In this debut novel, a young woman in the Rocky Mountains, separated from the ancestral rhythms of her home in Scotland, turns to ancient rituals to find solace and connection. With shades of Olga Tokarczuk, Ali Smith, and Rachel Cusk, Hovel is a book for those fascinated by female interiority. Homesickness takes many forms. Alone in the mountains because of her husband’s job, occupied by little more than online video captioning she calls “kitten work,” our narrator becomes fascinated by the not-long-gone life of her Scottish ancestors, a time when the lamplighter took the night off for the full moon, girls bathed their faces in morning dew, and people sang to the seals. Her husband, however, is unsure of the emotional efficacy of cooking by candlelight, peeing in the woods, and writing vexed letters to the mayor about the birds living in the doomed aspens behind their apartment building. Especially because the letters are being read, out loud, at the town meetings attended by unimpressed neighbours. But our narrator is bewitched by the liminality of memory. In a novel of compelling poetic precision and depth, Ross captures the lengths we go to for connection when we’re alone, following threads of personal history and fascination to conclusions one can only reach when there’s too much time on one’s hands and it’s too cold to go outside.

An explosive, jaw-dropping debut about a woman who loses her job as an oil company CEO after she’s filmed having sex with a tree in her sleep, a calamity that unravels her mind, spiraling her through history until she’s united with a centuries-old coven of ecstatically revolutionary women. “You’re holding a torpedo of a book in your hand. Take a seat and get comfortable. This novel’s energy, humor, and rebel spirit will awaken your mind and change your way of thinking.” —Olga Tokarczuk, 2018 Nobel Prize Winner, Man Booker International Prize Winner, finalist for the National Book AwardAnna Frenza hates the tyrannical tree huggers and the idiotic eco-warriors—after all, she’s the CEO of Poland’s biggest oil company. But then she finds herself in a trance, sleepwalking into the woods and making love to a tree, manically—all caught on camera. Her career ends and, in the fallout, she discovers her husband’s disturbing secret. Her mind splinters until she is no longer Anna Frenza, CEO. Now—whether by delusion or possession of spirit—she lives in the Duchy of Nysa, a medieval province ruled by the Catholic Church.From her psychiatric bed, Anna falls in with Mathilde Spalt, leader of the Earthen Ones—a congregation of women who live in the woods and reject all patriarchy, instead engaging in ecstatic, sensuous worship of Mother Earth. Through Mathilde, Anna learns to love the forest, preaching and practicing the emancipatory rituals of the Earthen Ones . . . until the Church decides to fell the forest and all the women within it.Bold and entirely unexpected, The Hexes of the Deadwood Forest is a collective rebellion and a collective orgasm, the death knell to the elevation of the erect. Take hold of your seat; patriarchy is coming to an end.

NATIONAL BESTSELLER “For anyone who has felt fate intervening on their TikTok feed” (USA Today) comes a “gothic horror story wrapped up in a mystery [with] much to say about Hollywood, social media, and the creator economy” (Los Angeles Times)“Here you’ll find that gothic horror, so often lurking in the dingy dark, can manifest also in the fluorescent world of the terminally online.”—NPRThe You may think you’re inhabiting it, but is it really inhabiting you?After her boyfriend dumps her in a Reddit post, unemployed thirty-nine-year-old Dayna accepts an unusual opportunity from a man she stopped speaking to twenty years If Dayna can help Craig transform his crumbling mansion into a successful hype house of influencers, he can restore his birthright to its former glory, and she can bring her career back from the dead.But missing from the mansion is Becca, an enigmatic tarot card reader who built a rabid fandom with her cryptic, soul-touching videos . . . and then vanished. With nineteen-year-old Olivia, the newest member of the hype house (and one of Becca’s biggest fans), Dayna begins to build a social media campaign around Becca’s disappearance that will catapult the creators to new heights of success. Too bad Craig forbids Dayna from pursuing the mystery at its heart.As Olivia searches for traces of Becca in a labyrinthine house that seems intent on hiding its secrets, and Dayna becomes entangled with both Craig and Jake, the resident heartthrob and the last person to see Becca, the two women make a shocking discovery that will upend everything.

Darryl Cook is a man who seems to have everything: a quiet home in Western Oregon, a beautiful wife, and a lot of friends to fuck her while he watches. But as he explores the cuckolding lifestyle, he finds himself tugging at threads that threaten to unravel his marriage, his town, and himself. With empathy and humor, debut author Jackie Ess crafts a kaleidoscopic meditation on marriage, manhood, dreams, basketball, sobriety, and the secret lives of Oregonians.

Some people think foxes are similar to ghosts because we go around collecting qi, or life force, but nothing could be further than the truth. We are living creatures, just like you, only usually better looking . . . Manchuria, 1908. A young woman is found frozen in the snow. Her death is clouded by rumors of foxes involved, which are believed to lure people by transforming themselves into beautiful women and men. Bao, a detective with a reputation for sniffing out the truth, is hired to uncover the dead woman’s identity. Since childhood, Bao has been intrigued by the fox gods, yet they’ve remained tantalizingly out of reach. Until, perhaps, now. Meanwhile, a family that owns a famous Chinese medicine shop can cure ailments, but not the curse that afflicts them―their eldest sons die before their twenty-fourth birthdays. Now the only grandson of the family is twenty-three. When a mysterious woman enters their household, their luck seems to change. Or does it? Is their new servant a simple young woman from the north or a fox spirit bent on her own revenge? New York Times bestselling author Yangsze Choo brilliantly explores a world of mortals and spirits, humans and beasts, and their dazzling intersection. The Fox Wife is a stunning novel about a winter full of mysterious deaths, a mother seeking revenge, and old folktales that may very well be true.

