An incisive, wickedly funny debut novel about a graduate student who decides to follow her disgraced mentor to a university that gives safe harbor to scholars of ill repute, igniting a crisis of work and a test of her conscience (and marriage) Helen is one of the best minds of her generation. A young physicist on a path to solve high-temperature superconductivity, which could save the planet, Helen is torn when she discovers her brilliant advisor is involved in a sex scandal. Should she give up on her work with him? Or should she accompany him to a controversial university, founded by a provocateur billionaire, that hosts academics that other schools have thrown out? Helen decides she must go--her work is too important. She brings along her partner, Hew, who is much less sanguine about living on an island where the disgraced and deplorable get to operate with impunity. Soon enough, Helen finds herself drawn to an iconoclastic older novelist, while Hew stews in an increasingly radical protest movement. Their rift deepens until both confront choices that will reshape their lives--and maybe the world. Irreverent, generous, anchored in character, and provocative without being polemical, How I Won a Nobel Prize illuminates the compromises we’ll make for progress, what it means to be a good person, and how to win a Nobel Prize. Turns out it’s not that hard--if you can run the numbers.

Franny Stone has always been the kind of woman who is able to love but unable to stay. Leaving behind everything but her research gear, she arrives in Greenland with a singular purpose: to follow the last Arctic terns in the world on what might be their final migration to Antarctica. Franny talks her way onto a fishing boat, and she and the crew set sail, traveling ever further from shore and safety. But as Franny’s history begins to unspool—a passionate love affair, an absent family, a devastating crime—it becomes clear that she is chasing more than just the birds. When Franny's dark secrets catch up with her, how much is she willing to risk for one more chance at redemption? Epic and intimate, heartbreaking and galvanizing, Charlotte McConaghy's Migrations is an ode to a disappearing world and a breathtaking page-turner about the possibility of hope against all odds.

A wandering fortune teller finds an unexpected family in this warm and wonderful debut fantasy, perfect for readers of Travis Baldree and Sangu Mandanna. Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells "small" fortunes: whether it will hail next week; which boy the barmaid will kiss; when the cow will calve. She knows from bitter experience that big fortunes come with big consequences… Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a knead for adventure, and—of course—a slightly magical cat. Tao sets down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past are closing in—and she’ll have to decide whether to risk everything to preserve the family she never thought she could have.

In a world supported on the back of a giant turtle (sex unknown), a gleeful, explosive, wickedly eccentric expedition sets out. There's an avaricious but inept wizard, a naive tourist whose luggage moves on hundreds of dear little legs, dragons who only exist if you believe in them, and of course THE EDGE of the planet...

BOY Novak turns twenty and decides to try for a brand-new life. Flax Hill, Massachusetts, isn’t exactly a welcoming town, but it does have the virtue of being the last stop on the bus route she took from New York. Flax Hill is also the hometown of Arturo Whitman—craftsman, widower, and father of Snow. SNOW is mild-mannered, radiant and deeply cherished—exactly the sort of little girl Boy never was, and Boy is utterly beguiled by her. If Snow displays a certain inscrutability at times, that’s simply a characteristic she shares with her father, harmless until Boy gives birth to Snow’s sister, Bird. When BIRD is born Boy is forced to re-evaluate the image Arturo’s family have presented to her, and Boy, Snow and Bird are broken apart. Sparkling with wit and vibrancy, Boy, Snow, Bird is a deeply moving novel about three women and the strange connection between them. It confirms Helen Oyeyemi’s place as one of the most original and dynamic literary voices of her generation.

Zee nu is als de zee – grillig, woest en onvoorspelbaar, dreigend en uiteindelijk troostend. Het duurde even voor de mensen begrepen wat er aan de hand was. De zee komt de ene dag verder het strand op dan de andere. Een enkele strandwandelaar voelde wel dat er iets niet in de haak was. Maar wat? De zee wint elke dag een kilometer terrein. Polders aan de kust lopen vol en de boulevard van Scheveningen staat blank. De minister-president geeft een persconferentie en Defensie stuurt soldaten naar de dijken. Op Twitter roepen complotdenkers Actie!, de Action adverteert: Eenmalig! 4 reddingsvesten voor de prijs van 3! Wetenschappers komen van heinde en verre om dit zeldzame fenomeen te onderzoeken. Duitsland stelt sportzalen voor de geëvacueerde buren ter beschikking. De koning vertrekt naar zijn vakantiehuis in Mozambique. Maar waar moeten de herten heen? En hoe zal het de blijvers vergaan die hun kampement opslaan op de daken van kantoorgebouwen in de Randstad? Als de mensen geëvacueerd zijn en de laatste meeuwen hun heil elders zoeken, volgen wij activiste Arie, scholier Wilg en oceanograaf Paula van der Steen op hun tocht over de nieuwe zee, en ontdekken hoe het water hun kijk op de wereld fundamenteel verandert. Zee nu is als de zee – grillig, woest en onvoorspelbaar, dreigend en uiteindelijk troostend. Het is een roman over het grootste gevaar van dit moment, over Nederland, over de natuur die ons bedreigt en koestert en over de mens, die gedwongen wordt zichzelf opnieuw uit te vinden.,

