#1 New York Times bestselling author Brandon Sanderson brings us deeper into the Cosmere universe with a rollicking, riveting tale that will appeal to fans of The Princess Bride. The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Sophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl's castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there's far more to Howl—and herself—than first meets the eye.

A richly imagined, dark and dazzling cosy fantasy about learning to love ourselves by wondrous new Australian novelist, Christy Anne Jones Dorothy Louise Walcott should have died when she was fourteen. Instead, she grew into a timid young woman, frugal, ill, over-educated, and dreaming ceaselessly of running away to learn magic. When she hears of a woman who might apprentice her, she sets off on a journey to Alliaster, a city where spirits play cards with kings. Dot is determined to find the witch Theodora—empress of an underground syndicate peddling magic from the quaint façade of her tea shop. Theodora is everything Dot wants to be: beautiful, witty, confident. However, Dot’s arrival heralds the unearthing of Theodora’s eldritch secrets, threatening to topple the witch’s empire and take them both with it. Theodora’s Tea Shop is an atmospheric 1920s-inspired fantasy novel about magic, friendship and, of course, tea. It features twists and turns, found families, monstrous women, many heartfelt and cosy moments, and a creepy daemon who owns a department store. If you love Howl’s Moving Castle, you will adore this book.

A propulsive and nostalgic coming-of-age novel about the relationship between two teammates on a rural high school basketball team, from the author of I Keep My Exoskeletons to Myself.Star point guard Mack Morris’s senior year of high school begins with twin the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an exhilarating, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out of bounds for their small Pennsylvania town in 2004, and especially, for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnects between her past and her future—and fight for the life she wants for herself, whether or not Liv will be on the court beside her.Written with the lush longing of Andre Aciman’s Call Me By Your Name and the obsessive attention of Jean Kyoung Frazier’s Pizza Girl, and with all the romance and feeling of the beloved 2000 movie Love & Basketball, Crane’s sophomore novel is a voice-driven, literary treatment of the big feelings of first love, intimacy, heartbreak, grief, and of course, sports.

Savannah Grace is a huge star in Nashville. At least, she was. Her hit band Twice Struck topped the country music charts for almost a decade until her high profile marriage to her bandmate and co-writer publicly exploded. Now she’s fading from the spotlight and her own life, just trying to keep her head above water. Brynn Marshall is a little lost. Dropping out of med school made her the black sheep of the family and now she’s floating around LA trying to find a sense of purpose. When she falls down on her luck, her best friend - indie musician Noah Lyman - refuses to let her wallow. After all, he’s just got his big break, co-writing with a megastar! When Savannah enlists Noah to help her break out of country music and make a name for herself for once and for all, what better way to do it than to spend the winter in her secluded vacation home in the woods of Vermont? And what better way for Noah to help out a friend than to pretend he’s bringing along his wife? After all, what could possibly go wrong? If you would appreciate any content warnings please check my website

Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches and sleeping with her "head-for-the-hills bag". In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard. Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism. The family was so isolated from mainstream society that there was no one to ensure the children received an education and no one to intervene when one of Tara's older brothers became violent. Then, lacking any formal education, Tara began to educate herself. She taught herself enough mathematics and grammar to be admitted to Brigham Young University, where she studied history, learning for the first time about important world events like the Holocaust and the civil rights movement. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge. Only then would she wonder if she'd traveled too far, if there was still a way home. Educated is an account of the struggle for self-invention. It is a tale of fierce family loyalty and of the grief that comes with severing the closest of ties. With the acute insight that distinguishes all great writers, Westover has crafted a universal coming-of-age story that gets to the heart of what an education is and what it offers: the perspective to see one's life through new eyes and the will to change it.

For fans of Survivor and Less, this fast-paced debut novel shines an unflinching light on the drama of reality TV when a gay man returns to the cut-throat show he won in his youth after his adult life begins to unravel. Following the car accident that ended his football career and left his body scarred, 22-year-old Luke Griffin joins the cast of Endeavor, a new competition-based reality show that pits the tabloids’ darlings against one another in tasks of endurance and problem solving. At first, he thrives, effortlessly forming friendships and even a romantic relationship that he thinks will last a lifetime. But Luke has aspirations far bigger than the show's million-dollar prize, and soon a series of betrayals leads to irreversible tragedy, changing the course of his and his fellow contestants' lives forever.   Ten years later, Luke’s world looks very he is now a father of two and the stay-at-home husband to America’s only openly gay senator. When his husband's serial cheating is exposed, Luke impulsively joins the cast of Endeavor's latest season in a desperate bid to earn some fast cash. Back on set, he is confronted with everything he tried to leave in the bitter rivalries, shattered friendships, and crushing guilt, all of which threaten to tear down the walls he’s spent a decade building. As Season 20 of Endeavor kicks off, Luke must give everything to the game, even as he finally learns what it means––and what it costs––to face the truth. Combining the fabulous rivalries of The Traitors with the epic physical stunts of The Challenge, THE BOOK OF LUKE offers a grounded portrait of what it means to reinvent yourself when no one will let you forget your past - especially if it's immortalized on streaming services.

