A house with a terrifying appetite haunts a broken family in this atmospheric horror, perfect for fans of Mexican Gothic. When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She’s always lied to fit in, so if she’s straight enough, Vietnamese enough, American enough, she can get out with the college money he promised. But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound, while bugs leave their legs and feelers in places they don’t belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can’t ignore the ghost of the beautiful bride who leaves her cryptic warnings: Don’t eat. Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house—the home her family has always wanted—will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house’s rot, she must also face the truth of who she is and who she must become to save them all.

Two graduate students must set aside their rivalry and journey to Hell to save their professor’s soul, perhaps at the cost of their own. Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion.

In this heartfelt, magical romcom, a down-and-out podcaster gets a second chance—at her career and love—when she’s cast in the audio drama adaptation of her favorite paranormal romance series . . . alongside the one who got away. Juniper Green doesn’t believe in magic anymore. Not since her mom died, her dreams of a publishing career fizzled, and her podcast—the one bright spot in her life—was stolen out from under her. Now, at thirty-two, she’s living in her dad’s spare room and wondering if life peaked when she was a teenager with a stack of vampire books and an unhealthy obsession with enigmatic immortals. Then comes the email: an invitation to audition for the lead role in the audio drama adaptation of The Meadow, the wildly popular vampire romance series that once defined her teenage years. It’s a dream opportunity—until she learns her co-star is James Neely, the brooding, talented actor who played Romeo to her Juliet in a one-night-only college show before breaking her heart and disappearing from the stage and her life . . . right along with the magic. To save the project (and her career), Juniper and James must revive their on-stage chemistry, playing The Meadow’s star-crossed lovers for the microphones and social media alike. But as the lines between performance and reality blur, Juniper is left wondering: can you rewrite the ending of a story you thought was over? Because love, like magic, is a fragile thing to lose . . . and to find again.

Courtney Gould’s thrilling debut The Dead and the Dark is about the things that lurk in dark corners, the parts of you that can’t remain hidden, and about finding home in places―and people―you didn’t expect. The Dark has been waiting for far too long, and it won't stay hidden any longer. Something is wrong in Snakebite, Oregon. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and all fingers seem to point to TV’s most popular ghost hunters who have just returned to town. Logan Ortiz-Woodley, daughter of TV's ParaSpectors, has never been to Snakebite before, but the moment she and her dads arrive, she starts to get the feeling that there's more secrets buried here than they originally let on. Ashley Barton’s boyfriend was the first teen to go missing, and she’s felt his presence ever since. But now that the Ortiz-Woodleys are in town, his ghost is following her and the only person Ashley can trust is the mysterious Logan. When Ashley and Logan team up to figure out who—or what—is haunting Snakebite, their investigation reveals truths about the town, their families, and themselves that neither of them are ready for. As the danger intensifies, they realize that their growing feelings for each other could be a light in the darkness.

Two young housemates embark on a road trip to discover themselves in a fractured America in this sparkling novel of love, friendship and chosen family, by the award-winning author of The Third Rainbow Girl What does it feel like, standing in the moments that will mark your life? When Bernie replies to Leah's ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography. After Bernie's former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs. What ensues is a three-week journey into the heart of the nation, bringing the aritsts into conversation with people from all walks of life—“the absurd dreamers and failures of this wide, wide country”—as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to to pursue their own ideas and dreams, and to embrace what they are capable of both romantically and artistically. Housemates is a warm and insightful coming-of-age story of youth and freedom, a glorious celebration of queer life, and how art and love might save us all.

Two young housemates embark on a road trip to discover themselves in a fractured America in this sparkling novel of love, friendship and chosen family, by the award-winning author of The Third Rainbow Girl What does it feel like, standing in the moments that will mark your life? When Bernie replies to Leah's ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography. After Bernie's former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs. What ensues is a three-week journey into the heart of the nation, bringing the aritsts into conversation with people from all walks of life—“the absurd dreamers and failures of this wide, wide country”—as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to to pursue their own ideas and dreams, and to embrace what they are capable of both romantically and artistically. Housemates is a warm and insightful coming-of-age story of youth and freedom, a glorious celebration of queer life, and how art and love might save us all.