A dark retelling of the Brothers Grimm's Goose Girl, rife with secrets, murder, and forbidden magic Cordelia knows her mother is unusual. Their house doesn’t have any doors between rooms, and her mother doesn't allow Cordelia to have a single friend—unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers. After a suspicious death in their small town, Cordelia’s mother insists they leave in the middle of the night, riding away on Falada’s sturdy back, leaving behind all Cordelia has ever known. They arrive at the remote country manor of a wealthy older man, the Squire, and his unwed sister, Hester. Cordelia’s mother intends to lure the Squire into marriage, and Cordelia knows this can only be bad news for the bumbling gentleman and his kind, intelligent sister. Hester sees the way Cordelia shrinks away from her mother, how the young girl sits eerily still at dinner every night. Hester knows that to save her brother from bewitchment and to rescue the terrified Cordelia, she will have to face down a wicked witch of the worst kind.

An incredible, revolutionary true story and surprisingly simple guide to teaching your dog to talk from speech-language pathologist Christina Hunger, who has taught her dog, Stella, to communicate using simple paw-sized buttons associated with different words. When speech-language pathologist Christina Hunger first came home with her puppy, Stella, it didn’t take long for her to start drawing connections between her job and her new pet. During the day, she worked with toddlers with significant delays in language development and used Augmentative and Alternative Communication (AAC) devices to help them communicate. At night, she wondered: If dogs can understand words we say to them, shouldn't they be able to say words to us? Can dogs use AAC to communicate with humans? Christina decided to put her theory to the test with Stella and started using a paw-sized button programmed with her voice to say the word "outside" when clicked, whenever she took Stella out of the house. A few years later, Stella now has a bank of more than thirty word buttons, and uses them daily either individually or together to create near-complete sentences. How Stella Learned to Talk is part memoir and part how-to guide. It chronicles the journey Christina and Stella have taken together, from the day they met, to the day Stella "spoke" her first word, and the other breakthroughs they've had since. It also reveals the techniques Christina used to teach Stella, broken down into simple stages and actionable steps any dog owner can use to start communicating with their pets. Filled with conversations that Stella and Christina have had, as well as the attention to developmental detail that only a speech-language pathologist could know, How Stella Learned to Talk will be the indispensable dog book for the new decade.

From the author of the classic A Little Life, a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances. These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness. To Paradise is a fin de siècle novel of marvellous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love – partners, lovers, children, friends, family and even our fellow citizens – and the pain that ensues when we cannot.

An engaging exploration of what it means to be asexual in a world that's obsessed with sexual attraction, and what we can all learn about desire and identity by using an ace lens to see the world What exactly is sexual attraction and what is it like to go through the world not experiencing it? What does asexuality reveal about consent, about compromise, about the structures of society? This exceedingly accessible guide to asexuality shows that the issues that aces face—confusion around sexual activity, the intersection of sexuality and identity, navigating different needs in relationships—are conflicts that all of us need to address as we move through the world. Through interviews, cultural criticism, and memoir, ACE invites all readers to consider big-picture issues through the lens of asexuality, because every place that sexuality touches our world, asexuality does too. Journalist Angela Chen uses her own journey of self-discovery as an asexual person to unpretentiously educate and vulnerably connect with readers, effortlessly weaving analysis of sexuality and societally imposed norms with interviews of ace people. Among those included are the woman who had blood tests done because she was convinced that "not wanting sex" was a sign of serious illness, and the man who grew up in an evangelical household and did everything "right," only to realize after marriage that his experience of sexuality had never been the same as that of others. Also represented are disabled aces, aces of color, non-gender-conforming aces questioning whether their asexuality is a reaction against stereotypes, and aces who don't want romantic relationships asking how our society can make room for them.

Conjuring slavery and witchcraft, and with bewitching powers all its own, Counternarratives continually spins history—and storytelling—on its head Ranging from the 17th century to the present and crossing multiple continents, Counternarrative’s novellas and stories draw upon memoirs, newspaper accounts, detective stories, interrogation transcripts, and speculative fiction to create new and strange perspectives on our past and present. In “Rivers,” a free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier Villaurrutia meet in Depression-era New York and share more than secrets.

In thirteenth-century Ireland, a woman with power is a woman to be feared. When a young Alice Kyteler sees her mother wither under the constraints of family responsibilities, she vows that she will not suffer the same fate. When she discovers she has a flair for making money, she soon builds a flourishing trade. But as her wealth and stature grow, so too do the rumours about her private life. By the time she has moved on to her fourth husband, a blaze of local gossip and resentment culminates in an accusation that could prove fatal. Inspired by the first recorded person in Ireland to have been condemned as a witch, Bright I Burn gives voice to a woman lost to history, who dared to carve her own space in a man's world.