Two women. An office filled with secrets. One terrible crime that can't be taken back Dawn Schiff is strange. At least, everyone thinks so at Vixed, the nutritional supplement company where Dawn works as an accountant. She never says the right thing. She has no friends. And she is always at her desk at precisely 8:45 a.m. So when Dawn doesn't show up to the office one morning, her coworker Natalie Farrell—beautiful, popular, top sales rep five years running—is surprised. Then she receives an unsettling, anonymous phone call that changes everything… It turns out Dawn wasn't just an awkward outsider—she was being targeted by someone close. And now Natalie is irrevocably tied to Dawn as she finds herself caught in a twisted game of cat and mouse that leaves her wondering: who's the real victim?< But one thing is incredibly clear: somebody hated Dawn Schiff. Enough to kill.

A best-selling author. A mother. A murderer… Mackenzie Casper is a brilliant student. But she is best known for her mother, a best-selling author whose dark, twisted thrillers have a dedicated worldwide fanbase. When her mother dies in an accident, fans across the world are left grieving, and the investigators are asking: Was that really an accident? The day of the memorial service, Mackenzie gets the first mysterious envelope, signed,From #1 fan. XOXO Inside are the pages of her mother’s diary that start with the lines: Want to know a secret?Love, Mom. What Mackenzie reads leaves her in shock.But then comes the second letter.And the third... Mackenzie starts her own investigation and stumbles upon secrets that her family has lived with for years.Quickly, she realizes that her mother's path to stardom was etched with sinister lies that might have caught up with her.Sometimes fame is worth a murder. Or worse.Soon, Mackenzie will come to find out that there are worse things than murder…

Human or vampire, the rules of survival are the same: never trust, never yield, and always – always – guard your heart. The adopted human daughter of the Nightborn vampire king, Oraya carved her place in a world designed to kill her. Her only chance to become something more than prey is entering the Kejari: a legendary tournament held by the goddess of death herself. But winning won’t be easy amongst the most vicious warriors from all three vampire houses. To survive, Oraya is forced to make an alliance with a mysterious rival. Everything about Raihn is dangerous. He is a ruthless vampire, an efficient killer, an enemy to her father’s crown… and her greatest competition. Yet, what terrifies Oraya most of all is that she finds herself oddly drawn to him. But there’s no room for compassion in the Kejari. War for the House of Night brews, shattering everything that Oraya thought she knew about her home. And Raihn may understand her more than anyone – but their blossoming attraction could be her downfall, in a kingdom where nothing is more deadly than love. The Serpent and the Wings of Night is the first book in a new series of heart-wrenching romance, dark magic, and bloodthirsty intrigue, perfect for fans of From Blood and Ash and A Court of Thorns and Roses.

A student finds herself accidentally betrothed to a demon—and investigating his connection to the magical irregularities plaguing her city—in this cozy, whimsical YA romantasy. As a scholarship student at the magical Lyceum, Naomi would rather focus on deciphering ancient scrolls than dating. Especially since the only boys asking her out are less interested in a night in Naomi’s company than an introduction to her influential aunt. So Naomi devises an excuse to turn down her persistent suitors: She claims to be betrothed to a demon. Her story works perfectly. Until she arrives home one night and finds the demon Daziel lounging in her rooms, insisting he’s her betrothed. Naomi knows he’s lying—after all, the betrothal was never real—but the gorgeous and infuriating demon is surprisingly resistant to her banishing spells. And with his penchant for baking and home décor, it’s not so bad having him around. Besides, she has bigger worries—like the ancient scroll she’s trying to translate, and the way the city’s magic has become suddenly unstable. But the more Naomi learns about the scroll, and the more she gets to know Daziel, the more it seems like she might be at the center of something bigger than she could have imagined.

"'There are only two reasons a non-seer would see a spirit on St. Mark's Eve,' Neeve said. 'Either you're his true love...or you killed him.'" It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them — not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can't entirely explain. He has it all — family money, good looks, devoted friends — but he's looking for much more than that. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents all the privilege around him; Ronan, the fierce soul who ranges from anger to despair; and Noah, the taciturn watcher of the four, who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore. From Maggie Stiefvater, the bestselling and acclaimed author of the Shiver trilogy and The Scorpio Races, comes a spellbinding new series where the inevitability of death and the nature of love lead us to a place we've never been before.

Alternate cover edition of ISBN 9780593336489. Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead. When her new editor, a too-handsome mountain of a man, won’t give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father. For ten years, she’s run from the town that never understood her, and even though she misses the sound of a warm Southern night and her eccentric, loving family and their funeral parlor, she can’t bring herself to stay. Even with her father gone, it feels like nothing in this town has changed. And she hates it. Until she finds a ghost standing at the funeral parlor’s front door, just as broad and infuriatingly handsome as ever, and he’s just as confused about why he’s there as she is. Romance is most certainly dead... but so is her new editor, and his unfinished business will have her second-guessing everything she’s ever known about love stories. A disillusioned millennial ghostwriter who, quite literally, has some ghosts of her own, has to find her way back home in this sparkling adult debut from national bestselling author Ashley Poston.

All strays are welcome here.From Sunday Times and New York Times bestselling author Heather Fawcett comes a healing and heart-warming fantasy with magic shops, rescue cats and a second chance at love.Agnes Aubert is very fond of making lists. These lists kept her afloat when she lost her husband two years ago. And now, as the founder of a cat rescue charity, her meticulous organization skills feel like the only thing standing between her beloved cats - His Majesty, Banshee and sweet elderly Thoreau, to name a few - and utter disaster.But when Agnes is forced to move the charity, she soon discovers that her new shop is being used as a front; right under her feet is the lair of the decidedly disorganised - not to mention self-absorbed and infuriatingly handsome - Havelock Renard.Havelock is everything Agnes doesn't want in her chaos, mischief, and a little too much adventure. But as she gets to know him, she discovers he's more than the dark magician of legend, and that she may be ready for a little intrigue, perhaps even romance. After all, second chances aren't just for rescue cats. . . Praise for the Emily Wilde 'Forget dark give me instead this kind of winter-sunshined, sharp-tongued and footnoted academia, full of field trips and grumpy romance' Freya Marske, author of A Marvellous Light'Enchanting in every sense of the word. . . This book is real magic' H. G. Parry, author of The Unlikely Escape of Uriah Heep'A book so vividly, endlessly enchanting, so crisply assured, so rich and complete and wise and far-reaching in its worldbuilding that you'll walk away half ensorcelled, sure Fawcett found Emily Wilde's journal in some sea-stained trunk' Melissa Albert'The ideal book to curl up with on a chilly winter's evening. . . this book is an absolute delight.' Megan Bannen, author of The Undertaking of Hart and Mercy'A charmingly whimsical delight. . . Five dazzling, gladdening stars' India Holton, author of The Wisteria Society of Lady Scoundrels'I enjoyed every word of this gorgeously written fairy tale featuring a grumpy heroine and an utterly charming love interest' Isabel Ibañez, author of Woven In Moonlight

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

When the scientist Victor Frankenstein attempts to create life in his laboratory, he sets in motion tragic forces beyond his control and faces losing everything he loves. No reader in the grip of Mary Shelley’s novel, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the countless adaptations, imitations, and homages which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), the teenaged Shelley managed to produce English Romanticism’s finest prose fiction. This edition reproduces her original 1818 text.