A deeply personal memoir-in-essays, reckoning with being an object of Asian fetish and how media, pop culture, and colonialism contributed to the oversexualization of Asian women—from Kaila Yu, former pinup model and lead singer of Nylon Pink. No one fetishized Kaila Yu more than she fetishized herself. As a young girl, she dreamt of beauty. But none of the beautiful women on television looked like her. Growing up as a teenager in the late '90s and early 2000s, Asian representation was scarce, and where it existed, the women were often reduced to overtly sexual and submissive caricatures—the geishas of the book-turned-film Memoirs of a Geisha; the lewd twins, Fook Mi and Fook Yu, in Austin Powers films; Papillon Soo Soo’s sex worker character in the cult Vietnam War movie Full Metal Jacket; and pin-up goddess Sung-Hi Lee. Meanwhile, the "girls next door" were always white. Within that narrow framework, Kaila internalized a painful conclusion: The only way someone who looked like her could have value or be considered beautiful and desirable was to sexualize herself. Blending vulnerable stories from Yu’s life with incisive cultural critique and history, Fetishized is a memoir-in-essays exploring feminism, beauty, yellow fever, and the roles pop culture and colonialism played in shaping pervasive and destructive stereotypes about Asian women and their bodies. Yu revisits the formative moments that shaped her identity. She reflects on the women in media who influenced her, the legacy of U.S. occupation in shaping Western perceptions of Asian women, her own experiences in the pinup and import modeling industry, auditioning for TV and film roles that perpetuated dehumanizing stereotypes, and touring the world with her band in revealing outfits. She recounts altering her body to conform to Western beauty standards, allowing men to treat her like a sex object, and the emotional toll and trauma of losing her sense of self in the pursuit of the image she thought the world wanted. Raw and intimate, Fetishized is a personal journey of self-love and healing. It’s both a searing indictment of the violence of objectification and a tender exploration of the broken relationship so many of us have with beauty, desire, and our own bodies.

An eye-opening firsthand account of the ongoing and trailblazing feminist movement in South Korea—one that the world should be watching. Since the beginning of the #MeToo movement, tens of thousands of people in South Korea have taken to the street, and many more brave individuals took a stand, to end a decades-long abortion ban and bring down powerful men accused of sexual misconduct—including a popular presidential contender. South Korean feminists know that the revolution has been a long time coming, between battles against its own patriarchal society as well as challenging stereotypes of docile Asian women in the Western imagination. Now, author Hawon Jung will show the rest of the world that these women are no delicate flowers—they are trailblazing flames. Flowers of Fire takes the reader into the trenches of this fight for equality, following along as South Korean activists march on the streets, navigate public and private spaces where spycam porn crimes are rampant, and share tips and tricks with each other as they learn how to protect themselves from harassment and how to push authorities to act. Jung, the former Seoul correspondent for the AFP, draws on her on-the-ground reporting and interviews with many women who became activists and leaders, from the elite prosecutor who ignited the country’s #MeToo movement to the young women who led the war against non-consensual photography. Their stories, though long overlooked in the West, mirror realities that women across the world are all too familiar with: threats of defamation lawsuits to silence victims of assault, tech-based sexual abuse, and criminal justice systems where victims’ voices are often met with suspicion and abusers’ downfalls are met with sympathy. These are the issues at the heart of their #MeToo movement, and South Korean women have fought against them vigorously—and with extraordinary success. In Flowers of Fire, Jung illuminates the strength and tenacity of these women, too often sidelined in global conversations about feminism and gender equality.

From The Guardian. Oct. 4, 2017. R.O. Kwon "Lorde seems prophetic, perhaps alive right now, writing in and about the US of 2017 in which a misogynist with white supremacist followers is president. But she was born in 1934, published her first book of poetry in 1968, and died in 1992. Black, lesbian and feminist; the child of immigrant parents; poet and essayist, writer and activist, Lorde knew about harbouring multitudes. Political antagonists tried, for instance, to discredit her among black students by announcing her sexuality, and she decided: “The only way you can head people off from using who you are against you is to be honest and open first, to talk about yourself before they talk about you.” Over and over again, in the essays, speeches and poems collected in Your Silence Will Not Protect You, Lorde emphasises how important it is to speak up. To give witness: “What are the words you do not yet have? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence?” '

In this, her first collection of nonfiction, Alice Walker speaks out as a black woman, writer, mother, and feminist in thirty-six pieces ranging from the personal to the political. Among the contents are essays about other writers, accounts of the civil rights movement of the 1960s and the antinuclear movement of the 1980s, and a vivid memoir of a scarring childhood injury and her daughter's healing words.

Since its publication in 1990, Gender Trouble has become one of the key works of contemporary feminist theory, and an essential work for anyone interested in the study of gender, queer theory, or the politics of sexuality in culture. This is the text where Judith Butler began to advance the ideas that would go on to take life as "performativity theory," as well as some of the first articulations of the possibility for subversive gender practices, and she writes in her preface to the 10th anniversary edition released in 1999 that one point of Gender Trouble was "not to prescribe a new gendered way of life [...] but to open up the field of possibility for gender [...]" Widely taught, and widely debated, Gender Trouble continues to offer a powerful critique of heteronormativity and of the function of gender in the modern world.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic views of native peoples as being in "the first state of innocence, before man knew how to sin." The novel also reveals Behn's ambiguous attitude toward slavery: while she favored it as a means to strengthen England's power, her powerful and moving work conveys its injustice and brutality.

David Sawyer and Erin Morrison, two lonely, TV-obsessed suburban teenagers, watch the 2009 analog to digital transition in Erin's family basement. Beneath the static that follows the analog switch-off, Erin catches a glimpse of a mysterious universe, the so-called Public Access Afterworld. Soon after that, she vanishes - breaking David's heart and changing his life forever.Fourteen years later, Bethany Peters slaves away at megacorporation GlobalVill's bleak Austin campus. A trans woman and a content moderator working the night shift, she is confronted by an endless stream of the most hideous videos humanity has to offer. But gradually a pattern emerges from the ocean of digital violence in the form of a young streamer, JulesPAA, who slices into their arms in each video before calling out the same Public Access Afterworld.When Bethany ignores the guidance of her corporate overseers and sets out to rescue Jules, she begins an epic journey that sweeps from rural Texas to the heart of American darkness at 1940s Los Alamos - all the way back to that basement where David and Erin had first encountered a world at the edges of reality itself.Can Bethany travel beyond the gates of Public Access Afterworld? And will they ever be able to make it back?

In 2024, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others. When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.

50th Anniversary Edition, with a new introduction by David Mitchell and a new afterword by Charlie Jane Anders Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.