She's been driving him wild for years . . . the good kind of wild. The kind of wild that comes with wanting your best friend's little sister and knowing you can't have her. Forbes may have labeled Ford Grant the World's Hottest Billionaire, but all he cares about is escaping the press and opening a recording studio in gorgeous small town Rose Hill. Something that comes to a screeching halt when he ends up face-to-face with a young girl who claims he's her biological father. Now, he spends his days balancing business with parenting a sullen twelve-year-old, all while trying desperately to keep his hands the hell off his best friend's sister, Rosie Belmont. After living in the city, Rosie came blasting back into town like a storm. Beautiful, messy, and chaotic. And one wide-eyed, desperate plea for a job is all it takes for Ford to hire her. He vows to keep her at arm's length. Tries to stick to scowls and grumpy one-liners. But with her, verbal sparring is a type of foreplay―friction that soon turns to blistering heat. Ford knows damn well he shouldn't cross this line. But shouldn't and can't are two very different things. And the only thing he truly can't do is resist her.

A hilarious and heartfelt rom-com about having it all, slowing down to see the big picture, and finding out that the person you least expect could be your perfect fit. Josephine Davis has spent her entire twenties building Revenant: a fashion brand headquartered in downtown Austin. When her biggest investor orders Josie to hire a consultant, the last person she expects to be working with is Will Grant—the twin brother of Josie’s ex best friend. Sure, Will and Josie may have shared one mistake of a kiss during senior spring break nine years ago, but they’ve never been friends. She remembers him as moody; he always thought of her as shallow. Romance isn’t on the table for either of them until they blink, and realize there’s a reason they can’t stay away from each other. But there’s Will’s sister to consider—whom Josie hasn’t spoken with since their falling out—not to mention, Will and Josie live seventeen hundred miles apart. And it’s not like she has time for a boyfriend anyway when she’s an overworked CEO. As Josie’s burnout looms while she falls deeper and harder for Will, she contends with the fact that eventually, she’ll have to make a choice: stay alone to be productive, or slow down to be in love.

A plucky yet innocent wallflower writing a dictionary of bawdy slang arranges her own marriage to the ultimate the town rake. As sexy as it is witty and as charming as it is irreverent, The Very Definition of Love is Emily Henry for the regency era. 1816– Harriet Barrington may be on her fifth season with no marriage prospects, but she’s fine with that. It gives her more time to write her dictionary of modern slang. Words are her passion, especially the exciting, filthy ones men have kept hidden from women for far too long. While researching late in the library during a party, Harriet accidentally finds herself in a compromising situation with notorious rake, Lord Alexander. To save her reputation and her younger sisters from ruin, Harriet has no choice but to slightly kidnap Alexander and strong arm him into an elopement. This arranged marriage has a very particular condition—it will be in name-only, leaving each of them to follow their own interests. For Harriet that’s her work, for Alexander, that’s women. But soon Alexander’s rakish existence is not nearly as fun as spending time with Harriet, and Harriet’s beginning to worry about how much she actually likes her husband. Behind the closed doors of their respectable home, things become a little… complicated. After all, who better to teach her the very thorough meaning of these indecent words than the renowned lover, Lord Alexander Stirling? Perhaps this marriage will teach them both a little more about that word they’ve been avoiding—love. If Carrie Bradshaw wrote a Regency romance…. Meet an irresistible new voice in sex and relationships columnist and lifelong romance fan, Sophia Benoit. Tropes Enemies-to-lovers / Marriage of convenience / There’s only one bed / Yearning / A misunderstanding / He teaches her / Regency era / Rake x wallflower

A plucky yet innocent wallflower writing a dictionary of bawdy slang arranges her own marriage to the ultimate the town rake. As sexy as it is witty and as charming as it is irreverent, The Very Definition of Love is Emily Henry for the regency era. 1816– Harriet Barrington may be on her fifth season with no marriage prospects, but she’s fine with that. It gives her more time to write her dictionary of modern slang. Words are her passion, especially the exciting, filthy ones men have kept hidden from women for far too long. While researching late in the library during a party, Harriet accidentally finds herself in a compromising situation with notorious rake, Lord Alexander. To save her reputation and her younger sisters from ruin, Harriet has no choice but to slightly kidnap Alexander and strong arm him into an elopement. This arranged marriage has a very particular condition—it will be in name-only, leaving each of them to follow their own interests. For Harriet that’s her work, for Alexander, that’s women. But soon Alexander’s rakish existence is not nearly as fun as spending time with Harriet, and Harriet’s beginning to worry about how much she actually likes her husband. Behind the closed doors of their respectable home, things become a little… complicated. After all, who better to teach her the very thorough meaning of these indecent words than the renowned lover, Lord Alexander Stirling? Perhaps this marriage will teach them both a little more about that word they’ve been avoiding—love. If Carrie Bradshaw wrote a Regency romance…. Meet an irresistible new voice in sex and relationships columnist and lifelong romance fan, Sophia Benoit. Tropes Enemies-to-lovers / Marriage of convenience / There’s only one bed / Yearning / A misunderstanding / He teaches her / Regency era / Rake x wallflower