An electrifying and vulnerable memoir that invites readers into an intimate conversation about our digital and physical selves, gender, and belonging. In My Body Is Distant , Paige Maylott writes about her life ― both virtual and IRL ― as she explores her authentic self and sexuality through dream-like virtual worlds. While Paige dances in online BDSM clubs and hurls spells on virtual battlefields, she is swept into a fairy tale romance that pushes her into discovery How can she transcend her carefully curated computer universe and manifest that happiness in the real world? As she discovers the person she is meant to be, Paige contends with a cancer diagnosis and an imploding marriage while struggling to convert an online love story into reality. When a humiliation at work provides the necessary push to transition, Paige finds the freedom to explore her new self. Part trans woman’s coming-out story and part heartfelt romance, My Body Is Distant follows Paige from a childhood obsession with the 1980s game Zork , through a health crisis and divorce, to, ultimately, an affirmation of authenticity and self-love.

The contestants of a reality television dating show compete for love—and their lives—in this pulse-pounding and viciously funny fiction debut from the GLAAD Award-winning author of Real Queer America. When the final four women in competition for an aloof, if somewhat sleazy, bachelor's heart arrive on a mysterious island in the Pacific Northwest, they mentally prepare themselves for another week of extreme sleep deprivation, invasive interviews, and of course, the salacious drama that viewers nationwide tune in to eagerly devour. Each woman came on 'The Catch' for her own reasons—brand sponsorships, followers, and yes, even love—and they've all got their eyes steadfastly trained on their respective prizes. Enter Patricia, a temperamental, but woefully misunderstood local, living alone in the dark, verdant woods and desperate to forge a connection of her own. As the contestants perform for the cameras that surround them, Patricia watches from her place in the shadows, a queer specter haunting the bombastic display of heterosexuality before her. But when the cast and crew at last make her acquaintance atop the island's tallest and most desolate peak, they soon realize that if they're to have any hope of making it to the next Elimination Event, they'll first have to survive the night. A whirlwind romp careening toward a last-girl-standing conclusion and a scathing indictment of contemporary American media culture, Patricia Wants to Cuddle is also a love story: between star-crossed lesbians who rise above their intolerant town, a deeply ambivalent woman and her budding self-actualization, and a chosen family of misfit islanders forging community against all odds.

A propulsive and nostalgic coming-of-age novel about the relationship between two teammates on a rural high school basketball team, from the author of I Keep My Exoskeletons to Myself.Star point guard Mack Morris’s senior year of high school begins with twin the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an exhilarating, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out of bounds for their small Pennsylvania town in 2004, and especially, for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnects between her past and her future—and fight for the life she wants for herself, whether or not Liv will be on the court beside her.Written with the lush longing of Andre Aciman’s Call Me By Your Name and the obsessive attention of Jean Kyoung Frazier’s Pizza Girl, and with all the romance and feeling of the beloved 2000 movie Love & Basketball, Crane’s sophomore novel is a voice-driven, literary treatment of the big feelings of first love, intimacy, heartbreak, grief, and of course, sports.

A work of literary suspense that deconstructs the story of a serial killer on death row, told primarily through the eyes of the women in his life. Ansel Packer is scheduled to die in twelve hours. He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. He hoped it wouldn’t end like this, not for him. Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the homicide detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake.

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia's death and the conviction of the school's athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie. But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn't as much of an outsider at Granby as she'd thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case.

From award-winning poet Vanessa Angélica Villarreal comes a brilliant, singular collection of essays that looks to music, fantasy, and pop culture to excavate and reimagine what has been disappeared by the forces of migration and colonialism.   In Magical/Realism, Vanessa Angélica Villarreal offers us an intimate mosaic of migration, violence, and colonial erasure through the lens of her marriage and her experiences navigating American monoculture. As she attempts to recover the truth from the absences and silences within her life, her relationships, and those of her ancestors, Vanessa pieces together her story from the fragments of music, memory, and fantasy that have helped her make sense of it all.    The trauma of remembering gives the collection its unique Each chapter is an attempt to reimagine and re-world what has been lost. In one essay, Vanessa examines the gender performativity of Nirvana and Selena; in another, she offers a radical but crucial racial reading of Jon Snow in Game of Thrones; and throughout the collection, she explores how fantasy can provide healing when grief feels insurmountable. She reflects on the moments of her life that are too painful to remember—her difficult adolescence, her role as the eldest daughter of Mexican immigrants, her divorce—and finds a new way to archive her history and map her future(s), one infused with the hope and joy of fantasy and magical thinking.   By engaging readers in her project of rebuilding narrative, Vanessa broadens our understanding of what memoir and cultural criticism can be. Magical/Realism is a wise, tender, and essential collection that carves a path toward a new way of remembering and telling our stories.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.

From the award-winning author of Goodbye, Vitamin: How far would you go to shape your own destiny? An exhilarating novel of American identity that spans three generations in one family, and asks: What makes us who we are? And how inevitable are our futures? Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made, and if so, who gets to do the making? Can our genetic past be overcome?