double murder, a long-overdue investigation, and the fight to exonerate an innocent man. In 1985, a white man walked into a South Georgia church and brutally murdered Harold and Thelma Swain, two pillars of the area’s Black community. The killer vanished into the night. For fifteen years, the case remained unsolved. Then authorities zeroed in on Dennis Perry, a carpenter who grew up nearby. Convicted with devastatingly flawed evidence, Perry received a double life sentence. When award-winning journalist and South Georgia native Joshua Sharpe retraces the case, he discovers a winding path of corruption, devastating missteps, and secrets. Driven by the pursuit of the truth, Sharpe’s investigation takes him through dusty courthouse archives, down winding dirt roads, and into intense interviews. But he keeps knocking on doors—even after they’re slammed in his face. Sharpe uncovers explosive evidence that helps prove Dennis Perry’s innocence. And he confronts a long-ignored suspect: an alleged white supremacist who had bragged about committing the murders. But the fight for the truth is not easily won. When a key figure in the investigation turns up dead under suspicious circumstances, Sharpe’s sources and editors insist that he could be in danger. And even as evidence mounts of Perry’s innocence, local officials work to keep him in prison—until Sharpe’s reporting forces the state to launch a new investigation—thirty-five years after the Swains’ murders. Driven by Sharpe’s tireless reporting, The Man No One Believed tells the unbelievable story of one of the most confounding cases in Georgia history, the extraordinary fight to free an innocent man, and how state officials worked against the odds to deliver justice for the Swains after all. Both a riveting true crime story and a searing indictment of American injustice, The Man No One Believed is a gripping work of literary journalism—a moving examination of how we reckon with the sins of our past.