There are two kinds of people no one ever expects to be murderers: little girls and old ladies. Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street for sixty years—longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past she's worked exceedingly hard at concealing—because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

In December 1937, the Japanese army invaded the ancient city of Nanking, systematically raping, torturing, and murdering more than 300,000 Chinese civilians. This book tells the story from three perspectives: of the Japanese soldiers who performed it, of the Chinese civilians who endured it, and of a group of Europeans and Americans who refused to abandon the city and were able to create a safety zone that saved many.

Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.

There are two kinds of people no one ever expects to be murderers: little girls and old ladies. Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street for sixty years—longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past she's worked exceedingly hard at concealing—because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

In this sweeping new historical series by Virginia Wise, a young woman finds a new life in America's first Amish settlement--and discovers that love requires a special sort of courage . . . Pennsylvania, 1737. Greta Scholtz braved a perilous journey--and the loss of her beloved father--to find religious freedom in America. With two orphan children she's taken under her wing, she's trying hard to survive this rugged new world. So she won't let settlement elders pressure her into marrying reserved widower Jacob Miller. She and Jacob simply can't agree on anything--even if the unexpected feeling between them is proving an irresistible force . . . After losing his wife and baby, grief-stricken Jacob keeps everyone at arm's length. Duty is the only reason he began helping the headstrong Greta make a life for herself and her charges. Yet he's grown to admire her, especially her strength in the face of obstacles--including him and his wounded ways. But wrenching misunderstandings and a jealous rival could separate them forever. To find harmony--and perhaps even a future together--Greta and Jacob must take a leap of faith and risk opening their hearts . . .

Snarky and romantic, I Hope This Doesn't Find You is Never Have I Ever meets To All the Boys if Lara Jean wrote hate emails instead of love letters. Sadie Wen is perfect on paper: school captain, valedictorian, and a "pleasure to have in class." It’s not easy, but she has a trick to keep her model-student smile plastered on her face at all times: she channels all her frustrations into her email drafts. She'd never send them of course -- she'd rather die than hurt anyone's feelings -- but it's a relief to let loose on her power-hungry English teacher or a freeloading classmate taking credit for Sadie's work. All her most vehemently worded emails are directed at her infuriating cocaptain, Julius Gong, whose arrogance and competitive streak have irked Sadie since they were kids. "You're attention starved and self-obsessed and unbearably vain . . . I really hope your comb breaks and you run out of whatever expensive hair products you've been using to make your hair appear deceptively soft..." Sadie doesn't have to hold back in her emails, because nobody will ever read them... that is, until they're accidentally sent out. Overnight, Sadie’s carefully crafted, conflict-free life is turned upside down. It's her worst nightmare -- now everyone at school knows what she really thinks of them, and they're not afraid to tell her what they really think of her either. But amidst the chaos, there's one person growing to appreciate the "real" Sadie -- Julius, the only boy she's sworn to hate...

Sitara spent her youth in the service of a scholarly household, where she was treated like family—the best life a slave like her could hope for in 13th century Iran. Then the Mongol invasions ripped it all away. Her home was burnt. Her beloved mistress was killed before her eyes. And she was dragged into the strange and unknown steppes… But Sitara adapts fast. Adopting her mistresses name, “Fatima,” she has used her education to become a vital asset in the Mongol court…where she bides her time for revenge. Has the hour come at last, now that Genghis Khan has died?

In the harem of the Khan, wisdom is beauty. The the thirteenth century. The Yeke Mongol Ulus, the greatest empire the world has ever known. The Fatima, hailing from Persia, where medical technique and scientific knowledge have been perfected beyond all precedent. Fatima’s desire for a stage where she can put her knowledge to work has brought her to the palace of the Mongols, where she falls under the wing of Töregene, the sixth wife of Ögedei, the second Great Khan—a mighty woman with complicated feelings about the direction of the empire. These two women are the axel upon which the politics of the palace, and soon the very world, will turn…

Introducing a major literary talent, The White Tiger offers a story of coruscating wit, blistering suspense, and questionable morality, told by the most volatile, captivating, and utterly inimitable narrator that this millennium has yet seen. Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells us the terrible and transfixing story of how he came to be a success in life—having nothing but his own wits to help him along. Born in the dark heart of India, Balram gets a break when he is hired as a driver for his village's wealthiest man, two house Pomeranians (Puddles and Cuddles), and the rich man's (very unlucky) son. From behind the wheel of their Honda City car, Balram's new world is a revelation. While his peers flip through the pages of Murder Weekly ("Love -- Rape -- Revenge!"), barter for girls, drink liquor (Thunderbolt), and perpetuate the Great Rooster Coop of Indian society, Balram watches his employers bribe foreign ministers for tax breaks, barter for girls, drink liquor (single-malt whiskey), and play their own role in the Rooster Coop. Balram learns how to siphon gas, deal with corrupt mechanics, and refill and resell Johnnie Walker Black Label bottles (all but one). He also finds a way out of the Coop that no one else inside it can perceive. Balram's eyes penetrate India as few outsiders can: the cockroaches and the call centers; the prostitutes and the worshippers; the ancient and Internet cultures; the water buffalo and, trapped in so many kinds of cages that escape is (almost) impossible, the white tiger. And with a charisma as undeniable as it is unexpected, Balram teaches us that religion doesn't create virtue, and money doesn't solve every problem -- but decency can still be found in a corrupt world, and you can get what you want out of life if you eavesdrop on the right conversations. The White Tiger recalls The Death of Vishnu and Bangkok 8 in ambition, scope, and narrative genius, with a mischief and personality all its own. Amoral, irreverent, deeply endearing, and utterly contemporary, this novel is an international publishing sensation —and a startling, provocative debut.