Outlander-meets-The Princess Bride plus Camelot in a fresh, big-hearted, feminist, timeslip adventure reimagining the epic saga of King Arthur, as told from the perspective of his spunky and surprising queen, Vera – complete with time travel and good running shoes! ⚔DELUXE LIMITED EDITION HARDCOVER with stenciled edges, a beautiful foil-stamped hardcover, exclusive interior design with full-color illustrated endpapers, and a reversible dust jacket! Vera always knew she didn’t fit in. When she learns that she is meant to be in another time, she leaps at the chance to embrace a new life in a world of valor, intrigue, and unexpected magic in this bold and romantic retelling of Arthurian legend . . . 22-year-old Vera is at a crossroads: waiting tables, grieving her previous relationship, and jogging aimlessly each morning as if toward an uncertain future. Then an odd man shows up at her workplace, insisting that she was once the legendary Queen Guinevere of Camelot, and that her lost memories hold the key to changing both the past and the present. Somehow, it all feels like the direction she’s been looking for. But when she asks the mysterious man to tell her more about Lancelot, Arthur, and a faithless queen, he can only say that much of what she’s heard about Camelot is wrong. The truth, he claims, is something she must see for herself. After jumping through a portal in Glastonbury’s historic center, Vera is not prepared for what she finds. Magic is everywhere, but a curse on the kingdom means it dwindles every day. She has no idea how to perform a queen’s duties. Her fast friendship with Lancelot sets gossip flowing, and the stranger she must call “husband” often refuses to meet her eye. Arthur is a puzzle: cold, forbidding, and, while angry to her face, keeps leaving secret tokens of tenderness in her chambers. Worst of all, Vera’s memories—and the answers locked within them—show no signs of returning. If Vera is truly destined to save Camelot, she’ll have to trust her instincts. And her king will have to trust her . . .

Accused of “promiscuity” in 1940s North Carolina, a young woman unjustly incarcerated and subjected to involuntary medical treatment at The State Industrial Farm Colony for Women decides to fight back in this powerful, shockingly timely novel based on the long-buried history of the American Plan, the government program designed to regulate women’s bodies and sexuality throughout the first half of the 20th century. The day Ruth Foster’s life changes begins the same way as many others—with a walk through her North Carolina hometown toward the diner where she works. But on this day, Ruth is stopped by the local sheriff, who insists that she accompany him to a health clinic. Women like Ruth—young, unmarried, living alone—must undergo testing in order to preserve decency and prevent the spread of sexual disease. Though Ruth has never shared more than a chaste kiss with a man, by day’s end she is one of dozens of women held at the State Industrial Farm Colony for Women. Some, like 15-year-old Stella Temple, are brought in at their family’s request. For Stella, even the Colony’s hardships seem like a respite from her nightmarish home life. Superintendent Dorothy Baker, convinced that she’s transforming degenerate souls into upstanding members of society, oversees the women’s medical treatment and “training” until they’re deemed ready for parole. Sooner or later, everyone at the Colony learns to abide by Mrs. Baker’s rule book or face the consequences—solitary confinement, grueling work assignments, and worse. But some refuse to be cowed. Against Mrs. Baker’s dogged efforts and the punishing weight of authority, Ruth and other inmates find ways to fight back, resolved to regain their freedom at any cost . . .

ホラウチリカが紹介されたアルバイトは美術館のヴィーナス像とのラテン語でのお喋りだった!?　

Librarian's Note: This is the entry for the short story collection. Please don't combine it with the short story of the same name. A triptych of stories about love, lust, betrayal, misogyny, and the ever-intriguing interchanges between women and men. Celebrated for her powerful short fiction, Claire Keegan now gifts us three exquisite stories, newly revised and expanded, together forming a brilliant examination of gender dynamics and an arc from Keegan’s earliest to her most recent work. In “So Late in the Day,” Cathal faces a long weekend as his mind agitates over a woman with whom he could have spent his life, had he behaved differently. In “The Long and Painful Death,” a writer’s arrival at the seaside home of Heinrich Böll for a residency is disrupted by an academic who imposes his presence and opinions. And in “Antarctica,” a married woman travels out of town to see what it’s like to sleep with another man and ends up in the grip of a possessive stranger.  Each story probes the dynamics that corrupt what could be between women and a lack of generosity, the weight of expectation, the looming threat of violence. Potent, charged, and breathtakingly insightful, these three essential tales will linger with readers long after the book is closed.

December 1962, a small village near Bristol. Eric and Irene and Bill and Rita. Two young couples living next to each other, the first in a beautiful cottage - suitable for a newly appointed local doctor - the second in a rundown, perennially under-heated farm. Despite their apparent differences, the two women (both pregnant) strike an easy friendship - a connection that comes as a respite from the surprising tediousness of married life, with its unfulfilled expectations, growing resentments and the ghosts of a recent past.But as one of the coldest winters on record grips England in a never-ending frost and as the country is enveloped in a thick, soft, unmoving layer of snow, the two couples find themselves cut off from the rest of the world. And without the small distractions of everyday existence, suddenly old tensions and shocking new discoveries threaten to change the course of their lives forever.A masterful, page-turning examination of the minutiae of life, The Land in Winter is a masterclass in storytelling - proof yet again that Andrew Miller is one of Britain's most dazzling chroniclers of the human heart.

A literary speculative novel about an isolated town neighbored by its own past and future Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she’ll decide who may cross her town’s heavily guarded borders. On the other side, it’s the same valley, the same town--except to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. The towns repeat in an endless sequence across the wilderness. When Odile recognizes two visitors she wasn’t supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he’s still alive in Odile’s present. Edme––who is brilliant, funny, and the only person to truly see Odile––is about to die. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil’s top candidate, yet she finds herself drawing closer to the doomed boy, imperiling her entire future.