Caroline Brennan just wants to be good.A good daughter, a good friend, a good person.It shouldn't be that hard, right?Hunter Whitlock doesn't care about being good.He just wants to be left alone.Turns out, that's not so easy.Turns out, when it comes to the pretty girl in the flowery dresses, that's not what he wants at all.Bloom is a single POV, small town romance following a shy florist and her grumpy cowboy love interest. The Serenity Ranch Series is a spin-off series of The Sun Valley Series. It is not required to read Sun Valley, but it is recommended.

A powerful Siren must face the monster threatening her home, even if it means risking everything—including the king she’s grown to love—in this dark and romantic follow-up to In the Veins of the Drowning. The realm has a new queen … and a new monster. Imogen Nel, a powerful Siren, can no longer hide her monstrous abilities. She has claimed her ancestral crown and new grotesque magic, and now the corrupted bond she shares with the ancient deity Eusia is stronger than ever. Though Imogen is determined to sever it, doing so is no easy feat. The threat of war looms. Shifting alliances, a hunger for magic, and her feelings for Theodore, King of Varya, attempt to thwart her at every turn. Meanwhile, Theodore is battling the strain of his own crown and commitments. When Imogen suddenly appears on his ship, every dutiful resolution he’s ever made threatens to snap. As they draw nearer to ending Eusia, lurking dangers and their perilous desire for one another prove nearly insurmountable. Will the chaos, ruin, and death that Imogen was prophesied to usher into the realm be the end of all things, or the beginning?

Caroline Brennan just wants to be good.A good daughter, a good friend, a good person.It shouldn't be that hard, right?Hunter Whitlock doesn't care about being good.He just wants to be left alone.Turns out, that's not so easy.Turns out, when it comes to the pretty girl in the flowery dresses, that's not what he wants at all.Bloom is a single POV, small town romance following a shy florist and her grumpy cowboy love interest. The Serenity Ranch Series is a spin-off series of The Sun Valley Series. It is not required to read Sun Valley, but it is recommended.

Childhood friends turned high school rivals fall into a small-town fake dating scheme in this sweet, spicy, and utterly irresistible romance from the author of Give Me Butterflies. Fable Oaks never planned to return to Fern River. But after a string of failures, here she is, living in her parents’ backyard, watching her beloved late grandfather’s A-frame crumble around her. She can't seem to find her direction, and to make matters worse, Theo Nikolaou, her ex-best friend, has also resurfaced, distracting dimples and charming grin in tow. Theo knew it was only a matter of time before he came back. The demons of his past once drove him to leave, but Fern River always seemed meant to be. So, when Theo’s boss, Arthur, announces he is selling his veterinary practice, it feels like the perfect opportunity. He just needs to show Arthur he’s sticking around for good. And when Fable—Fable, with her smart mouth and sexy curls—quite literally falls into Theo's lap, an idea forms. If they can convince the town that they're madly in love, it could solve all their problems. Theo can prove to Arthur he's settling down, and Fable can get some much-needed help fixing up the A-frame, a task she is determined to see through. The only problem is, the more time they spend together, the blurrier the line gets between fake dating and falling hard. She’s lost her way. He’s finding his path. Together, they might discover there's no place like home.

A powerful Siren must face the monster threatening her home, even if it means risking everything—including the king she’s grown to love—in this dark and romantic follow-up to In the Veins of the Drowning. The realm has a new queen … and a new monster. Imogen Nel, a powerful Siren, can no longer hide her monstrous abilities. She has claimed her ancestral crown and new grotesque magic, and now the corrupted bond she shares with the ancient deity Eusia is stronger than ever. Though Imogen is determined to sever it, doing so is no easy feat. The threat of war looms. Shifting alliances, a hunger for magic, and her feelings for Theodore, King of Varya, attempt to thwart her at every turn. Meanwhile, Theodore is battling the strain of his own crown and commitments. When Imogen suddenly appears on his ship, every dutiful resolution he’s ever made threatens to snap. As they draw nearer to ending Eusia, lurking dangers and their perilous desire for one another prove nearly insurmountable. Will the chaos, ruin, and death that Imogen was prophesied to usher into the realm be the end of all things, or the beginning?