From the bestselling author of Cultish and host of the podcast Sounds Like a Cult, a delicious blend of cultural criticism and personal narrative that explores our cognitive biases and the power, disadvantages, and highlights of magical thinking. Utilizing the linguistic insights of her “witty and brilliant” first book Wordslut and the sociological explorations of her breakout hit Cultish, Amanda Montell now turns her erudite eye to the inner workings of the human mind and its biases in her most personal and electrifying work yet. “Magical thinking” can be broadly defined as the belief that one’s internal thoughts can affect unrelated events in the external Think of the conviction that one can manifest their way out of poverty, stave off cancer with positive vibes, thwart the apocalypse by learning to can their own peaches, or transform an unhealthy relationship to a glorious one with loyalty alone. In all its forms, magical thinking works in service of restoring agency amid chaos, but in The Age of Magical Overthinking, Montell argues that in the modern information age, our brain’s coping mechanisms have been overloaded, and our irrationality turned up to an eleven. In a series of razor sharp, deeply funny chapters, Montell delves into a cornucopia of the cognitive biases that run rampant in our brains, from how the “Halo effect” cultivates worship (and hatred) of larger than life celebrities, to how the “Sunk Cost Fallacy” can keep us in detrimental relationships long after we’ve realized they’re not serving us. As she illuminates these concepts with her signature brilliance and wit, Montell’s prevailing message is one of hope, empathy, and ultimately forgiveness for our anxiety-addled human selves. If you have all but lost faith in our ability to reason, Montell aims to make some sense of the senseless. To crack open a window in our minds, and let a warm breeze in. To help quiet the cacophony for a while, or even hear a melody in it.

From the #1 New York Times bestselling author of A Man Called Ove and “writer of astonishing depth” (The Washington Times) comes a poignant comedy about a crime that never took place, a would-be bank robber who disappears into thin air, and eight extremely anxious strangers who find they have more in common than they ever imagined. Viewing an apartment normally doesn’t turn into a life-or-death situation, but this particular open house becomes just that when a failed bank robber bursts in and takes everyone in the apartment hostage. As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths. First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car. As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people. Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season. Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation—leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won’t soon forget.

He Is Her Ruin. She Is His Rebellion. The first thing you’ll learn in New Found Haven is mercy no longer exists. Showing mercy is a weakness, and weakness will get you killed. The second thing is this—the Veyra are always watching. From the highest glass atrium in the Heart to the windowless slum dens of the Boundary, no movement goes unseen. The last lesson is the hardest, but you must remember it. Love outside of your ring was a death sentence. The city is carved into rings of privilege and poverty, ruled by the masked elite who will do whatever it takes to hold onto power. Obedience is demanded. Rebellion is crushed. Greyson Serel has spent his life caught between two worlds. Publicly, he’s the flawless heir to the presidency. Privately, he’s entangled in secrets that could topple the regime. But when he’s forced into a political marriage meant to bind him tighter to the governments brutal laws, he finds himself shackled to a bride who is as lethal as she is unwilling. Shadera is a mercenary raised to kill, not to wed. Yet when her bullet misses its mark, survival leaves her bound to the very man she was sent to eliminate. Trapped inside the corrupt heart of the city, she becomes both prisoner and wife, her every step watched, her every move tested. Their union is no love story—It’s a battlefield. As secrets come to light and betrayals fester within the walls of power, Greyson and Shadera must decide between annihilating one another or burning the city to the ground together. In a world where passion sparks rebellion and loyalty is paid for in blood, their forced bond may be the spark that ignites a revolution. Or the fire that consumes them both. DAGGERMOUTH is a dark dystopian romance perfect for readers who love true enemies to lovers, The Hunger Game, marriage of inconvenience, The Handmaid's Tale, rise of the oppressed, and political intrigue that will keep you on the edge of your seat.

James Frankie Thomas’s Idlewild is a darkly funny story of two adults looking back on their intense teenage friendship, in a queer, trans, and early-Internet twist on the Manhattan prep school novel. Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades, and every day begins with 20 minutes of contemplative silence in the Meetinghouse. It is during one of those meetings that an airplane hits the Twin Towers. For two Idlewild outcasts, 9/11 serves as the first day of an intense, 18-month friendship. Fay is prickly, aloof, and obsessed with gay men; Nell is shy, sensitive, and obsessed with Fay. The two of them bond fiercely and spend all their waking hours giddily parsing their environment for homoerotic subtext. Then, during rehearsals for the fall play, they notice two sexually ambiguous boys who are potential candidates for their exclusive Invert Society. The pairs become mirrors of one another and drive each other to make choices that they’ll regret for the rest of their lives. Looking back on these events as adults, the estranged Fay and Nell trace that fateful school year, recalling backstage theater department intrigue, antiwar demonstrations, smutty fanfic written over AIM, a shared dial-up connection—and the spectacular cascade of mistakes, miscommunications, and betrayals that would ultimately tear the two of them apart.

From the bestselling author of The Lesbiana’s Guide to Catholic School comes a story in the vein of John Tucker Must Die but tackling serious topics. It’s a revenge story told with nuance, heart, and the possibility of healing.  Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers, despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen. Luis’s attention soon turns to something more, and they have sex at a party—while Ari didn’t say no, she definitely didn’t say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumor mill begins churning—thanks, she’s sure, to Luis’s ex-girlfriend, Shawni. Boys at school now see Ari as an easy target, someone who won’t say no.  Then Ari finds a mysterious note in her locker that eventually leads her to a group of students determined to expose Luis for the predator he is. To her surprise, she finds genuine friendship among the group, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she’ll have to come to terms with the truth of what he did to her that night—and risk everything to see justice done. 

In her debut novella, Rios de la Luz examines the lives a small family of water witches living near the US-Mexico border. Exploring issues of race and trauma along with beauty and magic, Itzá is a powerful reclamation of body and identity.

They’re only supposed to pretend to want each other. Bryn Garbo is a struggling actress with big dreams, a termite-infested apartment, and a secret side hustle as an erotic audio performer. When she lands a job recording the sapphic romance of the summer, her hope of breaking into audiobooks is finally within reach. If only her co-narrator weren’t Vivian del Castillo. Vivian is a legend. A former Hollywood sex symbol turned reclusive narrator, she’s built her life around one no one gets close. At first, they clash. Hard. But day after day in a sweltering studio, Bryn effortlessly chips away at Vivian’s resolve. One brushed elbow. One hungry gasp. One gaze that lingers too long. When the recording ends, the real performance begins. As Vivian blames the heat on the booth and Bryn tries not to fall for the version of Vivian no one else gets to see, the question isn’t whether one of them will break. It’s whether either of them can survive what comes after. Keep Talking is a steamy, slow-burn, age-gap romance about reclaiming identity, healing through intimacy, and finding not just a story worth telling, but a love worth living.