The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

‘If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home.’What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father’s childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation.Fixing her gaze on moments, places and objects – from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem – Micaela Sahhar assembles a story of Palestinian diaspora. Find Me at the Jaffa Gate is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home.‘Micaela Sahhar’s Find Me at the Jaffa Gate is one of the most inventive, thought-provoking and captivating chronicles of Palestinian diasporic life I’ve had the pleasure of reading. It is a memoir written by a poet, poetry written by a novelist, literature written by an academic – it is all these things at once, insisting with a gentle yet unwavering confidence in the power of its unique, brilliantly evocative and genre-defying voice. Sahhar’s love for her family, homeland, the details and intimacies of everyday life; for language, history, archives, photographs and the treasured ephemera of a life in diaspora, shine through every line. The result is a book in which every word is deliberate, each line commands attention, each chapter is a world within a world.’ – Randa Abdel-Fattah, academic and writer, author of 11 Words for Love‘Micaela Sahhar’s family history has everything that makes any Palestinian family history worth telling and reading about. On the one hand, a rich culture that ranges from distinctive culinary practices to a distinctive sense of humour, and on the other hand, a tragic settler-colonial history of dispossession and oppression leading to a transnational diasporic existence, and that makes for a characteristic sense of space and place. But this is not any book about Palestine. Sahhar is a superior storyteller with a knack for highlighting evocative details. Storytelling, like any craft, embodies in different degrees the labour of the many people who have told stories about one’s subject matter in the past. The more a writer is well-read the more this shows in the historical density and the social complexity of their storytelling. Sahhar’s book is definitely dense and socially complex in this way. This could make for ‘heavy’ reading if it wasn’t for Sahhar’s superior writing skills. Indeed, I would say that more than anything else, this is a book for people who enjoy good writing, regardless of what the story is about. But of course, it matters what this story is about. This is a book about Palestine and Palestinians, and in the way the book is grounded in both the Palestinian tragedy and the Palestinian unlimited capacity to affirm life, the spirit of anti-colonial resistance animates every one of its pages. Sahhar finishes the book saying that like Mahmoud Darwish’s father she hopes that one day she will be able to go to Palestine, to the streets where her family originates from, and shout I am I. And I am here. But in a way, by writing this book, she already does that, if not from Palestine at least from the position she occupies within the transnational space of western colonialism.’ – Ghassan Hage, professor of anthropology at the University of Melbourne and author of The Diasporic Ethnographic Explorations of the Lebanese in the World

To all the world, Alizeh is a disposable servant, not the long-lost heir to an ancient Jinn kingdom forced to hide in plain sight. The crown prince, Kamran, has heard the prophecies foretelling the death of his king. But he could never have imagined that the servant girl with the strange eyes, the girl he can’t put out of his mind, would one day soon uproot his kingdom—and the world. Clashing empires, forbidden romance, and a long-forgotten queen destined to save her people—bestselling author Tahereh Mafi’s first in an epic, romantic trilogy inspired by Persian mythology.

A century of American history unfolds through the eyes of a giant tortoise with a heightened awareness for live music, the location of edible flowers, and the nuances of human behavior in this spellbinding debut novel. Snatched from her ancestral lands, a giant tortoise finds herself in an exclusive estate in southern California where she becomes an astute observer of societal change. Her journey is one of discovery, as she learns to embrace the music of jazz and the warmth of human connection. The tortoise’s story is enriched by her bond with Takeo, the estate’s gardener, who sees her as a being with thoughts and feelings, not just a creature to be observed. The tortoise’s mind and heart are further expanded by Lucy, a young girl who names the tortoise Magic and shares a friendship that transcends species. Together, they witness the estate’s transformation into a haven for industry titans, politicians, and rock stars, each leaving their mark on the world and on Magic’s heart. The tortoise embraces her role as a muse with gusto and witnesses how diverse human harmonies and the mighty winds of social change both uplift people and tear them apart. Over the course of her lifetime, the estate changes ownership, bringing raucous Hollywood parties, and animals both familiar and unexpected. There are also threats, as the estate’s idyll is not immune to the ravages of a damaged planet. Through each era, the tortoise remains a refreshingly honest, humble, and endearing narrator whose unique vantage point illuminates the transcendent power of compassion, the unexpected connections that shape how we see ourselves and each other, and the wide-reaching effects of choice—or the lack thereof. The Tortoise’s Tale is a whimsical yet profound exploration of humanity’s entangled journey, a call to recognize the interconnectedness of all life, and the potential for healing. Kendra Coulter’s debut novel is a moving portrait of resilience and hope, perfect for fans of Shelby Van Pelt’s Remarkably Bright Creatures.

In April of 1994, the government of Rwanda called on everyone in the Hutu majority to kill everyone in the Tutsi minority. Over the next three months, 800,000 Tutsis were murdered in the most unambiguous case of genocide since Hitler's war against the Jews. Philip Gourevitch's haunting work is an anatomy of the killings in Rwanda, a vivid history of the genocide's background, and an unforgettable account of what it means to survive in its aftermath.

The secret to happiness is to acknowledge and transform suffering, not to run away from it. Here, Thich Nhat Hanh offers practices and inspiration transforming suffering and finding true joy. Thich Nhat Hanh acknowledges that because suffering can feel so bad, we try to run away from it or cover it up by consuming. We find something to eat or turn on the television. But unless we’re able to face our suffering, we can’t be present and available to life, and happiness will continue to elude us. Nhat Hanh shares how the practices of stopping, mindful breathing, and deep concentration can generate the energy of mindfulness within our daily lives. With that energy, we can embrace pain and calm it down, instantly bringing a measure of freedom and a clearer mind. No Mud, No Lotus introduces ways to be in touch with suffering without being overwhelmed by it. "When we know how to suffer," Nhat Hanh says, "we suffer much, much less." With his signature clarity and sense of joy, Thich Nhat Hanh helps us recognize the wonders inside us and around us that we tend to take for granted and teaches us the art of happiness.

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

In December 1937, the Japanese army invaded the ancient city of Nanking, systematically raping, torturing, and murdering more than 300,000 Chinese civilians. This book tells the story from three perspectives: of the Japanese soldiers who performed it, of the Chinese civilians who endured it, and of a group of Europeans and Americans who refused to abandon the city and were able to create a safety zone that saved many.

To all the world, Alizeh is a disposable servant, not the long-lost heir to an ancient Jinn kingdom forced to hide in plain sight. The crown prince, Kamran, has heard the prophecies foretelling the death of his king. But he could never have imagined that the servant girl with the strange eyes, the girl he can’t put out of his mind, would one day soon uproot his kingdom—and the world. Clashing empires, forbidden romance, and a long-forgotten queen destined to save her people—bestselling author Tahereh Mafi’s first in an epic, romantic trilogy inspired by Persian mythology.