As the band focuses on creating new songs and preparing for a music festival tryout, Haruki grows more and more intimidated by the talents of younger members Mafuyu and Uenoyama. Worried that he’s holding them back, he accepts his ex-girlfriend’s request to play in her band. Meanwhile, Akihiko realizes that Haruki has fallen in love with him, setting the stage for a major change in their relationship.

How and why a person comes to be possessed by a dybbuk—the possession of a living body by the soul of a deceased person—and what consequences ensue from such possession, form the subject of this book. Though possession by a dybbuk has traditionally been understood as punishment for a terrible sin, it can also be seen as a mechanism used by desperate individuals—often women—who had no other means of escape from the demands and expectations of an all-encompassing patriarchal social order. Dybbuks and Jewish Women examines these and other aspects of dybbuk possession from historical and phenomenological perspectives, with particular attention to the gender significance of the subject.

From the author of Utopia For Realists, a revolutionary argument that the innate goodness and cooperation of human beings has been the greatest factor in our success If one basic principle has served as the bedrock of bestselling author Rutger Bregman's thinking, it is that every progressive idea -- whether it was the abolition of slavery, the advent of democracy, women's suffrage, or the ratification of marriage equality -- was once considered radical and dangerous by the mainstream opinion of its time. With Humankind, he brings that mentality to bear against one of our most entrenched ideas: namely, that human beings are by nature selfish and self-interested. By providing a new historical perspective of the last 200,000 years of human history, Bregman sets out to prove that we are in fact evolutionarily wired for cooperation rather than competition, and that our instinct to trust each other has a firm evolutionary basis going back to the beginning of Homo sapiens. Bregman systematically debunks our understanding of the Milgram electrical-shock experiment, the Zimbardo prison experiment, and the Kitty Genovese "bystander effect." In place of these, he offers little-known true stories: the tale of twin brothers on opposing sides of apartheid in South Africa who came together with Nelson Mandela to create peace; a group of six shipwrecked children who survived for a year and a half on a deserted island by working together; a study done after World War II that found that as few as 15% of American soldiers were actually capable of firing at the enemy. The ultimate goal of Humankind is to demonstrate that while neither capitalism nor communism has on its own been proven to be a workable social system, there is a third option: giving "citizens and professionals the means (left) to make their own choices (right)." Reorienting our thinking toward positive and high expectations of our fellow man, Bregman argues, will reap lasting success. Bregman presents this idea with his signature wit and frankness, once again making history, social science and economic theory accessible and enjoyable for lay readers.

Building on his enormously successful first edition, Tom Nichols confirms his thesis that events, such as the COVID pandemic, prove that the assault on expertise has only intensified. Fully updated chapters continue to address how technology and increasing levels of education have exposed people to more information than ever before. These societal gains, however, have also helped fuel a surge in narcissistic and misguided intellectual egalitarianism that has crippled informed debates on any number of issues. Over the past several years, the rise of populism and conspiracy theories have taken this to new levels. All voices, even the most ridiculous, demand to be taken with equal seriousness, and any claim to the contrary is dismissed as undemocratic elitism. Tom Nichols' The Death of Expertise , Second Edition, follows up on how this rejection of experts has the openness of the internet, the emergence of a customer satisfaction model in higher education, the transformation of the news industry into a 24-hour entertainment machine, and importantly, the election of Donald Trump. Paradoxically, the increasingly democratic dissemination of information, rather than producing an educated public, has instead created an army of ill-informed and angry citizens who denounce intellectual achievement. When ordinary citizens believe that no one knows more than anyone else, democratic institutions themselves are in danger of falling either to populism or to technocracy or, in the worst case, a combination of both.

After hitting her head particularly hard one day, Duke Claes' daughter, Katarina, suddenly recalls all the memories of her past life: that of a teenage Japanese girl. Just before her untimely death, this girl recalls playing an otome game... that is exactly like the world she's living in now! She is now Katarina Claes, the antagonist of the otome game, who nastily hounded the protagonist until the end. Knowing all the possible outcomes of the game, she realizes that every single possible route ends with Katarina being murdered or exiled! In order to avoid these Catastrophic Bad Ends, she has to use her knowledge of the game and her own wiles, starting with breaking off this engagement with the prince... Will Katarina survive while making her way through this world, where bad flags trip at every turn? Find out in this reverse-harem rom-com, led by everybody's favorite villainess!