Two graduate students must set aside their rivalry and journey to Hell to save their professor’s soul, perhaps at the cost of their own. Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion.

From the bestselling author of Hidden Pictures comes a breathtaking work of suspense about a father trying to save his daughter from a life-altering decision that will put everything he loves on the line. Frank Szatowski is shocked when his daughter, Maggie, calls him for the first time in three years. He was convinced that their estrangement would become permanent. He’s even more surprised when she invites him to her upcoming wedding in New Hampshire. Frank is ecstatic, and determined to finally make things right. He arrives to find that the wedding is at a private estate—very secluded, very luxurious, very much out of his league. It seems that Maggie failed to mention that she’s marrying Aidan Gardner, the son of a famous tech billionaire. Feeling desperately out of place, Frank focuses on reconnecting with Maggie and getting to know her new family. But it’s difficult: Aidan is withdrawn and evasive; Maggie doesn’t seem to have time for him; and he finds that the locals are disturbingly hostile to the Gardners. Frank needs to know more about this family his daughter is marrying into, but if he pushes too hard, he could lose Maggie forever. An edge-of-your-seat thriller that delves deep into the heart of one family, The Last One at the Wedding is a work of brilliant suspense from a true modern master.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

Candid, hilarious essays from the star of The Book of Mormon, Girls, and Big Mouth on anxiety, ambition, and the uncertain path to adulthood, which ask, how will we know when we get there? In Uncle of the Year, Andrew Rannells wonders: If he, now in his early forties, has everything he’s supposed to need to be a true adult–a career, property, a well-tailored suit–why does he still feel like an anxious twenty-year-old climbing his way toward security? Is it because he hasn’t won a Tony, or found a husband, or had a child? And what if he doesn’t want those things? (A husband and a child, that is. He wants a Tony.) In essays drawn from his life and career, Rannells argues that we all pretend we are constantly winning. And with each success, we act like we’ve reached the pinnacle of happiness (for our parents), maturity (for our friends), success (for our bosses), and devotion (for our partners). But if “adulting” is just a pantomime that’s leaving us unmoored, then we need new markers of time, new milestones, new expectations of what adulthood is–and can be. Along the way, Rannells looks back, reevaluating whether his triumphs were actually failures–and his failures, triumphs–and exploring what it will take to ever, ever feel like he has enough. In essays like “Uncle of the Year,” he explores the role that children play in his life, as a man who never thought having kids was necessary or even possible—until his siblings have kids and he falls in love with a man with two of his own. “It’s an Honor to Be Eligible” reveals the thrills and absurdities of the awards circuit (and the desire to be recognized for your work). And in “Horses, Not Zebras,” he shares the piece of wisdom that helped him finally come to terms with crippling anxiety and perfectionism. Filled with witty and honest insights and observations, and a sharp sense of humor, Uncle of the Year challenges us to take a long look at who we're pretending to be, who we know we are, and who we want to become.

A delightful queer Victorian love story, featuring a boldly brash trans hero, the beguiling botanist who captures his heart, and a buoyant bicycle race by the British seaside -- from the author of The Duke Undone. Former painter and unreformed rake Kit Griffith is forging a new life in Cornwall, choosing freedom over an identity that didn't fit. He knew that leaving his Sisterhood of women artists might mean forfeiting artistic community forever. He didn't realize he would lose his ability to paint altogether. Luckily, he has other talents. Why not devote himself to selling bicycles and trysting with the holidaymakers? Enter Muriel Pendrake, the feisty New-York-bound botanist who has come to St. Ives to commission Kit for illustrations of British seaweeds. Kit shouldn't accept Muriel's offer, but he must enlist her help to prove to an all-male cycling club that women can ride as well as men. And she won't agree unless he gives her what she wants. Maybe that's exactly the challenge he needs. As Kit and Muriel spend their days cycling together, their desire begins to burn with the heat of the summer sun. But are they pedaling toward something impossible? The past is bound to catch up to them, and at the season's end, their paths will diverge. With only their hearts as guides, Kit and Muriel must decide if they're willing to race into the unknown for the adventure of a lifetime.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.