Snarky and romantic, I Hope This Doesn't Find You is Never Have I Ever meets To All the Boys if Lara Jean wrote hate emails instead of love letters. Sadie Wen is perfect on paper: school captain, valedictorian, and a "pleasure to have in class." It’s not easy, but she has a trick to keep her model-student smile plastered on her face at all times: she channels all her frustrations into her email drafts. She'd never send them of course -- she'd rather die than hurt anyone's feelings -- but it's a relief to let loose on her power-hungry English teacher or a freeloading classmate taking credit for Sadie's work. All her most vehemently worded emails are directed at her infuriating cocaptain, Julius Gong, whose arrogance and competitive streak have irked Sadie since they were kids. "You're attention starved and self-obsessed and unbearably vain . . . I really hope your comb breaks and you run out of whatever expensive hair products you've been using to make your hair appear deceptively soft..." Sadie doesn't have to hold back in her emails, because nobody will ever read them... that is, until they're accidentally sent out. Overnight, Sadie’s carefully crafted, conflict-free life is turned upside down. It's her worst nightmare -- now everyone at school knows what she really thinks of them, and they're not afraid to tell her what they really think of her either. But amidst the chaos, there's one person growing to appreciate the "real" Sadie -- Julius, the only boy she's sworn to hate...

With The Three-Body Problem, English-speaking readers got their first chance to experience the multiple-award-winning and bestselling Three-Body Trilogy by China's most beloved science fiction author, Cixin Liu. Three-Body was released to great acclaim including coverage in The New York Times and The Wall Street Journal. It was also named a finalist for the Nebula Award, making it the first translated novel to be nominated for a major SF award since Italo Calvino's Invisible Cities in 1976. Now this epic trilogy concludes with Death's End. Half a century after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence keeps the Trisolaran invaders at bay. Earth enjoys unprecedented prosperity due to the infusion of Trisolaran knowledge. With human science advancing daily and the Trisolarans adopting Earth culture, it seems that the two civilizations will soon be able to co-exist peacefully as equals without the terrible threat of mutually assured annihilation. But the peace has also made humanity complacent. Cheng Xin, an aerospace engineer from the early 21st century, awakens from hibernation in this new age. She brings with her knowledge of a long-forgotten program dating from the beginning of the Trisolar Crisis, and her very presence may upset the delicate balance between two worlds. Will humanity reach for the stars or die in its cradle?

He will be the destruction of the crown and the ruination of the throne. Power is much easier to acquire than it is to hold on to. Jude learned that lesson when she released her control over the wicked king, Cardan, in exchange for immeasurable power. Now, as the exiled mortal Queen of Faerie, Jude is left reeling from Cardan's betrayal. She bides her time, determined to reclaim everything he took from her. Opportunity arrives in the form of her deceptive twin sister, Taryn, whose mortal life is in peril. Jude must risk venturing back into the treacherous Faerie Court, and confront her lingering feelings for Cardan, if she wishes to save her sister. But Elfhame is not as she left it. War is brewing. As Jude slips deep within enemy lines, she becomes ensnared in the conflict's bloody politics. And when a terrible curse is unleashed, panic spreads throughout the land, forcing her to choose between her ambition and her humanity.... From #1 New York Times bestselling author Holly Black comes the highly anticipated and jaw-dropping finale to the Folk of the Air series.

He will be the destruction of the crown and the ruination of the throne. Power is much easier to acquire than it is to hold on to. Jude learned that lesson when she released her control over the wicked king, Cardan, in exchange for immeasurable power. Now, as the exiled mortal Queen of Faerie, Jude is left reeling from Cardan's betrayal. She bides her time, determined to reclaim everything he took from her. Opportunity arrives in the form of her deceptive twin sister, Taryn, whose mortal life is in peril. Jude must risk venturing back into the treacherous Faerie Court, and confront her lingering feelings for Cardan, if she wishes to save her sister. But Elfhame is not as she left it. War is brewing. As Jude slips deep within enemy lines, she becomes ensnared in the conflict's bloody politics. And when a terrible curse is unleashed, panic spreads throughout the land, forcing her to choose between her ambition and her humanity.... From #1 New York Times bestselling author Holly Black comes the highly anticipated and jaw-dropping finale to the Folk of the Air series.