Our climate future is not yet written. What if we act as if we love the future? Sometimes the bravest thing we can do while facing an existential crisis is imagine life on the other side. This provocative and joyous book maps an inspiring landscape of possible climate futures. Through clear-eyed essays and vibrant conversations, infused with data, poetry, and art, Ayana Elizabeth Johnson guides us through solutions and possibilities at the nexus of science, policy, culture, and justice. Visionary farmers and financers, architects and advocates help us conjure a flourishing future, one worth the effort it will take—from all of us, with whatever we have to offer—to create. If you haven’t yet been able to picture a transformed and replenished world—or see yourself, your loved ones, and your community in it— this book is for you. If you haven’t yet found your role in shaping this new world, or you’re not sure how we can actually get there, this book is for you. With grace, humor, and humanity, Ayana invites readers to ask and answer this ultimate question, What if we get it right? On imagination, possibility, and transformation with Paola Antonelli Xiye Bastida & Ayisha Siddiqa Jade Begay Régine Clément Abigail Dillen Brian Donahue Kelly Sims Gallagher Rhiana Gunn-Wright Corley Kenna Bryan C. Lee Jr. & Kate Orff Franklin Leonard & Adam McKay Bill McKibben Kate Marvel Samantha Montano Leah Penniman Colette Pichon Battle Kendra Pierre-Louis Judith D. Schwartz Jigar Shah Bren Smith Oana Stanescu Mustafa Suleyman

Uenoyama realizes he’s in love with Mafuyu and steals a kiss from him backstage at their first live performance. But now he’s even more confused—he hasn’t shared his feelings with Mafuyu and has no idea how Mafuyu feels about him. In contrast to their naive romance, Haruki has been harboring a secret desire for bandmate Akihiko, who’s already entangled in an intense, conflicted relationship with someone else.

In this queer retelling of Nathaniel Hawthorne classic gothic story, Rappaccini’s Daughter, a young woman is lured to a lush estate owned by a botanist who might be hiding dark secrets. Cordelia Beecher is on the run. In search of her missing brother Edward, she has fled the oppressive charity school she was raised in, desperate to find the only family she knows. Using clues from his past letters, she sets off for the sleepy town of Farrow but everyone there claims to have never heard of Edward—not even the man he was supposedly working for as an apprentice. With nowhere to go, Cordi turns to Lady Evangeline, a local botanist who owns the magnificent Edenfield estate. The benevolent lady of the manor has made it her mission to take young, often traumatized, women into her employ and protect them from man’s world of wicked desires and deceits. Hired as a maid and companion to her enigmatic daughters, Prim and Briar, Cordi quickly settles into Edenfield. Even as her relationship with Briar blossoms, Cordi can’t help but suspect that there are secrets in the estate…and when she stumbles across evidence that Edward was once there, she’s determined to find answers. Atmospheric, eerie, and thoroughly original, Her Wicked Roots will establish Tanya Pell as a “wickedly creepy” (Josh Winning, author of Heads Will Roll) and vital voice in horror.

As the band races toward their first live concert, Mafuyu struggles to write lyrics for their new song but can’t find the words to express the emotions burning within him. Meanwhile, Uenoyama hears rumors about Mafuyu’s past and is bewildered by his own feelings. The tension builds until the night of the show, when the band explodes into a raging, life-changing performance.

Love of music unites the four members of the band Given: hotheaded guitarist Uenoyama, playboy drummer Akihiko, gentle bassist Haruki, and Mafuyu, a singer gifted with great talent and burdened by past tragedy. Their struggles and conflicts may drive them apart, but their bond to the music—and to each other—always brings them back together again. Ritsuka Uenoyama is bored with it all—with school, with his basketball club, and even with his one true passion: playing guitar. That is, until the day he finds his favorite hidden napping spot occupied by a strange boy cradling a broken-stringed guitar. At first, Uenoyama is nonplussed by Mafuyu Sato and his slightly odd behavior, but when, on a whim, he asks Mafuyu to sing, the power of that song pierces him to the core.